Tag Archives: toddler

Book Reviews: November 2019 Picture Book Roundup: Sing Along

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Snow Blows White

Click to visit the publisher's site for links to order and summary.

The Soundtrack Series: Let It Go by the Disney Book Group. Disney, 2019. Intended audience: Ages 3-5.

You probably almost all know this book by heart already. This is the lyrics and illustrations to match the original animation of “Let It Go” from Disney’s Frozen. Nothing really spectacular here, but if you need the lyrics for, say, a sing-along story time, it is a helpful book to have on hand. The book comes with a CD of the single. According to the description, the CD is a karaoke, instrumental version, and a sing-along version of the song. It’s a good song, but I’m not sure that the picture book is a necessary publication. I was surprised how few of my littles at story time did sing along with the book and I (we were a cappella). I had one who definitely knew the chorus, but that was all the backup that I got.

***

Click to visit the publisher's page for links to order and summary.

Reindeers Are Better Than People by the Walt Disney Company. Disney, 2015. Intended audience: Ages 3-5.

I had sort of hoped that this would be the lyrics to the song like the Soundtrack Series: Let It Go—only because I was doing a sing-along story time. It was not. I still sang the song for the kids, and I only missed a line. I pulled it up on my iPod and let Jonathan Groff sing us through it once too. It’s such a delightful, short song. Instead of lyrics, this is a very brief introduction to the characters of Frozen, seemingly narrated by Kristoff (I would guess because of his “thing with the reindeer”), two sentences or for each of the main adventurers. The kids at story time laughed at and seemed to very much enjoy the characters that they knew with reindeer antlers.

***

Click to visit the publisher's page for links to order and summary. 

Anna, Elsa, and the Secret River by Andria Warmflash Rosenbaum and illustrated by Denise Shimabukuro and Elena Naggi. Disney, 2019. Intended audience: Ages 3-5.

This is a new adventure for children Anna and Elsa. Note: I have not yet seen the new film, but I don’t believe that this particular adventure is portrayed in the film. Anna convinces Elsa to chase after a magical river that might provide answers to why Elsa is born with magic mentioned in a lullaby. The sisters use their senses to search for the river, but the sun begins to rise before they find it. As soon as they decide to return to the castle, they wake in their beds, but was the adventure a dream or did they really venture out of the castle and into the woods? The illustrations in this are beautiful, and Rosenbaum does a good job capturing the personalities of the two sisters as I understand them from the first Frozen film. The introduction to the senses—sight, smell, hearing—was a nice touch too.

****

Click to visit the publisher's page for links to order, summary, reviews, and sample.The Crayons’ Christmas by Drew Daywalt and illustrated by Oliver Jeffers.  Penguin Workshop-Penguin Random, 2019.

In previous Crayons books the crayons have written to Duncan.  Now the crayons are the recipients, receiving letters and postcards and gifts from friends and family in a sweet celebration of reaching out to loved ones at the holidays.  The book has the same offbeat humor and insightful comments on our use of colors that the previous books did.  Many of the characters are from previous books, their adventures expanded here, and I think the book made less sense as a standalone for that reason.  The concept of the crayons and their letters was not well explained in this book (I’m giving it five stars anyway but suggest reading The Day the Crayons Came Home first; meet Esteban).

I grew up with my mother’s love of the interactive picture book, The Jolly Postman by Allan Ahlberg.  This book reminded me of that with its letters and postcards and gifts in envelopes attached to the page while the envelopes’ contents remained separate, able to be taken from the book and read.  This book includes ornaments to hang on a Christmas tree, games, and a gluten-free cookie recipe to try in addition to letters and postcards.  There was also a Hanukkah greeting and paper dreidel to make!  Reading it could easily be spread out over a day or several days if one stops to interact with all the contents.

I had a small audience for this one, but they did better with this story than they have with the length of any of the other Crayons books.  I struggled to balance the book and the separate pieces.  If you’re reading it aloud, make sure you have somewhere to lay the book down to hold up the envelopes’ contents.

*****

 Click to visit BN's website for links to order, summary, trailer, and reviews.

Jack Frost vs. the Abominable Snowman by Craig Manning and illustrated by Alan Brown. Wonderland-Sourcebooks, 2019. Intended audience: Ages 4-7.

I am excited to have an introduction to choose your own adventure style stories for such a young audience, although the Choose Your Path series name is more fitting. The endings for this story cannot change; there is only one. A reader can however choose which character to follow through the story. There is a lesson here about not having to be locked into one way of reading. When I let my story time children choose their path, they did miss one adventure with Abe the Abominable Snowman, so if they read it a second time, there might be a surprise for them. The instructions to turn to this or that page were included in the rhyming text, and sometimes that felt awkward, but reading it aloud without any prep time, it was nice to have a catchy way to explain to the audience how we could choose between following either of the two racers.

***

Click to visit the publisher's page for links to order, summary, and sample pages.

Cookies for Santa: The Story of How Santa’s Favorite Cookie Saved Christmas. Illustrated by Johanna Tarkela. America’s Test Kitchen Kids-Sourcebooks Explore-Sourcebooks, 2019. Intended audience: Ages 4-7.

This was a pretty long book for story time, and required me to skip a bit of the text—though, again, I didn’t get to prep. With more time before reading, I might have been able to trim it more effectively. I barreled through to the ending, but the kids’ attentions were wandering. This is yet one more picture book trying to begin a new Christmastime tradition (like Elf on the Shelf, like Santa’s Magic Key), though this is my favorite of the traditions that picture books have yet tried to begin—and may already be a tradition for many. This tradition is to make a particular type of cookie: Chocolate Krinkle Cookies.

The Kringle family cookbook, which Santa uses every year to make cookies for his helpers and family, is missing. Santa cannot get the recipe right without. He has no cookies to share as he usually does. His helpers and family feel unappreciated and become uncooperative, not helping him prepare for Christmas any longer.

Meanwhile in a library, Abigail who reads cookbooks for fun, finds the Kringle cookbook. She brings it home, and the odd ingredients in the cookbook confuse her family.

In a televised address, Santa confesses to feeling like he should cancel Christmas because he is so upset that he lost the cookbook. Abigail and her family realize what they have, and rush to the America’s Test Kitchen studio to get help with the recipe, not having time to mail the book back to Santa in time for Christmas. The cooks there figure out substitutes for all of the magical ingredients. They televise the recipe and encourage the world to bake the cookies that Santa could not and leave them for him.

On his rounds, Santa finds the cookies left for him, and cheers up considerably. Abigail and her family leave the book for him in addition to the cookies.

In addition to being long, I didn’t really like any character in this story. Santa is not jolly. He, the elves, reindeer, and Mrs. Claus are too focused on the gifts that come with the season. The insertion of America’s Test Kitchen was clunky and clearly an advertisement for the company. I think reading aloud I actually left out the trademarked brand, and I think that the text ought to have done too.

The story I think would have been better without the inclusion of Abigail and her family and without the inclusion of America’s Test Kitchen, perhaps instead a story about Santa losing his cookbook and his family and friends reminding him of the Christmas spirit. The idea that the world gets to give back to Santa is sweet, though.

I could never decide whether I was imagining that the stack of these books smelled a touch like peppermint and chocolate, though they are not advertised as scented.

Kirkus suggests a chance that Abigail and William’s mom might be Asian, but I’m not sure that I see the same.

The book does include the recipe in the backmatter.

**

Click to visit the author's page for links to order, summary, reviews, and activities.

Cookiesaurus Christmas by Amy Fellner Dominy and Nate Evans and illustrated by AG Ford. Hyperion-Disney, 2018. Intended audience: Ages 3-5.

I did not realize that Cookiesaurus was a series until I began to research for this review, though this is only the second in the series. Cookiesaurus, whose pleas and excuses make up the text of the story, wants to be the cookie left out for Santa. He knocks other cookies off the plate, making several messes and hurting his friends. Near the end, he realizes that his friends have been hurt by his actions and apologizes and helps the cookies back onto the plate. As a reward, he is chosen to top the Christmas tree. The style of writing reminds me of Mo WillemsPigeon books.

***

Making the World a Kinder Place

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Stir, Crack, Whisk, Bake: A Little Book about Little Cakes. America’s Test Kitchen Kids-Sourcebook Explore-Sourcebooks, 2019.

This is an interactive book on the line of Don’t Touch the Button! and Press Here. My audience member was shy and nervous about participating. The text reads like instructions for an app game, especially “Use your finger to drag each [ingredient] to the counter.” The end result of these interactive instructions is a batch of cupcakes for a “special day.”  This is a way to “bake” together with a little one without the mess, but the result is only “cupcakes.” I can’t eat “cupcakes.” I can see where a family might use this one though, to make a little feel as though they had been included in the baking process.

***

Click to visit the publisher's page for links to order, summary, and reviews.

Sunny Day: A Celebration of Sesame Street by Joe Raposo and illustrated by Christian Robinson, Selina Alko, Brigette Barrager, Roger Bradford, Vanessa Brantley-Newton, Ziyue Chen, Joey Chu, Pat Cummings, Mike Curato, Leo Espinosa, Tom Lichtenhelf, Rafael López, Emily Winfield Martin, Joe Mathieu, Kenard Pak, Greg Pizzoli, Sean Qualls, and Dan Santat. Random, 2019. Intended audience: Ages 4-8.

The text of this book is the lyrics of the theme song that opens episodes of Sesame Street. Each illustrator gets a single page spread. The book celebrates diversity. As a bookseller, I enjoyed the challenge of identifying each illustrator and have yet to convince myself that I have solved the puzzle. I believe the illustrators are listed in the order that they appear, but I would have to double-check that. The text works best, I think, as a sing-along, but there was a verse that neither I nor the young parents at my story time remembered.

***

Click to visit the publisher's page for links to order, summary, and author's bio.

People in Your Neighborhood by Jeff Moss and Sesame Street. Sterling, 2019. Intended audience: Ages 3-7.

I remembered this song only after looking it up, and I did not find this exact version of the song. I was able to sing the chorus for story time but not the verses. The book does come with a CD, but reading a book intended for sale to another, I did not use it for story time. The book introduces children to several professions including postman and fireman. The book suggests that putting on the clothes of such a profession makes one such a professional.

This book has been available at Barnes & Noble for several months now, at least since November when it was a required story time read, but it appears that it will be getting a wider release in February 2020.

***

Click to visit the publisher's page for links to order, summary, info about Thunberg, info about the 350.org, and author's and illustrator's bios.

Greta and the Giants by Zoë Tucker and illustrated by Zoe Persico. Frances Lincoln Children’s-Quarto, 2019. Intended audience: Ages 4-7.

Greta Thunberg, Time’s Person of the Year 2019, is in another picture book. This one makes fantastic her battle against the giant corporations—here literal giants. Greta lives in a forest. The forest animals come to Greta to ask for her help because the Giants are destroying their home. Greta makes a sign and stands in the Giants’ way. They bowl past her, but other human inhabitants of the forest watch, and slowly begin to join her protest until the Giants are forced to pay attention to the crowd. In this story, the Giants mend their ways and begin to live more sustainably, making the forest better for all those who live in it. The giants are portrayed as being greedy and busy but blind to their destruction rather than heartless. I really like the illustrations in this one. I like the hope in this one even if I believe it to be misplaced.  Greta is portrayed though as more magical than she is, given the ability to speak to animals, and that is a dangerous line to walk, but then, this is clearly a fantasy if the antagonists are literal giants so a heroine who can talk to animals is not unusual in such a story.

*****

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.

People of Color in Books That I Read in 2018: Part 2: Picture Books

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This review is SO FAR OVERDUE! I was prompted to look for it again as 2019 comes towards a close and I began to think about doing a recap of the representation of people of color across the books that I read THIS year. That being said, I want to get this information out to those seeking it. All the lists like this one that I have done can be found here.  There are lists that include novels too.

Looking at 2018’s numbers, 28% percent of the books that I read included a person of color in any capacity—which is 1% more than 2017’s numbers. However, only 12 books that I read in 2018 included a person of color as the protagonist, a dismal 7% of my total books read, less than half as many as in 2017. That’s terrible. That’s on me. I did not this year seek out as many picture books to read independently as I have done in other years. Only 1 of the 12 books with a person of color as the protagonist was a book mandated for story time. I was not this year running independent, reader’s choice story times.

Picture and Board Books (Ages 0-8)

I did not complete every month’s picture book review in 2018, and now it seems too late, so this is the first time some of these stories are mentioned on this blog. Where possible, I have included links to my full reviews.

Books with a POC as a protagonist

Mae Among the Stars by Roda Ahmed and illustrated by Stasia Burrington. 2018.  This is a biography of Mae Jemison, the first black woman to travel in space. Mae is told by her white teacher seek a more practical career than astronaut, but her parents tell her it’s possible, and she succeeds.

The Case for Loving: The Fight for Interracial Marriage by Selina Alko and illustrated by Selina Alko and Sean Qualls. 2015.  This is an introduction to the story of Richard and Mildred Loving, a Virginian couple whose court case legalized interracial marriage in the USA.

Two Problems for Sophia by Jim Averbeck and illustrated by Yasmeen Ismail. 2018.  Sophia’s giraffe is causing a lot of trouble for her family. Every character’s skin is a different shade, from Grand-mama’s darker skin to Sophia’s father’s light. I’d guess that Sophia herself is biracial.

Feminist Baby Finds Her Voice! by Loryn Brantz. 2018.  I thought that the primary character of Feminist Baby was white but looking online I realize that her family is interracial. One of the babies with whom she “stand up tall” is darker skinned than she is.

Goodnight Football by Michael Dahl and illustrated by Christina E. Forshay. 2014.  There are many crowd scenes that allow Dahl to show off the hues of humanity. An African American family is featured. 

Mama’s Nightingale: A Story of Immigration and Separation by Edwidge Danticat and illustrated by Leslie Staub. 2015.  Saya’s mother immigrated to America from Haiti without papers and is taken to an immigration detention center and separated from her family. Saya’s family are all darker skinned. The judge is a dark skinned woman too.

Cece Loves Science by Kimberly Derting and Shelli R. Johannes and illustrated by Vashti Harrison. 2018.  The protagonist, Cece, is I think biracial and darker skinned, her mother darker skinned and her father light skinned with dark hair. Isaac, her best friend, is light skinned with black hair, possibly Asian.

Santa’s Husband by Daniel Kibblesmith and illustrated by A. P. Quach. 2017.  Santa is a black man, living with his white husband, who helps him around the house and with his business. This book is shelved in the adult humor section at Barnes & Noble, but it is a picture book, and I think could be read and enjoyed by children.

Drawn Together by Minh Lê and illustrated by Dan Santat.  2018.  A boy struggles to connect with his grandfather who only speaks Thai. The two end up communicating by drawing together.

Word Collector by Peter H. Reynolds. 2018.  The protagonist Jerome has darker skin and pink hair. The background characters are of varying hues. One girl, whom he thanks, wears a hijab.

A diverse cast with no protagonist

I Am Enough by Grace Byers and illustrated by Keturah A. Bobo. 2018.  The girls represented in this story are mostly dark skinned. A few look like they could be of Asian descent. A few are lighter skinned. One wears a hijab.

Love by Matt de la Peña and illustrated by Loren Long. 2018.  Latinx and African American and Asian America and white and biracial families are all represented. One girl wears a hijab and a long dress while relaxing in the grass.

First Explorers, Book 5: Astronauts by Christiane Engel. 2017.  Some of the astronauts in this little, lift the flap board book about the profession are darker skinned.

Salam Alaikum: A Message of Peace by Harris J and illustrated by Ward Jenkins. 2017.  A diverse cast illustrates this picture book version of Muslim, British singer Harris J’s song of the same title, the chorus of which is Arabic for “peace be upon you.” 

The Peace Book by Todd Parr. 2017.  Todd Parr often illustrates his humans with no likeness to the colors of human skin: green and blue for example. There is a snake charmer in a turban and a woman in what I think is meant to be a niqab. The story, about sharing and caring for the Earth, implies that more than one group of people are meant to be represented.

The Forever Tree by Tereasa Surratt and Donna Lucas. 2018.  The grandfather who first finds the tree for humanity is lighter skinned. But among the first families to discover the tree are people with darker skin and black hair. Among those who save the tree are people of darker and lighter skin too.

Animal or nonhuman protagonist with a secondary character who is a POC with a speaking role

Merry Christmas, Little Elliot by Mike Curato. 2018.  Elliot and Mouse search across New York City for the spirit of Christmas but are unsuccessful. They find a letter to Santa that has gone astray and travel to the suburbs to answer it, meeting a new friend, Noelle, who is darker skinned. The New Yorkers in the group scenes have different skin tones.

Corduroy Takes a Bow by Viola Davis based on characters by Don Freeman. 2018.  The family from Corduroy visit a children’s theater production. Corduroy is the protagonist, but Lisa and her family are dark skinned, usually interpreted as African American. It looks as though the actress playing Mother Goose might have a darker skin tone than the other actors on stage too.

Neck & Neck by Elise Parsley. 2018.  The zoo patrons have different skin tones. The boy who holds the giraffe balloon has darker skin and dark hair. The protagonist is definitely Leopold the giraffe.

A white protagonist with a secondary character who is POC with a speaking role

Fancy Nancy: Oodles of Kittens by Jane O’Connor and illustrated by Robin Preiss Glasser. 2018.  Nancy and her best friend Bree each bond with a kitten. Bree is more of a secondary than a background character in this picture book.

Interstellar Cinderella by Deborah Underwood and illustrated by Meg Hunt. 2015.  The prince in this Cinderella retelling is darker skinned.

Animal or nonhuman protagonist with diverse background characters

The Big Umbrella by Amy June Bates. 2018.  The umbrella really is the protagonist. Characters of different skin tones are all represented. A woman wears a hijab. This is a story about acceptance and sharing space, sharing kindness.

We Don’t Eat Our Classmates by Ryan T. Higgins. 2018.  Penelope Rex, a T-Rex, is the protagonist but her delicious classmates are a diverse bunch, including a hijabi and a yarmulke-wearing Jewish boy.

How to Catch a Snowman by Adam Wallace and Andy Elkerton. 2018.  One of the three children trying to catch this snowman is African American. I would say though that the snowman, who appears to also be the narrator of the story, is the protagonist.

White protagonists with a person of color as a background character

Juno Valentine and the Magical Shoes by Eva Chen and illustrated by Derek Desierto. 2018.  Juno herself may be white, though I am not entirely certain, but some of the women throughout history whom she becomes are not, included are Egyptian Cleopatra, Mexican artist Frida Kahlo, Japanese artist Yayoi Kusama, and African Americans Serena Williams and Misty Copeland. Unfortunately because Juno becomes these women by stepping into their shoes, none of them are depicted as themselves. The ballerinas on the page around Juno as Misty have a variety of skin tones, and Egyptian are depicted serving Juno as Cleopatra.

Princesses Save the World by Savannah Guthrie and Allison Oppenheim and illustrated by Eva Byrne. 2018.  The two princesses whose kingdoms are in peril are both dark skinned. The princesses who convene at the Pineapple Kingdom’s palace to devise a solution to their problems seem to be from all over the world. 

Prince & Knight by Daniel Haack and illustrated by Stevie Lewis. 2018.  The prince on his search for a bride—a partner—visits other kingdoms; the royal families of some are darker skinned. His knight appears also to have a darker complexion than does the prince, though whether that is his less-pampered life of knight errantry or genetic I am not certain.

I Am Neil Armstrong by Brad Meltzer and illustrated by Chris Eliopoulos. 2018.  Neil Armstrong is of course himself white, but he meets with Katherine Johnson in the books, who is African American, and in the museum there is an African American boy.

The Magician’s Hat by Malcolm Mitchell and illustrated by Joanne Lew-Vriethoff. 2018.  The magician is white but the library audience is diverse.

Fancy Nancy by Jane O’Connor and illustrated by Robin Preiss Glasser. 2005.  At the restaurant there is an African American family.

Fancy Nancy and the Posh Puppy by Jane O’Connor and illustrated by Robin Preiss Glasser. 2007.  In this, Nancy plays with other children and their dogs. One of those girls is Bree, who is African American, but in this Bree is not yet named, though her dog is. To be fair, neither of Nancy’s friends are named.

Fancy Nancy and the Wedding of the Century by Jane O’Connor and illustrated by Robin Preiss Glasser. 2014.  Nancy has never been to a wedding, but Bree has, and it is from Bree’s questions and experiences that Nancy imagines the wedding before arriving at the cabin. But Bree is only in two pages of this book.

How to Scare a Ghost by Jean Reagan and illustrated by Lee Wildish. 2018.  The main kids portrayed are white but at least one of the trick-or-treaters and one of the families offering candy Halloween night are African American.

Are You Scared, Darth Vader? by Adam Rex. 2018.  In the Star Wars films, Darth Vader is portrayed as white, though in this picture book, he is completely masked and cloaked in black. The kids sent by the narrator to ask him questions and climb all about him are a diverse bunch.

Builder Brothers: Big Plans by Drew Scott and Jonathan Scott and illustrated by Kim Smith. 2018.  Not all of the adults at the Scott family’s outdoor barbeque are white. The woman in the hardware store is African American.

A First Introduction to Audrey Hepburn by Maria Isabel Sánchez Vegara and illustrated by Amaia Arrazola. 2018.  This biography of Audrey Hepburn includes her in her later life traveling the world to visit and help more impoverished countries in Africa and India. The book portrays her enjoying her time with the children in these countries, playing soccer with the kids in Africa and sitting quietly beside a pond with kids in India.

I have one more book to note: Moon by Alison Oliver (2018). I want to be the first to admit that I may have this one totally wrong. The girl, Moon, is purple. She has classmates who are darker skinned than herself. I want to include this on the list of books that include a person of color but I don’t know where to put it.

Do you think or know that I misrepresented or misinterpreted any of these?  Please comment below.  Let me know.

Book Reviews: October 2019 Picture Book Roundup: Monsters, Monster Trucks, Female Icons, and Daniel Tiger

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Click to visit the publisher's site for links to order, summary, samples, and author's bio.

Elbow Grease vs. Motozilla by John Cena and illustrated by Howard McWilliam. Penguin Random, 2019. Intended audience: Ages 3-7.

I didn’t enjoy this one as much as the first Elbow Grease, though I’m not sure that I could put my finger on why if you asked me to do; perhaps it just isn’t living up to my expectation now that I have a more favorable expectation for Cena’s books. In the first, Elbow Grease learned the worth of his personality and how to use his skills, and his brothers learned to respect Elbow Grease. Now Elbow Grease is craving some of the adulation that his brothers receive. He decides that they need to defeat the biggest, baddest new truck in the monster truck world, and he devises a plan for he and his brothers with the help of a contraption made by their female mechanic Mel to work together to take down the monster. I don’t know. The plot and the lessons both fell more flat in this one for me, though the length was better, shorter. I really do think that this is just a case of my expectations being too inflated from the success of the previous book.

***

Click to visit the publisher's page for links to order, summary, reviews, and activities.

No More Monsters Under Your Bed! by Jordan Chouteau and illustrated by Anat Even Or. JIMMY Patterson-Little, Brown-Hatchette, 2019.

This book relied too heavily on its gimmick—a patch that according to the tale turns you invisible to monsters—in much the same way that Santa’s Magic Key was an explanation of why a person was giving you a key or The Elf on the Shelf is an explanation of why someone wants to give you a creepy elf plush. It begins by introducing a boy who is scared of monsters and then describing all the different types of monsters that scare him. His parents give him a patch which when pressed turns him invisible to monsters, which erases his fear. Becoming bored without anyone to scare, the monsters move on, and the boy passes on his patch to another friend, who passes it to another, and so on, until it reaches the reader, I suppose, who gets the patch by buying the book. This isn’t really teaching a reason to not fear so much as it is preaching a belief in a token.  It is though I suppose a lesson in sharing tools that have helped you.

**

Click to visit the publisher's page for links to order, summary, sample pages, trailer, reviews, activities, and author's and illustrator's bios.

Juno Valentine and the Fantastic Fashion Adventure by Eva Chen and illustrated by Derek Desierto. Feiwel & Friends-Macmillan, 2019.  Intended audience: Ages 4-6.

I did I think like this one just a bit better than the first of Eva Chen’s books. Chen has changed the rules of her magical closet. Now, Juno does not become the women whose clothing she obtains but rather interacts with famous historical women, who gift her clothing and advice on her quest to capture her brother who has trespassed in the magical closet—and it isn’t until I am writing this now that I have to wonder about the implications of a boy intruding on a woman’s private space, a space held open for interactions with other women. Does his interaction with the space change the space and how? Certainly now the conversations that Juno has with the other women have become conversations about her brother, how Juno can catch up to her brother. It does pass the Bechdel test, though the conversations with named women are either about catching Finn or about Juno’s clothes. In her wanders through the closet, Juno gains not only the means to apprehend her brother but a unique outfit for school photo day, which earns her the title “Most Likely to Be Herself and No One Else,” a little ironic since she is quite literally borrowing the fashions of the others.  Her class is a diverse group that includes children of many hues, a child in a wheelchair, and a child wearing what appears to be a patka, a head covering for Sikh boys.  Her teacher, Miss Dahlia, is a black woman, a thing that is more rare in a picture book than you would expect and than it ought to be.  I read an ARC.  The book is out now.

**

Click to visit the publisher's page for links to order, summary, and sample pages.

Peek-a-Flap: Boo by Rosa Von Federer and illustrated by Gaby Zermeño. Cottage Door, 2017.  Intended audience: Ages 2+.

I was pleasantly surprised by this little board book which has suggestions for celebrating the Halloween holiday, labels to make it a primer, and facts about the holiday—a few of which even I did not know. I still love how sturdy these Cottage Door Press board books seem. Most other flaps are cardstock, but these are the layered cardboard that make up board book covers and pages. The illustrations are bright.  This is a Halloween book that is more about how humans celebrate with costumes and candy than centering any of the monsters.

****

Daniel Tiger

Click to visit the publisher's page for links to order, summary, and activities. 

Big Enough to Help adapted by Becky Friedman and illustrated by Jason Fruchter. Simon Spotlight-Simon & Schuster, 2015.  Intended audience: Grades PreK-1, Ages 3-6.

Daniel isn’t big enough to do everything, but there are many things that he can do, and there are some things that he has to do be small to do, like play in his new playhouse. “Everyone is big enough to do something” is the refrain of this book.  Reading this aloud, I avoided the ending catchphrase, which is unfamiliar to me, and any singing (on all three of these).

***

Click to visit the publisher's page for links to order and summary.

Daniel’s First Fireworks adapted by Becky Friedman and illustrated by Jason Fruchter. Simon Spotlight-Simon & Schuster, 2016.  Intended audience: Grades PreK-2, Ages 3-7.

Daniel helps his little sister overcome her fear of the fireflies, which she has never seen, by holding her hand and showing no fear himself. She holds his hand as does his dad as the fireworks start, and they are louder than Daniel thought that they would be.  This is a sweet story about encountering new things and helping others experience new things that might be frightening.

***

Click to visit the publisher's page for links to order and summary.

Daniel Chooses to Be Kind adapted by Rachel Kalban and illustrated by Jason Fruchter. Simon Spotlight-Simon & Schuster, 2017.  Intended audience: Grades PreK-2, Ages 3-7.

Daniel asks King Friday what it is like to be king, and Friday declares him king for the day. He gives Daniel a list of things that he needs to bring to the castle at the end of the day. It’s never quite clear what King Friday intended to do with these items. After acquiring them, Daniel gives them all away in the course of the day to cheer up or help his friends. He never acquires replacements for the items that he gives away, which seemed a little odd honestly.  Though Daniel visits shops, he doesn’t seem to pay.  There’s seems to be some economy run on trade of services.  I really don’t remember much of Mister Roger’s Neighborhood anymore, and I have never seen Daniel’s Tiger’s Neighborhood.

***

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.

Book Reviews: September 2019 Picture Book Roundup: A Few Good Books

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Click to visit the publisher's page for links to order, summary, reviews, and activity.

Where Are You From? by Yamile Saied Méndez and illustrated by Jamie Kim. HarperCollins, 2019. Intended audience: Ages 4-8.

The text and the illustrations in this picture book are both beautiful! This sentiment is beautiful! A little girl, frustrated by repeated questions that imply that she and her family are not from “here,” asks her abuelo’s advice on how to answer them. Her abuelo gives her a beautifully lyrical answer: She is from each of the strong and brave ancestors before her, she is from the beautiful land that they came from, and she is from the love of her family, “my love,” her abuelo says, “and the love of all those before us.” I assume that the girl like the author is Argentine American, but there is no specific reference to the country. There is mention of the Pampas, but the lowlands stretch across several countries in South America. This is a book about feeling proud of one’s heritage and provides a comfort and an answer to the too often asked question. I don’t share Méndez’s heritage, but I was still stirred by Méndez’s words and sentiment and Kim’s illustrations. I think I would be even if I had never met the first generation of my family to immigrate to this country. I think this book will stir something in everyone. I do think, though, that more than the text, I will remember the sentiment and the illustrations.

*****

Click to visit the publisher's page for links to order, summary, excerpt, sample pages, reviews, activity, and author's and illustrator's bios.

How I Met My Monster by Amanda Noll and illustrated by Howard McWilliam. Flashlight, 2019. Intended audience: Ages 4-8.

This is the third in a series of books but the first one that I have read thoroughly enough to write a review for this blog. The illustrations in this are so wonderfully saturated and detailed and fun. This book reminds me somewhat of Monsters, Inc with its concept of monsters learning the rules for haunting a child at night. These monsters don’t seek the child’s terror, though. Instead their goal is to keep the child in bed until they are asleep, an aid not a trial for parents. A class of small monsters and their teacher emerge from beneath a boy’s bed and try to frighten him into bed, but the boy doesn’t find them particularly scary, mostly funny, though one, Gabe, is kind of awesome and just a little scary with his long claws, gurgling stomach, and feigned penchant for human toes. The boy enjoys being just a little scared though. The book ends with Gabe proclaiming that this seems like “the beginning of a beautiful friendship” and an illustration of Gabe curled up beneath the boy’s bed, looking like an overlarge canine or feline. This was just the right length for my group of three littles at story time. Anything longer would have been too much. They enjoyed counting the eyes under the bed and shouting out the colors of the monsters. They wanted the monsters names sooner than the story supplied them though.

****

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A Busy Creature’s Day Eating! by Mo Willems. Hyperion-Disney, 2019. Intended audience: Ages 3-5.

Here’s an unusual alphabet book, which begins with breakfast food and, the creature running out of food, devolves into eating all sort of unusual things like Furniture, Gravy, a Hoagie, Ice cream, and a Jacket. And then at O, the creature begins to feel sick from its unusual diet and runs to the Potty. It is cared for, given basic foods to calm its stomach, Vomits anyway, is kissed by its guardian (XO-XO-XO), and sleeps away the ache: Zonked. The story is completely gender-neutral, which is a nice change, with no actual indication that the guardian is a biological parent. I liked that this included unusual words beside those more typically used in alphabet primers. I liked that this has a storyline. So many alphabet books are list books without a story. I have read clever alphabet primers before: Animal Homes ZXA: an Out of Order Alphabet Book, Animalphabet, and even A is for Awful: A Grumpy Cat ABC Book and Arctic Bears Chase. This is still perhaps the only one that really tells a story, though, a story that makes sense (Arctic Bears tries to build a story from one sentence, but it is a fairly nonsensical story). For what this is, this is a very good, a very unique book. I am surprised that no one that I know of has done this before, but no one that I know has done it. Willems does it with characters’ exaggerated expressions and humor in the text.

*****

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.

Book Reviews: November 2018 Picture Book Roundup: Valuing Women and Two Holidays

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Women in History and Today

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My First Book of Feminism (for Boys) by Julie Merberg and illustrated by Michéle Brummer-Everett. Downtown Bookworks-Simon & Schuster, 2018.  Intended audience: Ages 0-3.

Feminism for boys! Very young boys! Or boys of all ages. And women who need reminders about these same principles. This is about respecting women as people, allowing space for their voices and ideas, and about unlearning the toxic masculinity both that says that boys can take advantage of girls and that tries to define what men and women should and should not do. It suggests some simple acts one can do to express one’s respect for oneself and for the women in one’s life. The illustrations, though sparing in color, using only the primary three, green, black, and white, seem to represent a more inclusive feminism too than is too often practiced, which I appreciate.

****

Click to visit the publisher's page for links to order, summary, sample pages, reviews, and author's and illustrator's bios.

Juno Valentine and the Magical Shoes by Eva Chen and illustrated by Derek Desierto. Feiwel & Friends-MacMillan, 2018.  Intended audience: Ages 4-6.

This was an odd one for me. Juno is searching for her own favorite shoes, plain white Keds, when she discovers a magical portal to a magical closet filled with shoes from historical women which, when she puts them on, transform her into the women who owned the shoes. Or that’s how it seems. There’s not a whole lot of explanation about what is happening to Juno or about the women themselves. I would have liked to have this be a very long story about Juno overcoming with these women the trials that they faced both in their climb to greatness and then once that greatness had been achieved. What I got was a line each about one quality that helped each woman succeed. And I suppose in its way that that’s its own positive message, but it was not what I expected, and it wasn’t the story that I wanted—because it was really not much of a story. This was not about overcoming adversity but about possessing certain qualities—and shoes. This book supports in part the idea that clothes make the woman, and while I understand that Eva Chen is a fashion director, a former editor-in-chief of the fashion magazine Lucky, and a former beauty and health director for Teen Vogue, it’s not the message that I want to send to children who may not be able to afford or who may not be interested in owning the shoes that are chic for their chosen profession. It closes with Eva changing her own shoes to reflect her experiences in the shoes of and her present in the footsteps of these powerful women. In the back, there is a page with a bit more about each of the women, but the picture book itself really is the type of story that only works if you already know the figures. In short, I think the book, the idea had a lot of potential that it didn’t live up to because it didn’t go far enough. As an introduction to influential women of history, it is far from the best that I have seen, and right now, there are a lot of fish to choose from in that pond. There are better, more comprehensive books even for younger audiences. Had this been printed another year, several years earlier, I probably would have rated it more highly because it would have been filling a need. It does have a more creative plot than many of the other books about influential women for children that I can think of which are often written more as encyclopedias than stories, but it slides past those women’s experiences in favor of the protagonist’s to the point that only a foreknowledge of the women gives the women context.

**

Click to visit the publisher's page for links to order, summary, reviews, and author's and illustrator's bios.Click to visit the publisher's page for links to order, summary, reviews, and author's and illustrator's bios.My First Little People, Big Dreams: Audrey Hepburn by María Isabel Sánchez Vegara and illustrated by Amaia Arrazola. Frances Lincoln-Quarto, 2018.

My First Little People, Big Dreams: Amelia Earhart by María Isabel Sánchez Vegara and illustrated by MARIADIAMANTES. Frances Lincoln-Quarto, 2018.

I learned a bit about both of these women from these board books. I pulled a copy of each of the available board books in this series for a story time and offered to read any in which the audience was interested. (Also available in board book form from this series are biographies of Coco Chanel, Frida Kahlo, Marie Curie, and Maya Angelou; more are coming in February.) The kids didn’t voice any opinions, but two adults in the audience expressed interest. Vegara does a good job of keeping to the truth without going into either too much detail for her audience or too romanticizing the history. Hepburn’s war-torn childhood is not forgotten nor is Earhart’s disappearance left out. These books talk not just about the one act that these women are most famous for, but also their philanthropy, what influenced their lives, and their influence on others. Their lives are framed as models and lessons. I’m not 100% sure what the appropriate audience would be for these books. As with many nonfiction board books today, I’m just not sure if the interest is there for the 0-3 year olds that board books are marketed towards, but I had no trouble reading these to my story time audience which consisted that day of children probably up to age 7.

****

Seasonal Stories

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Fangsgiving by Ethan Long. Bloomsbury, 2018.

I was truly pleased by this original Thanksgiving tale. A group of monsters (a vampire named Vladimir, a werewolf, a witch, a mummy named Mumford) every fourth Thursday in November get together to celebrate Thanksgiving, and they all cook a special dish. When Vladimir’s family drop in unexpectedly, they go about expressing their distaste for the dishes and improving them with their own ghastly twists (boogie butter, eyeballs, baboon farts), much to the chagrin of the monsters whose food and hard work they disparage. Because they are family and he loves them, Vladimir wants to make the best of it, but when their dog Spike eats the feast in its entirety, Vladimir cries that they have ruined Thanksgiving. To which his family responds that they were only trying to help, that he can’t be mad at them because they are family. Vladimir reminds them that families forgive one another and work together, and together with Vladimir’s friends, they set out to make a second feast that takes everyone’s tastes and ideas into account. Spike remains outside, and the monsters start a new tradition: Fangsgiving on the fourth Friday of every November. There are some important lessons that this book has to impart to the young and the old any time that they are about to embark on a day of getting together with family and friends (Thanksgiving, yes, but other holidays and events too). Family and friends don’t always have the same ideas or tastes as you or as each other. Though they are often acting with the best intentions, they may forget their boundaries and their manners. It’s okay to get angry. Sometimes you have to let them know that what they are doing is hurtful. Once you have done so, you can forgive one another and work towards a more perfect day. With lots of gross ingredients and several puns to get laughs, plus the spooky characters, this is a likely hit with most kids, despite its more narrow color palette.

*****

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Bear Can’t Sleep by Karma Wilson and illustrated by Jane Chapman. Margaret K. McElderry, 2018.  Intended audience: Ages 4-8.

Bear’s considerate friends stop into his cave to see that he is warm and comfortable when he should be hibernating. But Bear can’t sleep, despite his best intentions, earnest attempts, and his friends’ acts of kindness. The friends try building up the fire and turning down the lights. They make him warm milk to drink. They sing him a lullaby. But nothing is working. So Bear gives up and decides that since they are here and he is not asleep, he will tell them a story—a new story. And just before the end, he falls asleep, snoring. The friends will have to wait till Spring to hear the end. As with most of these stories, Chapman’s soft, warm, realistic illustrations are the star. This would make a good bedtime story.

****

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Walt Disney’s Mickey Mouse Goes Christmas Shopping by Annie North Bedford, Bob Moore, and Xavier Atencio. Little Golden-Golden-Penguin Random, 2018.  Originally published 1953.  Intended audience: Ages 2-5.

We read this book with the help of a Google Home Mini, which produced background music and sound effects cued to the words of the story as spoken by my voice—which was really neat when it worked. It once lost me very early in the story, but then found me again. It seemed to lose me again while the boys were on the space ride. It cut out entirely when the store closed—and it never did pick back up. I wonder if it works better when in private and not in a store on a Black Friday weekend. But that’s another review for another day. The story itself does not show Mickey or Minnie in the best light ever. They take their nephews shopping, but then each think that they’ve left the boys with the other, and end up leaving them unsupervised and then in the store altogether after it closes—which must mean that neither sought and found the rest of the family much before if at all before the store closed and neither was watching the boys or one another. This was about doing a chore and not about spending time with family as the boys had hoped. Of course, the boys too were distracted by the toys and the rides in the toy department. After realizing that they have fallen asleep in the enclosed pod of the ride and awoken in a closed store (no employee checked the ride?), the boys find the store’s Santa Claus, still in his suit, and Santa delivers them to the front door, where Mickey and Minnie are banging to be let in to find their renegade nephews. Perhaps because I know Mickey and Minnie and not Ferdie and Mortie, I judge as negligent and in need of correction the adults’ actions more than I do Ferdie’s and Mortie’s.

***

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Merry Christmas, Little Elliot by Mike Curato. Henry Holt-Macmillan, 2018. Intended audience: Ages 4-8.

This cover does not do this book justice. I understand that the publishers were going for a more classic, more simplistic cover, but the cover it has would not make me pick the book up as readily as if a full-page illustration had been used. That’s probably personal preference and a small quibble though. The inside is every bit as vibrant and realistic and amazing as I remember Curato’s illustrations being. Mouse is really excited for Christmas, but Elliot just is not. When they go to see Santa, Elliot asks for Christmas spirit from Saint Nick, but Santa says Elliot will have to find that himself. Elliot and Mouse try lots of wintertime activities to try to find Elliot’s Christmas spirit, but to no avail; this elephant has no luck. Walking home, a letter blows into Elliot’s hands. It’s for Santa. They go back to the store to try to hand-deliver it, but they’ve missed him. So Elliot with Mouse decide that they need to fulfill the Christmas wish themselves. They take a cab outside of the city to become friends with the letter’s sender, a little Asian American girl named Noelle. And in granting her wish, Elliot finds his Christmas spirit too. This story is saccharine in the best way, a tale of Christmas spirit that isn’t commercial and is truly attainable magic.

****

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Santa Bruce by Ryan T. Higgins. Disney-Hyperion, 2018.  Intended audience: Ages 3-5.

The mice are overstepping again, this time making commitments for Bruce that Bruce does not want to keep. He is a grumpy bear, and wearing red long johns should not volunteer him to be Santa Claus despite one excited raccoon’s mistaking him for the jolly saint. Nevertheless, the mice invite excited animals into Bruce’s home not once but twice and say that Bruce will deliver presents overnight to the woodland creatures. Very, very reluctantly and because the mice have done all of the work and have promised to do in fact more work than they can actually do—forcing some of the onus onto Bruce once they are already out in the snow—Bruce agrees to their plot. Presents are delivered, a joyous feast is attended, and Bruce—Bruce is still grumpy, vowing to sleep through next year’s Christmas as he had hoped to do through this. I actually like that Bruce is not won over and filled with the holiday spirit. It’s a change from the Scrooge & Grinch narrative that so pervades Christmas stories. Though much Christmas cheer is spread here and everyone (except Bruce) is celebrating, there is no real miracle here, just a grumpy bear fulfilling promises made on his unwilling behalf because deep down he is a softie for kids—being mother himself to four nearly grown geese.

***** 

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.

Book Reviews: August 2018 Picture Book Roundup: Science, Eating People–Or Not, and a Kitten Like Me

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Science!

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Two Problems for Sophia by Jim Averbeck and illustrated by Yasmeen Ismail. Margaret K. McElderry-Simon & Schuster, 2018.  Intended audience: Ages 4-8.

There was a lot to love in this story about Sophia, her pet giraffe Noodle, and the problems that Noodle causes for Sophia’s multi-generational, interracial family, in which each character has a pretty stunningly unique voice for characters in a picture book. It opens with Sophia being “happysad” which I love because it acknowledges an oft-felt but not oft-acknowledged emotion. Noodle snores, and Noodle’s kisses with his long, blue tongue are sloppy and wet and particularly irk Grand-mamá, whom Noodle seems particularly fond of—in the way that cats will always find the one person who doesn’t want to pet them. Sophia’s Mother, whom I suspect from the language that she uses and that the authors use to describe her actions works in the courtroom either as a lawyer or judge—probably a judge—“render[s] her verdict. Noodle is guilty” and she “order[s Sophia] to find a perdurable solution.” Several times in this book the adults drop some heavy words. ‘Perdurable’ is not a word that I knew when I read this book, and I’ve near 30 years of life experience, an English degree, and a penchant for books with lofty language. Sophia tries several ways to silence Noodle’s snores or to make them more palatable, consulting the Internet for ideas, building contraptions herself, and consulting experts in the field, including an acoustic-engineer who tells Sophia that Noodle’s “neck-to-lung-capacity ratio creates a giant echo chamber.”

Noodle’s sloppy kisses are always preceded by the same phrase, which was fun to repeat but also let the anticipation build before the blech! of usually poor Grand-mamá appearing covered in giraffe spittle. “His eyelashes danced a little fuzzle, then his nose swooped in for a nuzzle.”

This is apparently a sequel to a book called One Word for Sophia that I’d not heard of previously but now want to find.

****

Click to visit the series' page for links to order, summary, audio sample, and all kinds of extras.

Cece Loves Science by Kimberly Derting and Shelli R. Johannes and illustrated by Vashti Harrison. Greenwillow-HarperCollins, 2018. Intended audience: Ages 4-8.

I was pleased to see a surprisingly honest comment from Derting on Goodreads admitting that her four-year-old grandchild struggled to make it through this book. My story time audience was a bit squirmy through this long story too—but they made it, and they made it through Two Problems for Sophia on the same sitting. Assigned to complete a research project, Cece with her friend and assigned research partner Isaac set out to experiment on Cece’s dog Einstein to see if dogs eat vegetables. They try offering Einstein vegetables in various forms, which he won’t eat, causing Cece to question her credentials as a scientist, but she persists, and eventually they do find a way to get Einstein to eat veggies. I’m not sure about the ethical implications of trying to get your family dog to eat foods outside of his normal diet without consulting a veterinarian first—I don’t recommend doing it at home—but I have known dogs who like carrots, so I’m fairly sure that this experiment won’t harm Einstein. The book ends with a glossary of science terms and scientists.

***

 

ABCs of Physics by Chris Ferrie. Jabberwocky-Sourcebooks, 2017. First published 2014.

General Relativity for Babies by Chris Ferrie. Jabberwocky-Sourcebooks, 2017. First published 2016.

Quantum Physics for Babies by Chris Ferrie. Jabberwocky-Sourcebooks, 2017. First published 2013.

My dad is a high school math and physics teacher, and I sent these along to him not long ago. The one on quantum physics, he says, peddles an already discredited model—which I sort of knew; I think Niels Bohr’s model was being phased out of classrooms when I was in high school around 2006/2007—but before it starts discussing where in rings an electron can be around a nucleus, I think it’s solid—though he would know far better than I. I particularly liked the ABCs of Physics. There was more to this book than there was to the for Babies titles. Not only is it an alphabet primer, but the words used to illustrate the letters are all related to physics, with three levels of information for growing toddlers: first the word, then a simple one sentence explanation, then a longer, more in-depth sentence or two at the bottom. I like the simplicity of these primers.  I like that Ferrie takes on such hard concepts and thinks he can impart some understanding of these topics to infants and toddlers.  They say if you can’t explain your subject in terms that a complete outsider to the field would understand, you don’t know your subject. Imagine explaining it in terms that a toddler could understand! I think general relativity was more clearly explained here than I’ve seen it elsewhere. I may not be a toddler, but I get it. Or I get the small part of it that Ferrie is discussing in these books.

****     ****     ***

That is Frowned Upon in Most Civilized Societies

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We Don’t Eat Our Classmates by Ryan T. Higgins. Hyperion-Disney, 2018.  Intended audience: Ages 3-5.

This book came out in June, and I’ve already read it three times—twice in story times. It keeps getting better. I really enjoyed reading it aloud this most recent time. I feel like I got the inflection right on the narration and the dialogue. This competes with Be Quiet! for me as a favorite Higgins book, but this is so much more accessible to my story time audience than is Be Quiet!. This is a back-to-school book with a female dinosaur protagonist and a multiracial classroom full of children, including a hijabi sitting beside a boy who appears to wear a yarmulke. Penelope Rex is your typical T-Rex. She’s excited and nervous to go to school, but she has a big lunch packed by her dad, and a new backpack with ponies on it (ponies are her favorite because ponies are delicious). She was not expecting to be part of a classroom full of children, and upon discovering this, she eats them all whole then spits them out at the behest of her teacher. That does not endear her to her classmates, and every time she tries to be nice, her appetite betrays her. She saves a seat for her classmate, Griffin Emery—but that seat is on her now empty plate. She tries to play with them on the slide—but waits at the bottom with an open mouth. Her parents spot the problem quickly when she complains that she hasn’t made any friends, and remind her not to eat her classmates. “Children are the same as us on the inside. Just tastier.” Penelope can’t control her appetite and keeps eating kids. Because all the children are afraid and won’t be her friend, she tries to befriend the class goldfish, Walter—who bites her finger. Knowing now how terrible it feels when someone tries to eat you, Penelope learns to control her own appetite. She stops eating her classmates, and she does make friends.

*****

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Eat Pete by Michael Rex. Nancy Paulsen-Penguin Random, 2018.  Intended audience: Ages 2-5.

When a monster comes in through Pete’s window, Pete isn’t scared; he invites the monster to play with him. And though the monster came to eat Pete and wants to do so, the games that Pete suggests look fun, so he puts off his appetite for little boy and joins Pete in his games. Though he lasts through several games, the monster’s desire to eat Pete does win, and he gobbles up Pete whole. Without Pete, though, the games just aren’t much fun, and the monster relents and spits Pete back out. Pete tells him that wasn’t very nice, the monster apologizes, and Pete suggests that they play another game—a wonderfully forgiving child is Pete. The monster though doesn’t want to play. The book gives the impression that the monster is again struggling with his desire to eat Pete, but the anticipation dissipates not with a repetition of the phrase and the monster’s slathering look of hunger, but with a hug between the two protagonists; he wants to… hug Pete.

****

Click to visit the publisher's page for links to order, summary, sample pages, reviews, and author's bio.

People Don’t Bite People by Lisa Wheeler and illustrated by Molly Schaar Idle. Atheneum-Simon & Schuster, 2018.  Intended audience: Ages 4-8, Grades PreK-3

In singsong fashion, this book spells out the things that it is good to eat, but admonishes against biting people. “It’s good to bite a carrot. It’s good to bite a steak. It’s BAD to bite your sister! She’s not a piece of cake.” “People don’t bite people. It’s nasty and it’s rude! A friend will never bite a friend. BITING IS FOR FOOD!” It’s a kind of judgmental book. I mean, I know you shouldn’t bite your hair or your nails, and the book acknowledges that these are lesser sins than biting another human, but… all in all, I think this book was perhaps just too didactic a story for a general story time. It would be a fun addition to Martine Agassi and Elizabeth Verdick and Marieka Heinlen’s Best Behavior books (Teeth are Not for Biting, Hands are Not for Hitting, Feet are Not for Kicking, etc.)—and it is a fun text—but just… not fun, not silly enough—not for general reading without the express purpose of imparting a needed lesson.

***

And Look! I Found Me!

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Katie the Kitten by Kathryn and Byron Jackson and illustrated by Alice and Martin Provensen. Little Golden-Penguin Random, 1976. First published 1949.  Intended audience: Ages 2-5.

I had to read this book—and I actually bought it—because I am a catlike Kathryn who once went by the nickname Katie. The illustrations and adventures of this little kitten are fairly realistic. She sleeps, wakes up, chases a fly, hisses at a scared dog, but is scared of a mouse, chases a toad, chases a bird, hops on a table, but falls off into a pail of water, drinks milk, eats a fish, and curls up to sleep again. She’s just cute. She’s a kitten. And she’s a playful, clumsy kitten. The text uses simple words, and some rhyming but overall the text does not rhyme; it reads less like a forced singsong and more like just the account of an hour or two of a kitten’s day.  I recommend this for people who like watching cat videos.  Which I think is not-so-secretly everyone.

***

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.

Book Reviews: February 2018 Picture Book Roundup: Loving Others

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Click to visit the publisher's page for links to order, summary, and author's and illustrator's bios.

The Case for Loving: The Fight for Interracial Marriage by Selina Alko and illustrated by Selina Alko and Sean Qualls.  Arthur A. Levine-Scholastic, 2015.  Intended audience: Grades 3-8.

I remembered Selina Alko from Why Am I Me? and was excited to see her explore this fairly local, historical story. She handles it with poetry and mostly with grace—though she does call Mildred’s skin “a creamy caramel” and later speaks of “people every shade from the color of chamomile tea to midnight;” I think we’re trying to move away from comparing anyone’s skin tone to food, the likening of POC to consumables.  For those who don’t know of the Lovings, this is the family that brought to the Supreme Court Virginia’s ruling that they could not be legally married because they were neither both pale- nor both dark-skinned.  The Lovings wanted to live in their home state of Virginia, but refused to give up each other, their love, their family for the sake of their state.  The Virginia law banning interracial marriage was deemed unconstitutional.

****

Click to visit the publisher's page for links to order, summary, sample pages, activity pages, and author's bio.

Click, Clack, Moo: I Love You by Doreen Cronin and illustrated by Betsy Lewin.  Atheneum/Caitlyn Dlouhy-Simon & Schuster, 2017.  Intended audience: Ages 4-8, Grades PreK-3.

This is a Valentine’s book from the Click, Clack, Moo series. Farmer Brown shows his love in his care of the animals and the farm. Little Duck decorates for the Valentine’s Day party and makes Valentines for everyone. The chickens and the pigs bring potluck dishes, but the sheep bring nothing. A fox hears their party and invites herself. The farm animals are terrified. All except Little Duck. Little Duck hands the fox her last Valentine, the fox hands her one back, and they dance together “yip, quack, yip, quack, yip, quack, quack!” Their dance inspires the other farm animals to interspecies dance as well. This is a great Valentine’s story with a message that isn’t all hearts and roses and candies. It’s about finding friendship and fun among those who look different from oneself, about being welcoming to others, even when you don’t know them. Yipping like a fox is a lot of fun aloud too.

****

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The Peace Book by Todd Parr.  LB Kids-Little, Brown-Hachette 2017.  First published 2004.

Parr’s The Peace Book is all about good stewardship of the earth and care for all humanity. Peace is keeping the water blue. It’s saying sorry when you hurt someone. It’s helping a neighbor. It’s exploring other cultures. It’s fixing societal problems like homelessness and hunger. Illustrated in Parr’s very bright, simple style, this is a book for everyone! Seriously, there’s as much if not more in here for adults than the kids. It’s a good reminder of the simple ways that we can bring peace to others and to ourselves and to the world, and also of the big things that we need to work towards fixing. “The world is a better place because of you.” Was that a hijabi too, Mr. Parr?  Not a lot of story to this one, but a lot of good, needed sentiments.

****

Click to visit the publisher's page for links to order, summary, and author's bio.

We Belong Together by Joyce Wan.  Cartwheel-Scholastic, 2011.  Intended audience: Grades PreK-K.

Mostly this is a fun exploration of pairs and wordplay. Like peanut butter & jelly, like pen & paper, like a pair of mittens, with smiling, rosy-cheeked characters illustrating each pair. There’s really not anything in the way of plot, but the wordplay is a nice addition to a sappy sentiment of perfect togetherness.

***

Click to visit the publisher's site for links to order, summary, and author's bio.

Ten Apples Up on Top by Dr. Seuss and illustrated by Roy McKie.  Penguin Random, 1961.  Intended audience: Ages 3-7.

This is a fun counting book with three characters each bragging that they can carry more apples on their head, the challenges getting more and more outlandish as the number of apples and the number of participants in the game increase. Being Seuss, of course the text rhymes. The three do get their comeuppance for breaking and entering and raiding the fridge of a mother bear. The bear chases them outside, where gulls try to take the apples from the boasting friends.  The friends’ fun, their sticky fingers, and their boasting anger the other peripheral characters, who chase them trying to knock down the apples.  An accident creates more opportunity–a wealth of apples–and provided with more apples, the game expands, the ones who were trying to stop it, finding themselves happy participants instead. What a strange economics lesson. Mostly this book is just silly, but it’s one of those that I think you can read more deeply into if you want to do so.  Hoarding toys is going to make others angry with you. Supplying enough toys for everyone is the way to peace.  A surplus of resources makes everyone boastful, wasteful, playful rather than responsible.  Am I reading too much into this?

****

Click to visit the publisher's site for links to order, summary, and author's bio.

I Wish That I Had Duck Feet by Dr. Seuss and illustrated by B. Tobey.  Penguin Random, 1965.  Intended audience: Ages 6-9.

A little blond boy wishes for various animal body parts. He has creative uses for each, but each of them gets him in trouble in some way or another. What he has against Big Bill Brown I don’t know, though it seems he might bully the protagonist–certainly the protagonist imagines that Bill would do so if the protagonist were to possess a long tail.  Still the vindictiveness of the protagonist’s references to Bill were somewhat unsettling to me, even if I can understand a bullied individual’s fixation, born of fear and constant threat, with his bully. The protagonist learns a lesson about being disliked and dehumanized for looking different. As a Which-What-Who with all the different animal parts on his body, he thinks that the townspeople would turn against him, be so scared that they’d call the policemen, who would catch him in a net and bring him to the zoo, where he’d be forced to eat hay in a cage. It’s a lesson too in self-love. The boy ultimately decides that since each new feature, each change that he could make to his body brings him grief in some fashion or another, the best thing to be is himself, just the way that he is already.

I was excited to read this one at this year’s celebration of Dr. Seuss’ birthday, because I remembered really enjoying it as a child, but I have to admit that it fell a bit flat as an adult, maybe because I failed to pick up as a child on the darkness of humanity that these characters display.

***

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.

Book Reviews: April 2018 Picture Book Roundup: Nature’s Gifts, a Selfish Pig, and Geeky Vocab

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Click to visit the author's page for links to order, summary, sample illustration, and reviews. Click to visit the author's page for links to order, summary, and sample illustration.Pig the Winner by Aaron Blabey.  Scholastic, 2017.  First published 2016.  Intended audience: Grades PreK-K.

Pig the Star by Aaron Blabey.  Scholastic, 2018.  Intended audience: Grades PreK-K.

I didn’t much enjoy the first of the Pig books. Though in it, the pug, Pig, is admittedly a greedy dog and his literal downfall is the consequence of his own actions, he perhaps does not deserve to fall out a window. These next two books in the series follow much the same pattern of bad behavior on Pig’s part leading to a dire consequence and injury of Pig’s own making. These rhyming stories are formulaic in text as well as content: Each injury of Pig’s is followed by “These days it’s different / I’m happy to say.” In Pig the Winner, Pig is a sore winner, bragging and rubbing his opponent’s defeat in his face (poor Trevor) no matter the contest—or whether the act is a contest at all. He is always the best. In a one-side eating contest, Pig swallows his bowl, but is saved from choking by Trevor, only to have the bowl ricochet and knock Pig into the (garbage) bin. This story makes it clear that this injury is not enough to completely rid Pig of his need to win. In Pig the Star, Pig hogs the attention when he and Trevor go to a fancy photo shoot. The costumes that Blabey illustrates are by far the best part of this book. In this, shoving Trevor, leads Trevor to bump a precarious rocket ship that falls on top of Pig. The kids at my story time didn’t seem to much mind either the horrific accidents or the formulaic composition of these stories. 

***     ***

Click to visit the publisher's page for links to order, summary, sample pages, awards list, reviews, and author's bio.

Wolf in the Snow by Matthew Cordell.  Feiwel & Friends-Macmillan, 2017.  Intended audience: Ages 2-6.

I am late to this Caldecott party. I had not read Wolf in the Snow before now to even have it in the running for the medal. The story is mostly pictures. A little girl who in her red coat against the white snow reminds me in style a bit of the protagonist of Ezra Jack Keats’ Snowy Day is lost outside in a snowstorm and finds a wolf pup, also lost. Together they find the wolf pup’s family and then the wolves help the girl find her family. Stylistically, this isn’t really my thing (too sketchy) but it conveys a lot with just a little, and is deeply emotional despite lacking much text, so I can concede that the Caldecott is a well-deserved award.

****

100words

100 First Words of Little Geeks.  Familius Corporate, 2018

There’s very little organization of these 100 words (maybe a nod to an attempt to group some words together but nothing more). There is no plot. But these are fun words to teach your little ones, and its inclusion of some words dear to me for fandom reasons made me smile. Is your fandom here? Several of mine are. I am reminded of the small children (it’s been more than one) who identify any and all owls at the store as “Hedgwig.” Too adorable.

***

 Click to visit the author's page for links to order, summary, and sample pages.

Moon by Alison Oliver.  Clarion-Houghton Mifflin, 2018.

Over-scheduled, Moon wonders what freedom, what wildness would be like. She tries to find the answers in the only way that she has been taught—books, but books fail her. A shooting star lures her outdoors to the garden where a white wolf waits. Moon asks the wolf to teach her its “wolfy ways.” It brings her back to the pack. Moon having learnt the wolf’s wildness, its love of nature, brings play and wildness and freedom back to the classroom with her. The colors are dark with careful, gentle details. I’ve enjoyed Oliver’s illustrations in the BabyLit series for a long time. The juxtaposition of the domesticated, tortoiseshell house cat and the wild white wolf (a canine) is an interesting one. I expected this story to leave more of an impression than it has done. I like the art very much. I like the moral very much. But I have a difficult time recalling it emotionally several weeks on.

***

Click to visit the publisher's page for links to order, summary, sample, reviews, teaching guide, activity kit, and author's bio.

The Giving Tree by Shel Silverstein.  HarperCollins, 2014.  First published 1964.  Intended audience: Ages 4-8.

I’m not sure that I had ever actually read this story, though I knew enough about it, that nothing about it was a surprise. The illustration style is familiar to me from Silverstein’s books of poetry, which I did read several times in childhood. The content was neither funny nor ridiculous however. There’s a lot to unpack in this small story. A boy grows into a man, being given everything he needs by an accommodating, female tree, who allows herself to be maimed to provide for the boy’s needs, but is happy to do so. In the end, the tree has nothing left to give and regrets this, but the old man needs very little, just a place to sit, and this her stump provides. It’s a very melancholy story. What exactly Silverstein was trying to say with this story, I’m not sure. Is it a metaphor for motherhood? Is it a warning against greedy, unsustainable deforestation and “progress”?  Both?  One has to be reminded of the Lorax who warns against cutting down all the Truffula trees, speaking for the trees when the trees cannot. The tree’s love for the boy seems unhealthy. I come at this story not as a virgin to it, not with innocent ears but having already heard whisper of the analysis that has been done on it. I know that skews my opinion of it some.

****

Click to visit the publisher's page for links to order, summary, sample, reviews, and author's bio.

The Forever Tree by Tereasa Surratt and Donna Lukas and illustrated by Nicola Slater. Penguin Random, 2018. Intended audience: Ages 3-7.

This I feel like this is a much more healthy relationship with a tree than is that between the tree and the boy in The Giving Tree. A girl’s grandfather hangs a swing for her in the tree’s branches, and the tree becomes a site for community gathering—both for humans and for animals.  When the tree is deemed “unsafe,” the community comes together to save what they can of the tree, giving it new life as the platform for a treehouse.  This story was a little long, but my kids made it through.  This tree is not anthropomorphized in the same way as the tree in The Giving Tree, but becomes special through the love that the community has for it.

****

Click to visit the publisher's page for links to order, summary, reviews, and author's bio.

Tree: A Peek-Through Picture Book by Britta Teckentrup.  Penguin Random, 2016.  Intended audience: Ages 3-7.

Teckentrup’s peek-through books are more nonfiction than fiction. This one takes us lyrically through the seasons of a tree, with animals brushing in and out of its pages, the leaves and the forest around it changing color. The poetry gives a little life to the text, but there’s not much in the way of a story. The recurrence of creatures from previous pages on the next adds another layer of play to a book that is already creatively laid out to give it a unique, eye-catching gimmick in a row of picture book covers.

****

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.

People of Color in the Books I Read in 2017: Part 1: Picture Books

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I read 68 books that included people of color this year, which sounds impressive compared to last year’s 44, but that is only 27% of the total books that I read this year. However, of those 68, 34 had a person of color as a protagonist—a full HALF, 14% more than last year! But again, those 34 are only 14% of all of the books that I read this year.

Did those numbers go up from last year? Yes, yes they did, but not by enough, never by enough. The percentage of books that I read with any mention of people of color increased by only 1%, but the percentage of books with people of color as protagonists rose by a full 9%.

This year’s books are listed roughly in descending order of their average rating on Goodreads.

Picture Books, Picture Storybooks, and Board Books (Ages 0-8)

Books with a POC as a protagonist

Marvelous Cornelius: Hurricane Katrina and the Spirit of New Orleans by Phil Bildner illustrated by John Parra. Chronicle, 2015. An African American man, a trash collector, based on a real man from New Orleans, is depicted as heroic for his unbreakable spirit and his infectious enthusiasm.

Hello Lamb by Jane Cabrera. Little Bee-Simon & Schuster, 2017. Protagonist may be a stretch, but only one human baby is represented, and she is represented with darker skin. She shares the stage with animals.

The Dragon Prince: A Chinese Beauty and the Beast Tale by Laurence Yep and illustrated by Kam Mak. HarperCollins, 1997. Every character in this tale is Chinese.

Green Pants by Kenneth Kraegel. Candlewick, 2017. The whole cast of this sweet tale about independence and making decisions and compromise are of African descent.

Round by Joyce Sidman and illustrated by Taeeun Yoo. Houghton Mifflin Harcourt, 2017. The characters appear to be of Asian descent.

Goodnight Lab: A Scientific Parody by Chris Ferrie. Jabberwocky-Sourcebooks, 2017. A young, female scientist of African descent closes up her lab while harried to publish by a grumpy, old, white man.

Cinnamon by Neil Gaiman and illustrated by Divya Srinivasan. HarperCollins, 2017. The illustrations draw heavily on Indian tradition and the story seems to be set in India.

Rulers of the Playground by Joseph Kuefler. Balzer + Bray-HarperCollins, 2017. An African American girl, Lennox, competes with a white boy, Jonah, for dominion over a playground populated by a diverse collection of children. Augustine, a white girl with red hair, emerges as their rival after the dust of their dispute has settled.

If You Ever Want to Bring a Circus to the Library, Don’t! by Elise Parsley. Little, Brown-Hachette, 2017. Magnolia appears Asian, probably Chinese. The story time crowd at the library is diverse, but the librarian is male and white.

A New Friend for Sparkle by Amy Young. Farrar, Straus and Giroux-Macmillan, 2017. Lucy, a young, African American girl learns to share her new friend, a white boy, Cole, with her pet unicorn.

A Night Out with Mama by Quvenzhané Wallis and illustrated by Vanessa Brantley-Newton. Simon & Schuster, 2017. This is a story written by and about Wallis. She and her family are all African American.

A diverse cast with no protagonist

Blue Sky White Stars by Sarvinder Naberhaus and illustrated by Kadir Nelson. When humans are depicted, the crowd is wonderfully diverse, people of many different backgrounds represented, including women in hijabs, African Americans, a Native American woman, Asian Americans, and Latinx Americans, but this is a celebration of America more than anything else, America is the protagonist.  Kadir Nelson is an amazing realist painter.

Baby’s Big World: Music by Rob Delgaudio and illustrated by Hilli Kushnir. BoriBoricha, 2017.  In this exploration of music for toddlers, the cast is diverse, and an African American girl is featured on the cover.

Do Not Take Your Dragon to Dinner by Julie Gassman and illustrated by Andy Elkerton. Picture Window-Capstone, 2017. Diverse children, including a young hijabi, lament and then school their dragon friends in table manners, though ultimately the story resolves mostly around a white family. 

Skin Again by bell hooks and illustrated by Chris aschka. Jump at the Sun-Hyperion-Disney, 2004.  This picture book celebrates self-love and love for others and encourages looking beyond outward appearance.

When Dads Don’t Grow Up by Marjorie Blain Parker and illustrated by R. W. Alley. Dial-Penguin Random, 2012. Dads from a four families are celebrated.  One family appears African American.  Another may be Chinese.  And maybe Latinx?

It Takes a Village by Hillary Rodham Clinton and illustrated by Marla Frazee. Paula Wiseman-Simon & Schuster, 2017. A community comes together to create a playground.  White, African American, and Asian American community members seem to be represented.

How Do Dinosaurs Choose Their Pets? by Jane Yolen and illustrated by Mark Teague. Blue Sky-Scholastic, 2016. Different families struggle to correctly school the dinosaurs in their family in choosing and caring for a pet.  One dino mom seems to be African American… but hers is the dinosaur absconding with a tiger from the zoo.  The mothers at the end with the well-behaved dinos are both white, and I’m not best pleased about that.

Why Am I Me? by Paige Britt and illustrated by Selina Alko and Sean Qualls. Scholastic, 2017. An African American boy begins the book by wondering why he is himself and not someone else, the refrain quickly echoed by a white girl. The city is wonderfully diversely populated by people of many backgrounds, including hijabis, African Americans in more than one shade of brown, Asian Americans, several biracial couples–there even seems to be the silhouette of a woman in a burka and her son in a long tunic, but no one really emerges as a protagonist, per se.

Begin Smart: What Does Baby Say by Sterling Publishing, 2016.  This is a first words primer featuring different babies in the illustrations.

Animal or nonhuman protagonist with a secondary character who is a POC with a speaking role

School’s First Day of School by Adam Rex and illustrated by Christian Robinson. Roaring Brook-Macmillan, 2016. The school is the protagonist, but his first and best friend is an African American man, a janitor in the school.  The school children are diverse: African Americans (in the kindergarten class, Chloe and Max), Asian Americans (Bella), Latinx Americans (one of the Aidens), perhaps even the teach is a Latina?  The school is named after Frederick Douglass.

Curious George: Dinosaur Tracks by CGTV based on characters by H. A. Rey. Houghton Mifflin Harcourt, 2011. Curious George’s African American friend, Bill, a teenage or elementary school boy, is both the cause of the mystery and the one to answer George’s questions.

A white protagonist with a secondary character who is POC with a speaking role

Beauty and the Beast adapted by Cynthia Rylant and illustrated by Meg Park. Hyperion-Disney, 2017. The beast when he becomes a prince is darker-skinned than is Beauty, of African or Spanish origin?

Animal or nonhuman protagonist with diverse background characters

The Story of Ferdinand by Munro Leaf and illustrated by Robert Lawson. Puffin-Penguin Random, 1977. First published 1936. Ferdinand the bull is the protagonist, but every human character is Spanish. This is perhaps not the best portrayal of Spanish culture; while bull-fighting is in fact a part of Spanish culture, it is a violent sport, and there is no discussion of the human characters regretting the violence, only fearing the supposed violence of the bulls.

The Adventures of Beekle: The Unimaginary Friend by Dan Santat. Little, Brown-Hachette, 2014. The secondary character is a young, white girl, but the other children playing with other imaginary characters and the cityfolk are diverse.

The Legend of Spookley the Square Pumpkin by Joe Troiano and illustrated by Susan Banta. Barnes & Noble, 2009. First published 2001. This may a story about appreciating one’s differences, but the story is about pumpkins, the farmer is white, but his patrons are diverse.

Trains Don’t Sleep by Andria Warmflash Rosenbaum and illustrated by Deirdre Gill. Houghton Mifflin Harcourt, 2017. This is a story about trains, really without any protagonist even, more about factual trains, the types of trains and their functions, but the travelers and those the trains pass are diverse, mostly African American or white.

White protagonists with diverse background characters

Rosie Revere, Engineer by Andrea Beaty and illustrated by David Roberts. Abrams, 2013. 

Iggy Peck, Architect by Andrea Beaty and illustrated by David Roberts. Abrams, 2007.

Miss Nelson is Missing! by Harry Allard and illustrated by James Marshall. Houghton Mifflin Harcourt, 2003. First published 1977.

Sarabella’s Thinking Cap by Judy Schachner. Dial-Penguin Random, 2017. 

How to Get Your Teacher Ready by Jean Reagan and illustrated by Lee Wildish. Alfred A. Knopf-Penguin Random, 2017.

It’s interesting—and sad—to note that in all these diversely populated classrooms, not one of the teachers is a person of color.

Fancy Nancy by Jane O’Connor and illustrated by Robin Preiss Glasser. HarperCollins, 2005. Nancy’s family visits a restaurant where an African American family are also eating.

Are We There Yet? by Dan Santat. Little, Brown-Hachette, 2016. One of the pirates at least is darker skinned than the others and than the protagonists.

Dad and the Dinosaur by Gennifer Choldenko and illustrated by Dan Santat. G. P. Putnam & Son’s-Penguin Random, 2017. One of the soccer players is darker skinned than the protagonists or other children.

 

Do you know or think that I misrepresented or misinterpreted any of these?  Please comment below.  Let me know.