Tag Archives: Nate Evans

Book Reviews: November 2019 Picture Book Roundup: Sing Along

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Snow Blows White

Click to visit the publisher's site for links to order and summary.

The Soundtrack Series: Let It Go by the Disney Book Group. Disney, 2019. Intended audience: Ages 3-5.

You probably almost all know this book by heart already. This is the lyrics and illustrations to match the original animation of “Let It Go” from Disney’s Frozen. Nothing really spectacular here, but if you need the lyrics for, say, a sing-along story time, it is a helpful book to have on hand. The book comes with a CD of the single. According to the description, the CD is a karaoke, instrumental version, and a sing-along version of the song. It’s a good song, but I’m not sure that the picture book is a necessary publication. I was surprised how few of my littles at story time did sing along with the book and I (we were a cappella). I had one who definitely knew the chorus, but that was all the backup that I got.

***

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Reindeers Are Better Than People by the Walt Disney Company. Disney, 2015. Intended audience: Ages 3-5.

I had sort of hoped that this would be the lyrics to the song like the Soundtrack Series: Let It Go—only because I was doing a sing-along story time. It was not. I still sang the song for the kids, and I only missed a line. I pulled it up on my iPod and let Jonathan Groff sing us through it once too. It’s such a delightful, short song. Instead of lyrics, this is a very brief introduction to the characters of Frozen, seemingly narrated by Kristoff (I would guess because of his “thing with the reindeer”), two sentences or for each of the main adventurers. The kids at story time laughed at and seemed to very much enjoy the characters that they knew with reindeer antlers.

***

Click to visit the publisher's page for links to order and summary. 

Anna, Elsa, and the Secret River by Andria Warmflash Rosenbaum and illustrated by Denise Shimabukuro and Elena Naggi. Disney, 2019. Intended audience: Ages 3-5.

This is a new adventure for children Anna and Elsa. Note: I have not yet seen the new film, but I don’t believe that this particular adventure is portrayed in the film. Anna convinces Elsa to chase after a magical river that might provide answers to why Elsa is born with magic mentioned in a lullaby. The sisters use their senses to search for the river, but the sun begins to rise before they find it. As soon as they decide to return to the castle, they wake in their beds, but was the adventure a dream or did they really venture out of the castle and into the woods? The illustrations in this are beautiful, and Rosenbaum does a good job capturing the personalities of the two sisters as I understand them from the first Frozen film. The introduction to the senses—sight, smell, hearing—was a nice touch too.

****

Click to visit the publisher's page for links to order, summary, reviews, and sample.The Crayons’ Christmas by Drew Daywalt and illustrated by Oliver Jeffers.  Penguin Workshop-Penguin Random, 2019.

In previous Crayons books the crayons have written to Duncan.  Now the crayons are the recipients, receiving letters and postcards and gifts from friends and family in a sweet celebration of reaching out to loved ones at the holidays.  The book has the same offbeat humor and insightful comments on our use of colors that the previous books did.  Many of the characters are from previous books, their adventures expanded here, and I think the book made less sense as a standalone for that reason.  The concept of the crayons and their letters was not well explained in this book (I’m giving it five stars anyway but suggest reading The Day the Crayons Came Home first; meet Esteban).

I grew up with my mother’s love of the interactive picture book, The Jolly Postman by Allan Ahlberg.  This book reminded me of that with its letters and postcards and gifts in envelopes attached to the page while the envelopes’ contents remained separate, able to be taken from the book and read.  This book includes ornaments to hang on a Christmas tree, games, and a gluten-free cookie recipe to try in addition to letters and postcards.  There was also a Hanukkah greeting and paper dreidel to make!  Reading it could easily be spread out over a day or several days if one stops to interact with all the contents.

I had a small audience for this one, but they did better with this story than they have with the length of any of the other Crayons books.  I struggled to balance the book and the separate pieces.  If you’re reading it aloud, make sure you have somewhere to lay the book down to hold up the envelopes’ contents.

*****

 Click to visit BN's website for links to order, summary, trailer, and reviews.

Jack Frost vs. the Abominable Snowman by Craig Manning and illustrated by Alan Brown. Wonderland-Sourcebooks, 2019. Intended audience: Ages 4-7.

I am excited to have an introduction to choose your own adventure style stories for such a young audience, although the Choose Your Path series name is more fitting. The endings for this story cannot change; there is only one. A reader can however choose which character to follow through the story. There is a lesson here about not having to be locked into one way of reading. When I let my story time children choose their path, they did miss one adventure with Abe the Abominable Snowman, so if they read it a second time, there might be a surprise for them. The instructions to turn to this or that page were included in the rhyming text, and sometimes that felt awkward, but reading it aloud without any prep time, it was nice to have a catchy way to explain to the audience how we could choose between following either of the two racers.

***

Click to visit the publisher's page for links to order, summary, and sample pages.

Cookies for Santa: The Story of How Santa’s Favorite Cookie Saved Christmas. Illustrated by Johanna Tarkela. America’s Test Kitchen Kids-Sourcebooks Explore-Sourcebooks, 2019. Intended audience: Ages 4-7.

This was a pretty long book for story time, and required me to skip a bit of the text—though, again, I didn’t get to prep. With more time before reading, I might have been able to trim it more effectively. I barreled through to the ending, but the kids’ attentions were wandering. This is yet one more picture book trying to begin a new Christmastime tradition (like Elf on the Shelf, like Santa’s Magic Key), though this is my favorite of the traditions that picture books have yet tried to begin—and may already be a tradition for many. This tradition is to make a particular type of cookie: Chocolate Krinkle Cookies.

The Kringle family cookbook, which Santa uses every year to make cookies for his helpers and family, is missing. Santa cannot get the recipe right without. He has no cookies to share as he usually does. His helpers and family feel unappreciated and become uncooperative, not helping him prepare for Christmas any longer.

Meanwhile in a library, Abigail who reads cookbooks for fun, finds the Kringle cookbook. She brings it home, and the odd ingredients in the cookbook confuse her family.

In a televised address, Santa confesses to feeling like he should cancel Christmas because he is so upset that he lost the cookbook. Abigail and her family realize what they have, and rush to the America’s Test Kitchen studio to get help with the recipe, not having time to mail the book back to Santa in time for Christmas. The cooks there figure out substitutes for all of the magical ingredients. They televise the recipe and encourage the world to bake the cookies that Santa could not and leave them for him.

On his rounds, Santa finds the cookies left for him, and cheers up considerably. Abigail and her family leave the book for him in addition to the cookies.

In addition to being long, I didn’t really like any character in this story. Santa is not jolly. He, the elves, reindeer, and Mrs. Claus are too focused on the gifts that come with the season. The insertion of America’s Test Kitchen was clunky and clearly an advertisement for the company. I think reading aloud I actually left out the trademarked brand, and I think that the text ought to have done too.

The story I think would have been better without the inclusion of Abigail and her family and without the inclusion of America’s Test Kitchen, perhaps instead a story about Santa losing his cookbook and his family and friends reminding him of the Christmas spirit. The idea that the world gets to give back to Santa is sweet, though.

I could never decide whether I was imagining that the stack of these books smelled a touch like peppermint and chocolate, though they are not advertised as scented.

Kirkus suggests a chance that Abigail and William’s mom might be Asian, but I’m not sure that I see the same.

The book does include the recipe in the backmatter.

**

Click to visit the author's page for links to order, summary, reviews, and activities.

Cookiesaurus Christmas by Amy Fellner Dominy and Nate Evans and illustrated by AG Ford. Hyperion-Disney, 2018. Intended audience: Ages 3-5.

I did not realize that Cookiesaurus was a series until I began to research for this review, though this is only the second in the series. Cookiesaurus, whose pleas and excuses make up the text of the story, wants to be the cookie left out for Santa. He knocks other cookies off the plate, making several messes and hurting his friends. Near the end, he realizes that his friends have been hurt by his actions and apologizes and helps the cookies back onto the plate. As a reward, he is chosen to top the Christmas tree. The style of writing reminds me of Mo WillemsPigeon books.

***

Making the World a Kinder Place

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Stir, Crack, Whisk, Bake: A Little Book about Little Cakes. America’s Test Kitchen Kids-Sourcebook Explore-Sourcebooks, 2019.

This is an interactive book on the line of Don’t Touch the Button! and Press Here. My audience member was shy and nervous about participating. The text reads like instructions for an app game, especially “Use your finger to drag each [ingredient] to the counter.” The end result of these interactive instructions is a batch of cupcakes for a “special day.”  This is a way to “bake” together with a little one without the mess, but the result is only “cupcakes.” I can’t eat “cupcakes.” I can see where a family might use this one though, to make a little feel as though they had been included in the baking process.

***

Click to visit the publisher's page for links to order, summary, and reviews.

Sunny Day: A Celebration of Sesame Street by Joe Raposo and illustrated by Christian Robinson, Selina Alko, Brigette Barrager, Roger Bradford, Vanessa Brantley-Newton, Ziyue Chen, Joey Chu, Pat Cummings, Mike Curato, Leo Espinosa, Tom Lichtenhelf, Rafael López, Emily Winfield Martin, Joe Mathieu, Kenard Pak, Greg Pizzoli, Sean Qualls, and Dan Santat. Random, 2019. Intended audience: Ages 4-8.

The text of this book is the lyrics of the theme song that opens episodes of Sesame Street. Each illustrator gets a single page spread. The book celebrates diversity. As a bookseller, I enjoyed the challenge of identifying each illustrator and have yet to convince myself that I have solved the puzzle. I believe the illustrators are listed in the order that they appear, but I would have to double-check that. The text works best, I think, as a sing-along, but there was a verse that neither I nor the young parents at my story time remembered.

***

Click to visit the publisher's page for links to order, summary, and author's bio.

People in Your Neighborhood by Jeff Moss and Sesame Street. Sterling, 2019. Intended audience: Ages 3-7.

I remembered this song only after looking it up, and I did not find this exact version of the song. I was able to sing the chorus for story time but not the verses. The book does come with a CD, but reading a book intended for sale to another, I did not use it for story time. The book introduces children to several professions including postman and fireman. The book suggests that putting on the clothes of such a profession makes one such a professional.

This book has been available at Barnes & Noble for several months now, at least since November when it was a required story time read, but it appears that it will be getting a wider release in February 2020.

***

Click to visit the publisher's page for links to order, summary, info about Thunberg, info about the 350.org, and author's and illustrator's bios.

Greta and the Giants by Zoë Tucker and illustrated by Zoe Persico. Frances Lincoln Children’s-Quarto, 2019. Intended audience: Ages 4-7.

Greta Thunberg, Time’s Person of the Year 2019, is in another picture book. This one makes fantastic her battle against the giant corporations—here literal giants. Greta lives in a forest. The forest animals come to Greta to ask for her help because the Giants are destroying their home. Greta makes a sign and stands in the Giants’ way. They bowl past her, but other human inhabitants of the forest watch, and slowly begin to join her protest until the Giants are forced to pay attention to the crowd. In this story, the Giants mend their ways and begin to live more sustainably, making the forest better for all those who live in it. The giants are portrayed as being greedy and busy but blind to their destruction rather than heartless. I really like the illustrations in this one. I like the hope in this one even if I believe it to be misplaced.  Greta is portrayed though as more magical than she is, given the ability to speak to animals, and that is a dangerous line to walk, but then, this is clearly a fantasy if the antagonists are literal giants so a heroine who can talk to animals is not unusual in such a story.

*****

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.

Book Reviews: July Picture Book Roundup

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Welcome to the second monthly roundup.

Moby Dick: A BabyLit Ocean Primer by Jennifer Adams, illustrated by Alison Oliver.  Gibbs Smith, 2013.

The first BabyLit Primer that I read (Pride and Prejudice), I didn’t much enjoy.  This second, a more recent publication, I liked better, maybe because I was better prepared for what to expect, but also perhaps because it simply is more complex, better constructed, and makes better use of the source text.  This integrates quotes from Herman Melville’s Moby Dick as it introduces young readers to both the story of Moby Dick and some usual (captain, fish, whale, ship, stars, sailors) and more unusual (harpoons; if anyone is looking to get me a gift) ocean vocabulary.  It takes the basic primer a step farther not only with its quotes but also with its labels of the various types of fish (more specific knowledge than I at 24 know).  Confession 1:  I have not read Moby Dick, but I know it is lengthy, and I know the basic idea.  Whether BabyLit retells Moby Dick I cannot say, but it does capture the basic story of a whale hunt, though BabyLit does not specify what becomes of any of the characters, cutting it short of killing or injuring the whale.

****

Les Petits Fairytales: The Little Mermaid by Trixie Belle, Melissa Caruso-Scott, illustrated by Oliver Lake.  Henry Holt-Macmillian, 2013.

Les Petits Fairytales retell classic tales in the form of board book primers with only one or two words per page and bright illustrations of round, toddling characters in complete settings.

I really appreciate Les Petits Fairytales’ ability to tell an entire tale in such a simple form and their decision to distance themselves from the Disney representations of these classic fairy tales.  Ariel is not a redhead, though the illustrator, Oliver Lake, could easily have made her so.  Instead the young mermaid sports black locks.  Confession 2: I’ve never read Hans Christian Andersen’s original “Little Mermaid.”  I do not know how closely this book stays or how far it strays from the text.  I can only really compare it to Disney’s.  The mermaid regains her grandmother (Disney never can allow two parents to care for their protagonists—or not until recently).  Following closer to Andersen’s version than Disney’s, the prince and mermaid do not wed (Les Petits Fairytales calls them “friends”) and the mermaid returns to the sea, though Les Petits skips the bit about the mermaid refusing to kill the prince to save herself and the part where the mermaid becomes a spirit, losing her mortal and bodily form altogether for not winning the love of the prince.

****

Les Petits Fairytales: Snow White by Trixie Belle, Melissa Caruso-Scott, illustrated by Oliver Lake.  Henry Holt-Macmillian, 2012.

Again, Les Petits Fairytales distances itself from the Disney version of the tale and remains closer to the original Grimms Brothers’ version.  The witch uses an enchanted corset and poisoned comb before defeating Snow White with a poisoned apple.  Les Petits Fairytales remembers its audience and allows only a forehead kiss to wake the sleeping girl.

 ****

Baby ABC by Deborah Donenfeld.  Dial-Penguin, 2013.

Obviously, this is an alphabet book.  The illustrations each feature a black-and-white photograph of a baby wearing or bearing some object alone in the photograph left colorized.  The color of this object matches the letter that it represents.  It’s a simple concept, a simple design, but very tastefully done—and of course babies (humans) like looking at faces, are predisposed to recognize faces, and humans as a whole are drawn to faces that look more youthful, more babyish, so what better than a smiling baby’s face?  There’s no plot to report on here, but there’s not meant to be one.

***

In My Ocean by Sara Gillingham, illustrated by Lorena Simonovich.  Chronicle Books, 2011.

This is another book the draw of which is the design not the text.  The book is done with concentric cutaway pages of ocean landscapes, essentially oversimplifying a day in the life of a baby dolphin.  The baby dolphin, it should be noted, is a finger puppet, which is sure to delight, though I noticed that the puppet is quite small and quite shallow; I have small hands for my age and had a difficult time maneuvering the puppet.  The book ends with a reminder to come home to family.

**

No Matter What by Debi Gliori.  Houghton Mifflin, 2008.  First published 1999.

Small fears that Large doesn’t love him because he feels unlovable, “grumpy and grim.”  Large assures Small that there is nothing Small can do or be (a bear, bug, or crocodile) that will make Large love him less.  Small becomes surer of Large’s love through the story, the crocodile question being less fueled it seemed to me by fear than as a challenge given with a giggle.  Small asks about the qualities of love, and Large confesses her ignorance of whether it can bend or break.  Large assures Small however that, as the stars shine after they die, her love for Small will go on beyond her death.  This is a small book with a lot packed into its short, rhyming text.  The images nicely take the pair through the actions of getting ready for bed, giving the book a grounding and context that is rare in such picture books.

I love that the characters are Large and Small rather than a more boxed in Mother, Father, Grandma, Grandpa, Baby, etc.  I should mention too that I have arbitrarily assigned genders to these characters for the sake of the review and that they are never specified.

This is a great, little-known alternative to Robert N. Munsch’s Love You Forever or Barbara Joosse’s Mama, Do You Love Me?, and one that deals additionally with the question of death not just misdeeds that children fear might diminish a parent’s love for them.  The rhyming text is enjoyable with a great message.

*****

My Little Pony: Friends Forever: Play-a-Sound.  Publications International, 2013.

This is a “meet the ponies” book.  Spike convinces Twilight Sparkle to leave her studies to go seek the company of her friends.  The book has little plot and consists primarily of the gathering of the friends together.  The book includes flaps to lift and reveal the friends and buttons to press to hear the character’s theme music.

**

Bizzy Bear: Pirate Adventure illustrated by Benji Davis.  Nosy Crow-Candlewick, 2013.

Pirates are all over the bookshelves lately.  I blame Jake (and the Neverland Pirates) but want to say that we at Hollins’ Children’s Literature program were ahead of this trend when we voted the 2012 Francelia Butler Conference’s theme to be Pirates and Treasure Seekers.  This is a board book, filed at Barnes & Noble as a “first concepts” book.  Within the rhyming text, there are examples of opposites (left/right, up/down) though the book markets itself as an adventure not a primer.  This is a board book with moveable pieces.  Readers can hoist the sails, steer the ship, dig for treasure, and open the chest.  Even the cover illustration allows readers to toss the ship on the waves.  The illustrations are quite detailed and colorful even aside from the captivating moveable bits.  The book is thankfully constructed of sturdier material than most other books with moveable pieces.  The plot is pretty simplistic, though, I suppose for its genre (first concepts), it’s actually quite complex.

***1/2

Ponyella by Laura Joffe Numeroff, Nate Evans, and illustrated by Lynn M. Munsinger. Hyperion-Disney, 2011.

As you can probably guess, this is a retelling of “Cinderella,” where all of the characters sans the prince and the stepmother are ponies or horses.  I actually thought that this was an extremely well done retelling.  Ponyella’s farm is bought and she along with it by a new owner (stepmother) who brings two of his own beloved horses with him (the stepsisters).  Ponyella is shoved aside so that the owner’s horses can have the nicest stalls.  She receives less love and attention.  He even put her to work pulling carts of heavy coal.  A horse show is arranged which it is rumored that the Princess Penelope will attend to look for a new pony.  Ponyella’s godmare arrives, cleans up Ponyella, gives her diamond horseshoes, and turns a friend of Ponyella’s, a mouse, into a rider.  Ponyella attends the horse show and shows off her ability to jump the higher than the other competitors.  When her glamour wears off, she loses one of her diamond horseshoes, and Princess Penelope uses it to search the land for the pony that it fits, ultimately finding Ponyella and taking her to live at the castle as her own pony, showering her with love and attention, putting her up in the largest, nicest stall, and feeding her carrot cake.

The retelling uses all the elements of the story and twists them just enough so that they fit the new cast.  It’s sure to delight young riders and horse-enthusiasts.

The story is beautifully and expressively illustrated by Munsinger in pastels and pinks.

****

Imagine by Bart Vivian.  Beyond Words-Aladdin, 2013.

The illustrations of this inspiring picture book are gorgeous.  Black and white images of kids in the now and the real are contrasted when the page is turned by bright, bold illustrations of what could be or what one could imagine the real to be (ex: a tree house is a castle or you could become a real life hero as a firefighter).  I hope kids don’t need the reminder to imagine, to dream.  It almost seems to me to be a book for older children (graduates).

***

An Elephant and Piggie Book: I Love My New Toy! by Mo Willems.  Hyperion-Disney, 2008.

Piggie has a new toy.  Elephant Gerald plays with it, but it falls to the ground and snaps.  Piggie becomes very upset, upsetting Gerald.  Then a kindly squirrel happens by to explain that the toy is supposed to break, and Piggie becomes embarrassed for having gotten angry with her friend.  Gerald and Piggie realize that friends are more fun than toys, and the toy is forgotten.

****

An Elephant and Piggie Book: My Friend Is Sad by Mo Willems.  Hyperion-Disney, 2007.

Elephant Gerald is sad, Piggie notices.  Piggie tries to cheer him up by dressing in elaborate costumes as things that she knows Elephant enjoys (a cowboy, a robot), but Gerald only seems to become sadder each time Piggie tries.  Piggie finally approaches Gerald without a costume to apologize for not being able to cheer Gerald up, but Piggie’s appearance heralds Gerald’s happiness.  Gerald explains he was sad because he saw all these awesome things, but Piggie wasn’t there to see any of it.  Piggie reminds Gerald that she is here now, and Gerald explains that he needs his friends.  Piggie tells Gerald, who did not recognize Piggie in any of her disguises, that he needs new glasses.

Willems’ depictions of Gerald’s devastating sadness are particularly expressive, and this book contains such great gems of lines as “How can anyone be sad around a robot?”

****

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books.  They are independent, honest reviews by a reader.