Tag Archives: low fantasy

Book Review: What Again, but Better Needed to Do Better (and Why it Wasn’t for Me)

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Spoilers have been whited-out.  Highlight to read.

I was the wrong person to read this book, but this was another that work required.

I wasn’t aware of Christine Riccio as a booktuber, so I could not be blinded by stardom.

I read an ARC that, thankfully, was line-edited once more before being published because there were some spellings errors in my copy that grated on me particularly as someone once hired to edit to match Rowling’s canon (Horcrux was misspelled several times, but the misspellings were fixed in the final printed edition).

I don’t read many books that would be shelved as romances. I’m ace; romance tends not to interest me; it’s not my lived experience and not the constant, humanity-defining story that most think that it is. I don’t like that romance is so especially pervasive in teen literature—in any and every genre. I can, for example, read an adult or middle-grade fantasy and escape a romantic subplot, but I’m hard-pressed to name a book marketed as for teens without such a subplot. I am especially bored by white, cishet romances, which Riccio’s is here.

I too studied abroad in London—and only a year before the protagonist Shane does in this story. I’ve been to Rome. I’ve been to Edinburgh (though I haven’t gotten to climb Arthur’s Seat). Riccio had to convince me that she had been to all these places too. And and the first British person with whom Shane interacted (on the plane on her way to London) acted so aggressively against the British code of conduct that I was thrown out of the book, my disbelief animated, and Riccio struggled to draw me back. (This woman later is revealed to be an important, recurring character, which at least explains to some degree her trashing of cultural norms, but I think Riccio could have waited to introduce this character until Shane had at least interacted with one other British person—or had this woman not be British—and I would have been better able to suspend my disbelief for her.)

For all that Shane describes herself in the beginning as painfully socially inept and awkward, she makes friends quickly, she takes more initiative to travel than I did while abroad, she drinks more often than I did with friends, she dances in clubs, she makes up excuses to see friends. She rarely studies. She is not socially inept. She is a social butterfly and party creature compared to me when I was her age and studying abroad in London. I did my homework, went on trips with my classes, and I explored the parks and the museums on my own—and I enjoyed myself. (Admittedly, travel and engagement with London and with England was far more a part of our international program curriculum than it seems to have been for Shane—or for most international students studying in London.)

I never found Shane or her friends particularly relatable though Riccio tries painfully hard to make Shane so through popular culture references (not all of which I could catch), making her a Lost fanatic, a Potterhead, and a voracious reader as presumably is the person reading the book or following Riccio as a booktuber. I also didn’t find Shane particularly likeable. Though I can understand her desire to escape her parents’ expectations, her solution is so extreme that I don’t find her parents’ reactions entirely unjustified. [SPOILER] Certainly by showing up unannounced in London [END] her parents demonstrate a certain lack of thought for Shane’s plans, but their hearts seem to be in the right place. To justify Shane’s lie to her parents perhaps I needed to meet them prior to her betrayal of their trust. Or perhaps I am showing signs of adulthood, relating more to the adults than the child heroes, to Triton more than Ariel.  Pilot, her love interest, I was ambivalent towards too at best.  He seemed supportive, and he and Shane seemed at times very well matched, but he lacked emotional maturity and avoided his problems to such an unhealthy degree that I couldn’t consider him a healthy romantic partner for anyone.

The writing style (a close first person present)—especially in the first half of the novel—is somewhat juvenile. It’s possible that in the first half of the book especially this immaturity is intentional as the second half of the story revolves around the question of returning to old circumstances with new wisdom, but this makes the writing no more enjoyable to read—especially not knowing that maturity (or lack thereof) is going to become such a key part of the books’ plot.

Riccio did something a little different by adding an element of fantasy to this otherwise realistic, contemporary romance (set in 2011 and briefly 2017), but it wasn’t nearly enough to win me back. What it seemed to do was allow Riccio to play out two sets of mistakes for Shane and for Pilot.

Shane when the magic occurred didn’t react in a way that I found believable. [SPOILER] With her mind, soul, person thrown into the body and circumstances of her self from six years earlier, she didn’t seem to realize it, to realize that her body felt different, didn’t hurt as much, she was less tired, that her hair was probably different. These are the cues I think that I would recognize if someone were to shove me back to my college-aged self. Mostly I think I would notice that my body hurt less. [END]

A younger me might have enjoyed this story more, but present-me did not.  And really, what was the lesson?  You can’t have both career success and love without magic and more time than is available to anyone without magic?  That’s not what I want to hear, true though it might be.  Few I think read fantasy or romance books to lose hope; it’s certainly not what I seek in my escapism.

**

Riccio, Christine. Again, but Better. Wednesday-St. Martin’s-Macmillan, 2019.

Intended audience: Ages 12-18.

This review is not endorsed by Christine Riccio, Wednesday Books, St. Martin’s Press, or Macmillan Publishers. It is an independent, honest review by a reader.

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Book Review: The Enormous Scope of Two Years Eight Months and Twenty-Eight Nights

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Click to visit the publisher's page for links to order, summary, sample, reviews, and author's bio.

SPOILERS included in an attempt to linearly layout the story.

I have meant for a while to dive into Salman Rushdie’s canon. He is a man whose conviction I greatly admire. For the Satanic Verses, his execution was ordered by an Iranian Ayatollah, leading Rushdie to hide under an alias on British soil.  But he has stood by his publication and continues to write about religions and the big questions.  He has used his fame to speak out on a vast number of social and political issues of our time and to benefit nonprofit programs and generally (to borrow a term) “decrease world suck.”

This is nevertheless the first book of Rushdie’s that I have read.

Rereading The Golem and the Jinni recently ignited in me new interest in the jinn, the mythology of which I think could be useful in my own writing. Finding this book on audio CD at the local library when the book that I’d gone for was missing seemed a sign, and I took it.

The bulk of the story told is about a near future but is told from the perspective of a historian or storyteller 1000 years past the main events, a period of 1001 nights—or two years, eight months, and twenty eight days—that is known as “the time of the strangenesses.”  The story spans from the time of Ibn Rushd’s exile from the court at Cordoba when he lived in the mostly Jewish village of Lucena (c. 1195) until 1000+ years past our present, a stunning scale (1825+ years).

By Rushdie’s account, during Ibn Rushd’s exile, he loved a girl called Dunia, who bore him many children, which Ibn Rushd, when his favor in court was restored, largely cast off along with Dunia. Dunia, awakening the dust of Ibn Rushd long after his death, around our own present, reveals herself to be the princess of Qaf in Peristan, the parallel world that is home to the jinn and other lesser magical creatures. With the veil between the two worlds loosened, other jinn return to the world of men, including the grand ifrits, dark jinn. This sparks a rash of “strangenesses,” unexplainable plagues that affect humanity, and broadly, the return of magic to men. Dunia’s and Ibn Rushd’s descendants have multiplied, and the jinn magic within several of these descendants is awakened by the strangenesses and by Dunia. She deputizes several of these descendants as warriors in her fight against the dark jinn and the grand ifrits. Much of the story focuses on the lives of a few of these deputized warriors, which include a failed graphic novelist who finds himself possessing the powers of his imagined superhero, a woman with lightning’s electricity, and a widowed gardener. These three are viewed as among the human heroes of “the war of the worlds” by the account of the narrator, and they participate in the final battle between Dunia and the last of the grand ifrits. After the closing of the gaps in the veil between the worlds following that battle, according to the narrator, the world is reborn into an age of rationalism, absent the fear of gods or religions or the supernatural, but humanity loses the ability to dream.

It’s a complicated story without a strict linear telling, with many point of view characters, and an omniscient narrator who sometimes interrupts with his opinion and many asides on the nature of the jinn and the nature of humanity.  The action takes place across our globe and in Peristan too.

Mostly I read (or listened to) this story as a fantastical telling of a battle between mythological creatures that takes place mostly in our world, and I was pleased. It is a good action story, a battle between good and evil with a host of characters from around the world and pieces of history thrown in for good measure and grounding. But it is certainly a reflection on the nature of humanity and of the nature and reality or fantasy of a god or gods. It is a warning against prejudice and the creation of the “other.” The world is saved by a several immigrants to the US. It is at once an examination of the worst instincts of humanity and a praise of humanity’s endurance and stolidity. Certainly it is a tale of human reason and ingenuity versus unreasonableness, irrationality, and magic.

This is one of those stories definitely for a much older audience. There are graphic depictions of violence and lots of discussion about sex, consensual and otherwise, if those acts themselves are never described in much detail. I at several times questioned whether I should be playing this audiobook with the windows down at a stoplight, not knowing if young ears were open in cars with open windows around me.

Allusions are dense on the ground in this book, its scope of art almost as vast as its scope of time. I missed many of them but was pleased when I did catch a reference.  I learned more about philosophical texts and ideas than I brought knowledge of philosophy to the book.

Robert G. Slade does voices if not maybe distinct for every character then certainly for some of them who stand out.

****

Rushdie, Salman. Two Years Eight Months and Twenty-Eight Days. Narr. Robert G. Slade. Random House Audio-Penguin Random, 2015.

This review is not endorsed by Salman Rusdie, Robert G. Slade, or Penguin Random House. It is an independent, honest review by a reader.

Book Review: Individual Trials and One Light Jog in These 9 from the Nine Worlds

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Click to visit the author's page for links to order and summary.

Spoilers are written in white.  Highlight the text to view the spoilers.

I’ve just reread this short story collection in one sick day. The first time I read it through I was disappointed by the fluffiness of these stories. Reading it a second time, I found them not as excessively airy, still treated with the lighthearted tone with which Rick Riordan writes most things, but on a second reading, I was more into it, less annoyed by it.

Full disclosure: Rick Riordan is currently, easily one of my favorite authors, perhaps even topping that list.

This book hasn’t the tightness, intricacy, urgency, or gravitas of any of the series or even of the Demigods and Magicians, another short story collection, but rather than a plot to instigate war, overturn the cosmic order, or become a god, these stories are connected by a jogging route. Specifically Thor jogs implacably, unswervingly through the Nine Worlds in too tight, leather, running shorts, listening to the sounds of rocks and farting “like a sputtering engine” (99).

These nine stories take place over the course of maybe 24 eventful hours, the time that it takes Thor to loop through the Nine Worlds. Thor’s run through the Worlds affects each of the stories in a unique way, sometimes the cause of the story’s trouble and sometimes the answer to a hero’s quandary.

The individual dangers that the heroes overcome are more serious than Thor’s jog. [SPOILERS] Odin needs to find a leader for the Valkyries. Amir escapes a sorcerer. Blitz saves Thor.  Hearthstone saves Inge.  Sam does some intelligence gathering in Jotunheim.  TJ helps Hel. Mallory escapes Nidhogg. Halfborn fights dragons. Alex faces off against Surt.

Starting with a food fight in the Great Hall in Hotel Valhalla (a story narrated by Odin) and ending with a foiled meeting in the palace of Surt in Muspellheim (narrated by Alex Fierro), [END SPOILERS] each story is written in first person from the POV of one of the side characters of Riordan’s Magnus Chase series. The narrative style of each story is fairly similar to every other, though Riordan does do a good job peppering each story with perspectives unique to the character’s backstory, which help to distinguish the voices, though I did often have to look back at the title halfway through the first page to remind myself who was narrating.

Most of these are solo trials. There’s not a great deal of interaction between all the characters of Magnus, and there’s no Magnus (he’s away visiting Annabeth during this jog). The characters are great individually. There’s a sort of intimacy in interacting with these characters away from their friends. But it is different, and I don’t think that I prefer it, especially when I feel like these characters all have fairly similar voices if they do have diverse backgrounds and perspectives, and especially when Magnus was so much about ultimately the power (dare I say, the magic) of friendship (I see a great bit of parallel actually between Magnus Chase and the modern incarnation of My Little Pony).  The final line of this anthology is that same “friendship is magic” chord that I so enjoyed, but it seems an odd last note almost in a book where so few of the characters sought help.

All in all, it was enjoyable to spend some time with these characters again, to learn a little more about them and about the Norse cosmos. I just kind of wish that there had been higher stakes and more that connected the stories to one another; I expect both of these from Rick Riordan, and Demigods and Magicians taught me it was possible even in a short story collection.

Minor complaints that these are, they bear mentioning: I don’t like ragged pages, and the glossy pages of illustrations are oddly placed, intersecting two stories, the first time even interrupting a sentence. That was distracting and a) interrupted the flow of the stories and b) had me hurrying past the illustrations to find the end of the stories, but then because of the ragged pages, struggling to find the illustrations easily again to peruse them at my leisure.

****

Riordan, Rick.  9 From the Nine Worlds.  New York: Hyperion-Disney, 2018.

Intended audience: Ages 8-12.

This review is not endorsed by Rick Riordan, Hyperion, or Disney Book Group.  It is an independent, honest review by a reader.

Shelfie: April 13 & 14, 2017: First Time with a Last Book

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I’m apparently not going to be mentally able enough for long enough when I’m free enough this week to finish the blog post that I almost have done.  So instead, I’m sharing with you a few more of my favorite lines from one of my favorite books.

These are both from my first, excited read-through of the final book in Maggie Stiefvater’s Raven Cycle, The Raven King.

The usual warnings about SPOILERS, but actually I think these pages are pretty innocuous, and I know the lines that I’m extracting are safe.

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” ‘Where the hell is Ronan?’ Gansey asked, echoing the words that thousands of humans had uttered since mankind developed speech.”

For me, what words Gansey said are irrelevant.  That tag is amazing.

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” ‘I don’t want to talk about.’
” ‘ I do,’ Ronan said.
” ‘Well, I don’t.  I’m not proud of it.’
“Ronan patted her leg.  ‘I’ll be proud for you.’ “

I’m not sure why I love this exchange so.  Maybe just because it is so real.

I really can’t tell you often enough to give this series a try.  The first book in the sequel series is due out November 5, and I am so excited.  The first book in that series is called Call Down the Hawk.

Shelfie: March 19, 2017: Polished by a Second Reading

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This is an open page, so SPOILERS!

 

 

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Some books are just better the second time around.  Some writers’ brilliance is really only polished to a shine by a second reading.  This is a page from Maggie Stiefvater’s The Raven Cycle, Book 1: The Raven Boys, which—hey—by the way, is being turned into a television series, and you should definitely read the books before you see the show.  This series has become one of my all-time favorites.  It lives in its entirety on the small bookcase in my nook of a bedroom.  It is one of the ones that I pull out to be comforted and to be drawn away.

This past week has been chaotic, and next week is likely going to be even more so.  I hope you won’t mind me putting off using my depleted brain to review and process books and will just enjoy some bookish photos and a trip down memory lane with me.

Shelfie: March 10, 2017: Well-Crafted Threat

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“When I’m finished,” Octavian promised, “nothing will be left of your kind but stories.  I will burn your homes.  I will bury your warriors.”  His voice grew even softer.  “I will blacken your sky with crows.”

Sometimes, a book can steal my heart with just one well-crafted line.  This is from one of Jim Buctcher’s books in the Codex Alera series.  I haven’t read any of these books yet, but my roommate paused in her lightning speed read to read this one paragraph aloud to me, and I am nearly certain now that I will love this series.  I will love this paragraph forever regardless.  Just that line… “nothing will be left of your kind but stories.”  And “I will blacken your sky with crows.”

Book Review: Read Timekeeper Quickly

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Click to visit the publisher's page for links to order, summary, and author's bio.

I did not give Timekeeper the reading that it deserved, and I’m going to probably always regret that a little. I bought this book when it first came out, and—let’s get this out of the way—I wanted to love this book, and how much that bias colored my reading, I don’t know, but when I did read this book, I did love this book. Timekeeper is the first novel by Tara Sim. Tara Sim is the first person of my graduating class at my alma mater to get a book deal from a big name publisher (one that easily supplies Barnes & Noble). She is the first author that I’ve known personally to get such a book deal. She’s the one who made it first. (She won’t be the last.)

I don’t know what happened when I was reading this book—I honestly don’t. I bought it in November 2016. I’d actually opened it and read a few pages in November 2016; I have pictures. I started reading it in earnest in January 2018 or earlier—earlier I think, but I didn’t finish it until September 2018. Between January 2018 and September 2018 I reread three favorites, I read The Burning Maze, I started a mess of books, including several set in Wales in preparation for a trip to that country, without finishing them. I think portability made a big impact on my reading of Timekeeper this first time. Because I did read a new book called Tara Takes the Stage, a little 151-page paperback, and two of those rereads were portable paperbacks too.

I also have a niggling memory of a sense of being overwhelmed by book reviews that I hadn’t had the energy or time to get to you—and a feeling that I didn’t want to add to my pile of overdue reviews by finishing anything new; I think that might have been part of why I allowed myself so many rereads this year….

All this to say that I did not read Timekeeper in one great, thirst-quenching, squealing gulp like I ought to have done—like you ought to do; learn from my mistakes.  (And I’m sorry it took me so long, Tara.)

I was squealing enough about this book in January that I had to tell Goodreads about the dopey grin that I kept developing whenever I read about Danny and Colton and their will-they-won’t-they, forbidden romance.

Every time I opened it, I was infected by the characters’ emotions, but I somehow never sat down and put nose to page until I vowed to finish the books that I’d started instead of starting more. Once I was in maybe the last quarter of the book, I was tearing through it.

I was surprised by the ending.

I love that I was surprised.

The characters are all well-crafted, the world is vividly imagined and deeply considered. (There’s a note in the back where Sim talks about the ways her mythology and the changes that she made to humanity’s timeline in Timekeeper affect the characters and society in her world as compared to the world on our unaltered timeline, absent of her mythos.)

Here are so many things to cheer: well-portrayed PTSD; several, strong, well-rounded female mechanics, including one who is half Indian; a beautiful, gay romance; respected, well-rounded black characters in a Victorian setting because (to reference Psych) black people weren’t invented after 1888.

There are moments when Sim plays with textual layout and presentation to create story in a way that is nearly unique among books that I’ve read.

I intend to do better by Book 2, Chainbreaker, when I get my hands on a copy. The series deserves my attention.  Book 3, Firestarter, is due to come out in January.

This book deserves at least four stars, probably five if I’d read it as it ought to be read.

****

Sim, Tara. Timekeeper, Book One. New York: Sky Pony-Skyhorse, 2016.

This review is not endorsed by Tara Sim, Sky Pony Press, or Skyhorse Publishing, Inc.  It is an independent, honest review by a reader.

Shelfie: January 15, 2017: ReReading Blue Lily, Lily Blue

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Oops.  In planning for another adventure and just the day-to-day I never did get around to finishing a blog post (though I’m close on at least one).  I didn’t want to leave you without anything for the next two weeks, so enjoy some of these favorite lines of mine from Maggie Stiefvater’s Blue Lily, Lily Blue, the third book in The Raven Cycle.

Needless to say, if you read the full pages, you might find some spoilers, but the quotes I’ve highlighted are all I think pretty safe.

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“She drifted toward the bedroom, on her way to have a bath or take a nap or start a war.”

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“Violence was a disease Gansey didn’t think he could catch.”

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“Blue was perfectly aware that is was possible to have a friendship that wasn’t all-encompassing, that wasn’t blinding, deafening, maddening, quickening.  It was just that now that she’d had this kind, she didn’t want the other.”

Book Review: The Raven King Refuses Expectation and Surprises Despite Prophecy

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Click to visit the publisher's page for links to order, summary, and author's bio.

Pretty much spoiler-free.

This is an odd review, because I’ve now read the book twice. I generally try to write my reviews while the story is still fresh in my mind but missed that pass when I first borrowed the hardback from the library not long after its release in April 2017. The paperback I read in late April 2018.

The Raven King wasn’t what I was expecting—and I don’t know why I thought it would be; no book in the series has been what I expected. But I guess I thought that by the fourth book, the only one that I couldn’t read immediately when I wanted to because I had to wait for its publication, I would have come to a point where at the very least the tropes of the genre would steer the book in a direction that I could anticipate. The tropes did not. Stiefvater ruthlessly undercuts expectations and genre clichés. And ordinarily I’m 100% down with that, but this time… it was a little bit of a let down, to read 4 books about a quest that ultimately falls a little flat.

But hold that phone.

I love how writing reviews can solidify my views of a book. Now that I’m thinking about the book less as a reading experience and more as an undercutting of every built-up expectation, I’m becoming more and more on board. And I guess I’ll just have to read it a third time and revel in its unmaking of the tropes (yeah, I said it).

What a fine, fine line to toe though, between failing to fulfill a reader’s expectations and desire and surprising them. There are lessons to be learnt here.

That ability to surprise me despite how many books I’ve read in the genre, despite both the first in the series and this last beginning with the characters musing about their foretold destinies, is astounding.

And I know I’m an easy mark, but still.

The second time, knowing the conclusion, I was more on board. I was more on board with an unconventional conclusion, with an unexpected resolution, with an improvised solution.

And of course I was here for the prose, the beautiful, beautiful prose that had me rereading passages and reading passages out loud to anyone who would listen to hope that they would revel with me in the language, in the thing so beautifully captured and expressed, in the pointed description that is at once perfectly succinct and poetic.

One of my favorite lines from the prologue is this:

“A Gansey reached bravely into the night-blind water, fate uncertain until the hilt of a sword was pressed into a hopeful palm.”

And of course I was here for the characters. Tumblr user h-abibti once described this series like “long road trips and the sound of laughter in a car full of people you love and its singing on the top of your lungs to lame music” (the quote continues beautifully; follow the link and read the full quote), and that’s so accurate. I think the intimacy with which the characters treat one another invites the reader into that intimacy and refuses to let the reader not care. I care deeply. These are friends. A stew of psychoses, yes, but friends. There are new friends here too. I want to give a shout-out to Henry Cheng, the unexpected, late addition to the court, Chinese/Korean American who though he has an extensive vocabulary and sharp wit struggles to communicate how he’d like to do out loud in English or any other language.

I have to give this book 4 stars because I was still not on board totally this second read, but I suspect that a third reading might raise my rating of the book.

****

Stiefvater, Maggie. The Raven Cycle, Book 4: The Raven King. New York: Scholastic, 2018. First published 2017.

This review is not endorsed by Maggie Stiefvater or Scholastic, Inc.  It is an independent, honest review by a reader.