Tag Archives: children’s

December 2019 Picture Book Roundup: Big Names and Series Continuations

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Click to visit the publisher's site for links to order, summary, and author's and illustrator's bios.

Construction Site on Christmas Night by Sherri Duskey Rinker and illustrated by A. G. Ford. Chronicle, 2018.  Intended audience: Ages 3-5.

The characters from previous Construction Site books return. Each is gifted new equipment from an anonymous donor that I presume to be the company who thanks them for their work throughout the year. My anti-capitalist self found a great deal to be cynical about in this set up. The company provides their workers with something that they need to perform for the company but frames that equipment as a gift to make the company seem kinder? Hmmm….  I am almost certain that I am seeing an unintentional parallel between today’s corporate structures and those of this book; I don’t think that Rinker intentionally set out to write a pro- or anti-capitalist book, one that lauds the company’s gesture or reveals the manipulative behavior of the company in the mask of Christmas—especially, as I have said, since the company is never definitively named as the gift-giver. And certainly her intended audience isn’t going to consciously wonder or even consider the ethics of the company’s behavior.

The pattern to this book is similar to Mighty, Mighty Construction Site with each vehicle’s task for the day described before the truck is put to sleep with a “Goodnight.” The vehicles’ work is finally revealed in its finished form: a new fire station. I wonder if that signals an upcoming book in the same world. Mighty, Mighty Fire Station anyone?

***

Click to visit the publisher's page for links to order, summary, sample pages, and author's bio.

Where Do Diggers Celebrate Christmas? by Brianna Caplan Sayres and illustrated by Christian Slade. Penguin Random, 2018.  Intended audience: Ages 3-7.

This book was something of a disappointment. I liked the illustrations, and it fit well thematically with the required book for our story time, Construction Site on Christmas Night. The text… well, to start, it never answered the questions it asked. I expected an answer eventually, thought that I was going to get a book written stylistically like Jane Yolen’s How Do Dinosaurs series, questions then answers. This was the first book in this series (books that are titled in the pattern of Where Do X Sleep at Night?) that I had ever read. I’m guessing that this book is written in the style of the series, and if I’d known that and been prepared for it, I might not have minded it so. I did appreciate that this book seems to celebrate more than many others do that family and friends’ gatherings that mark the holiday. We had fun finding the little mouse in each of the illustrations.  This is definitely a book whose illustrations outshone its text.

***

Click to visit the publisher's page for links to order, summary, reviews, and trailer.

The Cool Bean by Jory John and illustrated by Pete Oswald. HarperCollins, 2019.  Intended audience: Ages 4-8.

This has been I think my favorite by this duo. The POV bean used to hang out with a group of other beans, but as they got older, he grew apart from the other beans. They became “cool,” and he did not. He thinks that he’s lost his friends, but then when the not-cool bean gets into some embarrassing scrapes at school, dropping his lunch, falling on the playground, each time the cool beans help him out. He realizes that his friends haven’t changed so much, that they are still kind, still friends, even if their interests and wardrobes have diverged and if the cool beans have found new skills at which they excel. Their small gestures of kindness improve the POV bean’s outlook, give him self-confidence and confidence in the kindness of his friends. Kindness not clothes or special skills make beans cool. This was a story to which I related. I grew up in a small town and coolness only came as we hit upper elementary school. The old stereotypes of 80s and 90s movies didn’t hold up. One of the coolest girls in our school was also one of the most generous and softest, and her kindness did a lot to cheer me up on more than one occasion. That said, check out the band Smoke Season because while we haven’t kept up I hear that she’s been doing well for herself.

****

Click to visit the publisher's page for links to order, summary, sample pages, audio sample, reviews, and author's bio.

The Serious Goose by Jimmy Kimmel. Penguin Random, 2019.  Intended audience: Ages 3-7.

This was a surprisingly fun book. The reader is asked to make a silly face (there is a mirrored surface in the book) to make the serious goose laugh. And that—not the silly hats or the tasty treat of the previous pages—is what turns the serious goose who won’t smile into a silly goose who is buoyantly happy and barks like a dog to be silly. The rhyming is a lot of fun. There is a good bit of adult humor with the narrator threatening the audience with lawyers for violating a direct commandment from the Order of the Serious Geese and Gooses. The proceeds for the sales of this book benefit children’s hospitals.

****

Click to visit the publisher's page for links to order and summary.

The Kindness Book by Todd Parr. Little, Brown-Hachette, 2019.

Although my opinion may be colored by having to rush through it as I’d lost two members of my audience entirely and the last’s attention was split between coloring and listening and waiting for her family to return, I read this one after reading Kindness Makes the World Go Round, and honestly it paled in comparison. There’s no plot. This is a good overview though of the kind things that a person can do for others, for the community, for strangers and loved ones, for oneself, for animals. There is actually a pretty strong emphasis on being kind to oneself; it’s mentioned thrice. I appreciated the inclusion of characters of limited physical mobility with the gray-haired woman whose wheelchair rests beside her bed and another whose cane rests by her chair. Todd Parr’s bright colors and simple drawings and simple text hide a deeper message as almost always.

***

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.

Book Review: The Surprising Sweetness of Dog Man

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Click to view the publisher's page for links to order, summary, and reviews.

This was my first Dav Pilkey novel. I missed the Captain Underpants books when they were coming out during my elementary school years; I didn’t have any interest. I never had any interest in Dog Man either as an adult and a bookseller despite their popularity among the children. Then I was asked to throw a release party for the 8th novel in the Dog Man series, and I thought I had better at least introduce myself to the characters and the story.

Lucky for me, the 7th book at least begins with a recap of the story thus far. In sum, a police dog’s head is surgically attached to a policeman’s body when the two are in a horrific accident (a bit of a creepy premise, but okay). The two become Dog Man. Dog Man continues to protect the city from evil, which seems to come primarily in the form of other even more anthropomorphized animals, because Dog Man himself doesn’t talk.

Among his foes is Petey, a cat inventor, and Piggy, an evil mastermind who was shrunk with his henchmen to the size of a flea prior to the start of For Whom the Ball Rolls.

Petey’s heroic deeds in the previous novel earn him a pardon from the mayor at the beginning of For Whom the Ball Rolls.

Petey comes to claim his son/clone Lil’ Petey from Dog Man and 80-HD, who have been parenting Lil’ Petey during Petey’s incarceration.

Lil’ Petey is conflicted about leaving his found family to live with his father/clone Petey, but Petey insists, though he does quickly compromise by saying that he will allow Lil’ Petey to spend weekends with his found family if he can have weekdays.

This is what first sold me on Dog Man. How many other books are dealing with incarcerated parents right now? While I wish such books weren’t needed, there is a need. I can think of few other fictional parents who have been incarcerated and released (Lucius Malfoy, the Titan General Atlas) but no books that have at all dealt with a child’s return to a formerly incarcerated parent’s custody.

Ultimately, I think this book was about the meaning of family. Lil’ Petey, Dog Man, and 80-HD have become a family through proximity that becomes love and a bond. Petey believes at first that his blood bond with Lil’ Petey gives him more claim to Lil’ Petey. With that lesson, Lil’ Petey discovers that Petey doesn’t know his own father and sends 80-HD to retrieve the tomcat. Petey’s father remains critical and curmudgeonly as he was in Petey’s youth. He steals all that Petey and Lil’ Petey have, and Petey explains that it is okay that his father won’t be in his life; his father’s blood bond with Petey and Lil’ Petey does not promise him a place in their life. Petey as promised leaves Lil’ Petey with Dog Man and 80-HD for the weekend, and Petey goes home to his empty house with his love of Lil’ Petey to keep him warm.

Lil’ Petey is this story’s heart and conscience, though here he briefly falters and has to be uplifted again by Petey.  Love, Lil’ Petey espouses, sometimes must be an act before it can be a feeling.  So too good acts prove goodness; good intent without good acts are not enough for goodness.

The book is ridiculous. There’s no denying that. We’re introduced to a superhero this book whose superpower is less a superpower than a compulsion to eat cupcakes and knock over whatever baddies stand between him and the treats. But there’s also a great deal of sensitivity and positivity in this book.

Petey sees the mud and the pollution and the weeds but with Lil’ Petey’s help he learns to see the beauty in the world. He learns that a world that is shared with those he loves is never only horrible.

This was such a short book that I was able to finish it in the time that it took for my 20 oz of brewing tea could cool to lukewarm (maybe 20 minutes?). Do you have 20 minutes to spare? Perhaps while waiting for a cup of tea to cool or a pot of water to boil into spaghetti? Perhaps like me you’ll feel good about having completed a book in so little time. Perhaps like me your soul will feel just a bit better, the future will look just a bit brighter, and you’ll trust a bit more that the littles know good literature when they find it.

****

Pilkey, Dav. Dog Man, Book 7: For Whom the Ball Rolls. Graphix-Scholastic, 2019.

Intended audience: Ages 7-10, Grades 2-5.

This review is not endorsed by Dav Pilkey, Graphix, or Scholastic, Inc. It is an independent, honest review by a reader.

Book Reviews: November 2019 Picture Book Roundup: Sing Along

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Snow Blows White

Click to visit the publisher's site for links to order and summary.

The Soundtrack Series: Let It Go by the Disney Book Group. Disney, 2019. Intended audience: Ages 3-5.

You probably almost all know this book by heart already. This is the lyrics and illustrations to match the original animation of “Let It Go” from Disney’s Frozen. Nothing really spectacular here, but if you need the lyrics for, say, a sing-along story time, it is a helpful book to have on hand. The book comes with a CD of the single. According to the description, the CD is a karaoke, instrumental version, and a sing-along version of the song. It’s a good song, but I’m not sure that the picture book is a necessary publication. I was surprised how few of my littles at story time did sing along with the book and I (we were a cappella). I had one who definitely knew the chorus, but that was all the backup that I got.

***

Click to visit the publisher's page for links to order and summary.

Reindeers Are Better Than People by the Walt Disney Company. Disney, 2015. Intended audience: Ages 3-5.

I had sort of hoped that this would be the lyrics to the song like the Soundtrack Series: Let It Go—only because I was doing a sing-along story time. It was not. I still sang the song for the kids, and I only missed a line. I pulled it up on my iPod and let Jonathan Groff sing us through it once too. It’s such a delightful, short song. Instead of lyrics, this is a very brief introduction to the characters of Frozen, seemingly narrated by Kristoff (I would guess because of his “thing with the reindeer”), two sentences or for each of the main adventurers. The kids at story time laughed at and seemed to very much enjoy the characters that they knew with reindeer antlers.

***

Click to visit the publisher's page for links to order and summary. 

Anna, Elsa, and the Secret River by Andria Warmflash Rosenbaum and illustrated by Denise Shimabukuro and Elena Naggi. Disney, 2019. Intended audience: Ages 3-5.

This is a new adventure for children Anna and Elsa. Note: I have not yet seen the new film, but I don’t believe that this particular adventure is portrayed in the film. Anna convinces Elsa to chase after a magical river that might provide answers to why Elsa is born with magic mentioned in a lullaby. The sisters use their senses to search for the river, but the sun begins to rise before they find it. As soon as they decide to return to the castle, they wake in their beds, but was the adventure a dream or did they really venture out of the castle and into the woods? The illustrations in this are beautiful, and Rosenbaum does a good job capturing the personalities of the two sisters as I understand them from the first Frozen film. The introduction to the senses—sight, smell, hearing—was a nice touch too.

****

Click to visit the publisher's page for links to order, summary, reviews, and sample.The Crayons’ Christmas by Drew Daywalt and illustrated by Oliver Jeffers.  Penguin Workshop-Penguin Random, 2019.

In previous Crayons books the crayons have written to Duncan.  Now the crayons are the recipients, receiving letters and postcards and gifts from friends and family in a sweet celebration of reaching out to loved ones at the holidays.  The book has the same offbeat humor and insightful comments on our use of colors that the previous books did.  Many of the characters are from previous books, their adventures expanded here, and I think the book made less sense as a standalone for that reason.  The concept of the crayons and their letters was not well explained in this book (I’m giving it five stars anyway but suggest reading The Day the Crayons Came Home first; meet Esteban).

I grew up with my mother’s love of the interactive picture book, The Jolly Postman by Allan Ahlberg.  This book reminded me of that with its letters and postcards and gifts in envelopes attached to the page while the envelopes’ contents remained separate, able to be taken from the book and read.  This book includes ornaments to hang on a Christmas tree, games, and a gluten-free cookie recipe to try in addition to letters and postcards.  There was also a Hanukkah greeting and paper dreidel to make!  Reading it could easily be spread out over a day or several days if one stops to interact with all the contents.

I had a small audience for this one, but they did better with this story than they have with the length of any of the other Crayons books.  I struggled to balance the book and the separate pieces.  If you’re reading it aloud, make sure you have somewhere to lay the book down to hold up the envelopes’ contents.

*****

 Click to visit BN's website for links to order, summary, trailer, and reviews.

Jack Frost vs. the Abominable Snowman by Craig Manning and illustrated by Alan Brown. Wonderland-Sourcebooks, 2019. Intended audience: Ages 4-7.

I am excited to have an introduction to choose your own adventure style stories for such a young audience, although the Choose Your Path series name is more fitting. The endings for this story cannot change; there is only one. A reader can however choose which character to follow through the story. There is a lesson here about not having to be locked into one way of reading. When I let my story time children choose their path, they did miss one adventure with Abe the Abominable Snowman, so if they read it a second time, there might be a surprise for them. The instructions to turn to this or that page were included in the rhyming text, and sometimes that felt awkward, but reading it aloud without any prep time, it was nice to have a catchy way to explain to the audience how we could choose between following either of the two racers.

***

Click to visit the publisher's page for links to order, summary, and sample pages.

Cookies for Santa: The Story of How Santa’s Favorite Cookie Saved Christmas. Illustrated by Johanna Tarkela. America’s Test Kitchen Kids-Sourcebooks Explore-Sourcebooks, 2019. Intended audience: Ages 4-7.

This was a pretty long book for story time, and required me to skip a bit of the text—though, again, I didn’t get to prep. With more time before reading, I might have been able to trim it more effectively. I barreled through to the ending, but the kids’ attentions were wandering. This is yet one more picture book trying to begin a new Christmastime tradition (like Elf on the Shelf, like Santa’s Magic Key), though this is my favorite of the traditions that picture books have yet tried to begin—and may already be a tradition for many. This tradition is to make a particular type of cookie: Chocolate Krinkle Cookies.

The Kringle family cookbook, which Santa uses every year to make cookies for his helpers and family, is missing. Santa cannot get the recipe right without. He has no cookies to share as he usually does. His helpers and family feel unappreciated and become uncooperative, not helping him prepare for Christmas any longer.

Meanwhile in a library, Abigail who reads cookbooks for fun, finds the Kringle cookbook. She brings it home, and the odd ingredients in the cookbook confuse her family.

In a televised address, Santa confesses to feeling like he should cancel Christmas because he is so upset that he lost the cookbook. Abigail and her family realize what they have, and rush to the America’s Test Kitchen studio to get help with the recipe, not having time to mail the book back to Santa in time for Christmas. The cooks there figure out substitutes for all of the magical ingredients. They televise the recipe and encourage the world to bake the cookies that Santa could not and leave them for him.

On his rounds, Santa finds the cookies left for him, and cheers up considerably. Abigail and her family leave the book for him in addition to the cookies.

In addition to being long, I didn’t really like any character in this story. Santa is not jolly. He, the elves, reindeer, and Mrs. Claus are too focused on the gifts that come with the season. The insertion of America’s Test Kitchen was clunky and clearly an advertisement for the company. I think reading aloud I actually left out the trademarked brand, and I think that the text ought to have done too.

The story I think would have been better without the inclusion of Abigail and her family and without the inclusion of America’s Test Kitchen, perhaps instead a story about Santa losing his cookbook and his family and friends reminding him of the Christmas spirit. The idea that the world gets to give back to Santa is sweet, though.

I could never decide whether I was imagining that the stack of these books smelled a touch like peppermint and chocolate, though they are not advertised as scented.

Kirkus suggests a chance that Abigail and William’s mom might be Asian, but I’m not sure that I see the same.

The book does include the recipe in the backmatter.

**

Click to visit the author's page for links to order, summary, reviews, and activities.

Cookiesaurus Christmas by Amy Fellner Dominy and Nate Evans and illustrated by AG Ford. Hyperion-Disney, 2018. Intended audience: Ages 3-5.

I did not realize that Cookiesaurus was a series until I began to research for this review, though this is only the second in the series. Cookiesaurus, whose pleas and excuses make up the text of the story, wants to be the cookie left out for Santa. He knocks other cookies off the plate, making several messes and hurting his friends. Near the end, he realizes that his friends have been hurt by his actions and apologizes and helps the cookies back onto the plate. As a reward, he is chosen to top the Christmas tree. The style of writing reminds me of Mo WillemsPigeon books.

***

Making the World a Kinder Place

Click to visit the publisher's page for links to order and summary.

Stir, Crack, Whisk, Bake: A Little Book about Little Cakes. America’s Test Kitchen Kids-Sourcebook Explore-Sourcebooks, 2019.

This is an interactive book on the line of Don’t Touch the Button! and Press Here. My audience member was shy and nervous about participating. The text reads like instructions for an app game, especially “Use your finger to drag each [ingredient] to the counter.” The end result of these interactive instructions is a batch of cupcakes for a “special day.”  This is a way to “bake” together with a little one without the mess, but the result is only “cupcakes.” I can’t eat “cupcakes.” I can see where a family might use this one though, to make a little feel as though they had been included in the baking process.

***

Click to visit the publisher's page for links to order, summary, and reviews.

Sunny Day: A Celebration of Sesame Street by Joe Raposo and illustrated by Christian Robinson, Selina Alko, Brigette Barrager, Roger Bradford, Vanessa Brantley-Newton, Ziyue Chen, Joey Chu, Pat Cummings, Mike Curato, Leo Espinosa, Tom Lichtenhelf, Rafael López, Emily Winfield Martin, Joe Mathieu, Kenard Pak, Greg Pizzoli, Sean Qualls, and Dan Santat. Random, 2019. Intended audience: Ages 4-8.

The text of this book is the lyrics of the theme song that opens episodes of Sesame Street. Each illustrator gets a single page spread. The book celebrates diversity. As a bookseller, I enjoyed the challenge of identifying each illustrator and have yet to convince myself that I have solved the puzzle. I believe the illustrators are listed in the order that they appear, but I would have to double-check that. The text works best, I think, as a sing-along, but there was a verse that neither I nor the young parents at my story time remembered.

***

Click to visit the publisher's page for links to order, summary, and author's bio.

People in Your Neighborhood by Jeff Moss and Sesame Street. Sterling, 2019. Intended audience: Ages 3-7.

I remembered this song only after looking it up, and I did not find this exact version of the song. I was able to sing the chorus for story time but not the verses. The book does come with a CD, but reading a book intended for sale to another, I did not use it for story time. The book introduces children to several professions including postman and fireman. The book suggests that putting on the clothes of such a profession makes one such a professional.

This book has been available at Barnes & Noble for several months now, at least since November when it was a required story time read, but it appears that it will be getting a wider release in February 2020.

***

Click to visit the publisher's page for links to order, summary, info about Thunberg, info about the 350.org, and author's and illustrator's bios.

Greta and the Giants by Zoë Tucker and illustrated by Zoe Persico. Frances Lincoln Children’s-Quarto, 2019. Intended audience: Ages 4-7.

Greta Thunberg, Time’s Person of the Year 2019, is in another picture book. This one makes fantastic her battle against the giant corporations—here literal giants. Greta lives in a forest. The forest animals come to Greta to ask for her help because the Giants are destroying their home. Greta makes a sign and stands in the Giants’ way. They bowl past her, but other human inhabitants of the forest watch, and slowly begin to join her protest until the Giants are forced to pay attention to the crowd. In this story, the Giants mend their ways and begin to live more sustainably, making the forest better for all those who live in it. The giants are portrayed as being greedy and busy but blind to their destruction rather than heartless. I really like the illustrations in this one. I like the hope in this one even if I believe it to be misplaced.  Greta is portrayed though as more magical than she is, given the ability to speak to animals, and that is a dangerous line to walk, but then, this is clearly a fantasy if the antagonists are literal giants so a heroine who can talk to animals is not unusual in such a story.

*****

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.

People of Color in Books That I Read in 2018: Part 2: Picture Books

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This review is SO FAR OVERDUE! I was prompted to look for it again as 2019 comes towards a close and I began to think about doing a recap of the representation of people of color across the books that I read THIS year. That being said, I want to get this information out to those seeking it. All the lists like this one that I have done can be found here.  There are lists that include novels too.

Looking at 2018’s numbers, 28% percent of the books that I read included a person of color in any capacity—which is 1% more than 2017’s numbers. However, only 12 books that I read in 2018 included a person of color as the protagonist, a dismal 7% of my total books read, less than half as many as in 2017. That’s terrible. That’s on me. I did not this year seek out as many picture books to read independently as I have done in other years. Only 1 of the 12 books with a person of color as the protagonist was a book mandated for story time. I was not this year running independent, reader’s choice story times.

Picture and Board Books (Ages 0-8)

I did not complete every month’s picture book review in 2018, and now it seems too late, so this is the first time some of these stories are mentioned on this blog. Where possible, I have included links to my full reviews.

Books with a POC as a protagonist

Mae Among the Stars by Roda Ahmed and illustrated by Stasia Burrington. 2018.  This is a biography of Mae Jemison, the first black woman to travel in space. Mae is told by her white teacher seek a more practical career than astronaut, but her parents tell her it’s possible, and she succeeds.

The Case for Loving: The Fight for Interracial Marriage by Selina Alko and illustrated by Selina Alko and Sean Qualls. 2015.  This is an introduction to the story of Richard and Mildred Loving, a Virginian couple whose court case legalized interracial marriage in the USA.

Two Problems for Sophia by Jim Averbeck and illustrated by Yasmeen Ismail. 2018.  Sophia’s giraffe is causing a lot of trouble for her family. Every character’s skin is a different shade, from Grand-mama’s darker skin to Sophia’s father’s light. I’d guess that Sophia herself is biracial.

Feminist Baby Finds Her Voice! by Loryn Brantz. 2018.  I thought that the primary character of Feminist Baby was white but looking online I realize that her family is interracial. One of the babies with whom she “stand up tall” is darker skinned than she is.

Goodnight Football by Michael Dahl and illustrated by Christina E. Forshay. 2014.  There are many crowd scenes that allow Dahl to show off the hues of humanity. An African American family is featured. 

Mama’s Nightingale: A Story of Immigration and Separation by Edwidge Danticat and illustrated by Leslie Staub. 2015.  Saya’s mother immigrated to America from Haiti without papers and is taken to an immigration detention center and separated from her family. Saya’s family are all darker skinned. The judge is a dark skinned woman too.

Cece Loves Science by Kimberly Derting and Shelli R. Johannes and illustrated by Vashti Harrison. 2018.  The protagonist, Cece, is I think biracial and darker skinned, her mother darker skinned and her father light skinned with dark hair. Isaac, her best friend, is light skinned with black hair, possibly Asian.

Santa’s Husband by Daniel Kibblesmith and illustrated by A. P. Quach. 2017.  Santa is a black man, living with his white husband, who helps him around the house and with his business. This book is shelved in the adult humor section at Barnes & Noble, but it is a picture book, and I think could be read and enjoyed by children.

Drawn Together by Minh Lê and illustrated by Dan Santat.  2018.  A boy struggles to connect with his grandfather who only speaks Thai. The two end up communicating by drawing together.

Word Collector by Peter H. Reynolds. 2018.  The protagonist Jerome has darker skin and pink hair. The background characters are of varying hues. One girl, whom he thanks, wears a hijab.

A diverse cast with no protagonist

I Am Enough by Grace Byers and illustrated by Keturah A. Bobo. 2018.  The girls represented in this story are mostly dark skinned. A few look like they could be of Asian descent. A few are lighter skinned. One wears a hijab.

Love by Matt de la Peña and illustrated by Loren Long. 2018.  Latinx and African American and Asian America and white and biracial families are all represented. One girl wears a hijab and a long dress while relaxing in the grass.

First Explorers, Book 5: Astronauts by Christiane Engel. 2017.  Some of the astronauts in this little, lift the flap board book about the profession are darker skinned.

Salam Alaikum: A Message of Peace by Harris J and illustrated by Ward Jenkins. 2017.  A diverse cast illustrates this picture book version of Muslim, British singer Harris J’s song of the same title, the chorus of which is Arabic for “peace be upon you.” 

The Peace Book by Todd Parr. 2017.  Todd Parr often illustrates his humans with no likeness to the colors of human skin: green and blue for example. There is a snake charmer in a turban and a woman in what I think is meant to be a niqab. The story, about sharing and caring for the Earth, implies that more than one group of people are meant to be represented.

The Forever Tree by Tereasa Surratt and Donna Lucas. 2018.  The grandfather who first finds the tree for humanity is lighter skinned. But among the first families to discover the tree are people with darker skin and black hair. Among those who save the tree are people of darker and lighter skin too.

Animal or nonhuman protagonist with a secondary character who is a POC with a speaking role

Merry Christmas, Little Elliot by Mike Curato. 2018.  Elliot and Mouse search across New York City for the spirit of Christmas but are unsuccessful. They find a letter to Santa that has gone astray and travel to the suburbs to answer it, meeting a new friend, Noelle, who is darker skinned. The New Yorkers in the group scenes have different skin tones.

Corduroy Takes a Bow by Viola Davis based on characters by Don Freeman. 2018.  The family from Corduroy visit a children’s theater production. Corduroy is the protagonist, but Lisa and her family are dark skinned, usually interpreted as African American. It looks as though the actress playing Mother Goose might have a darker skin tone than the other actors on stage too.

Neck & Neck by Elise Parsley. 2018.  The zoo patrons have different skin tones. The boy who holds the giraffe balloon has darker skin and dark hair. The protagonist is definitely Leopold the giraffe.

A white protagonist with a secondary character who is POC with a speaking role

Fancy Nancy: Oodles of Kittens by Jane O’Connor and illustrated by Robin Preiss Glasser. 2018.  Nancy and her best friend Bree each bond with a kitten. Bree is more of a secondary than a background character in this picture book.

Interstellar Cinderella by Deborah Underwood and illustrated by Meg Hunt. 2015.  The prince in this Cinderella retelling is darker skinned.

Animal or nonhuman protagonist with diverse background characters

The Big Umbrella by Amy June Bates. 2018.  The umbrella really is the protagonist. Characters of different skin tones are all represented. A woman wears a hijab. This is a story about acceptance and sharing space, sharing kindness.

We Don’t Eat Our Classmates by Ryan T. Higgins. 2018.  Penelope Rex, a T-Rex, is the protagonist but her delicious classmates are a diverse bunch, including a hijabi and a yarmulke-wearing Jewish boy.

How to Catch a Snowman by Adam Wallace and Andy Elkerton. 2018.  One of the three children trying to catch this snowman is African American. I would say though that the snowman, who appears to also be the narrator of the story, is the protagonist.

White protagonists with a person of color as a background character

Juno Valentine and the Magical Shoes by Eva Chen and illustrated by Derek Desierto. 2018.  Juno herself may be white, though I am not entirely certain, but some of the women throughout history whom she becomes are not, included are Egyptian Cleopatra, Mexican artist Frida Kahlo, Japanese artist Yayoi Kusama, and African Americans Serena Williams and Misty Copeland. Unfortunately because Juno becomes these women by stepping into their shoes, none of them are depicted as themselves. The ballerinas on the page around Juno as Misty have a variety of skin tones, and Egyptian are depicted serving Juno as Cleopatra.

Princesses Save the World by Savannah Guthrie and Allison Oppenheim and illustrated by Eva Byrne. 2018.  The two princesses whose kingdoms are in peril are both dark skinned. The princesses who convene at the Pineapple Kingdom’s palace to devise a solution to their problems seem to be from all over the world. 

Prince & Knight by Daniel Haack and illustrated by Stevie Lewis. 2018.  The prince on his search for a bride—a partner—visits other kingdoms; the royal families of some are darker skinned. His knight appears also to have a darker complexion than does the prince, though whether that is his less-pampered life of knight errantry or genetic I am not certain.

I Am Neil Armstrong by Brad Meltzer and illustrated by Chris Eliopoulos. 2018.  Neil Armstrong is of course himself white, but he meets with Katherine Johnson in the books, who is African American, and in the museum there is an African American boy.

The Magician’s Hat by Malcolm Mitchell and illustrated by Joanne Lew-Vriethoff. 2018.  The magician is white but the library audience is diverse.

Fancy Nancy by Jane O’Connor and illustrated by Robin Preiss Glasser. 2005.  At the restaurant there is an African American family.

Fancy Nancy and the Posh Puppy by Jane O’Connor and illustrated by Robin Preiss Glasser. 2007.  In this, Nancy plays with other children and their dogs. One of those girls is Bree, who is African American, but in this Bree is not yet named, though her dog is. To be fair, neither of Nancy’s friends are named.

Fancy Nancy and the Wedding of the Century by Jane O’Connor and illustrated by Robin Preiss Glasser. 2014.  Nancy has never been to a wedding, but Bree has, and it is from Bree’s questions and experiences that Nancy imagines the wedding before arriving at the cabin. But Bree is only in two pages of this book.

How to Scare a Ghost by Jean Reagan and illustrated by Lee Wildish. 2018.  The main kids portrayed are white but at least one of the trick-or-treaters and one of the families offering candy Halloween night are African American.

Are You Scared, Darth Vader? by Adam Rex. 2018.  In the Star Wars films, Darth Vader is portrayed as white, though in this picture book, he is completely masked and cloaked in black. The kids sent by the narrator to ask him questions and climb all about him are a diverse bunch.

Builder Brothers: Big Plans by Drew Scott and Jonathan Scott and illustrated by Kim Smith. 2018.  Not all of the adults at the Scott family’s outdoor barbeque are white. The woman in the hardware store is African American.

A First Introduction to Audrey Hepburn by Maria Isabel Sánchez Vegara and illustrated by Amaia Arrazola. 2018.  This biography of Audrey Hepburn includes her in her later life traveling the world to visit and help more impoverished countries in Africa and India. The book portrays her enjoying her time with the children in these countries, playing soccer with the kids in Africa and sitting quietly beside a pond with kids in India.

I have one more book to note: Moon by Alison Oliver (2018). I want to be the first to admit that I may have this one totally wrong. The girl, Moon, is purple. She has classmates who are darker skinned than herself. I want to include this on the list of books that include a person of color but I don’t know where to put it.

Do you think or know that I misrepresented or misinterpreted any of these?  Please comment below.  Let me know.

Book Review: Adventure, Asexuality, and Fighting the Patriarchy with A Lady’s Guide to Petticoats and Piracy

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Click to visit the publisher's page for links to order, summary, excerpts, and reviews.

Spoiler in white.  Highlight the text to reveal it.

I skipped over the first book in this series, The Gentleman’s Guide to Vice and Virtue, (I will almost certainly return to it, especially as this series has just been announced to be continuing with a new book in August 2020) because I discovered that the second in the series, The Lady’s Guide to Petticoats and Piracy, features a protagonist who is asexual like me. And that excited me. This is the first book that I have ever read about an asexual character. This is the first book that I have read that includes any asexual person. Though no such term existed in British English in the 1700s, and it is never used in the text, Mackenzi Lee confirmed it in answering a question on Goodreads, and it is made clear in the text.

Seeing myself in text—and without the whole story being about asexuality—was so important, so fulfilling to me. Reading a teen novel in which the protagonist isn’t at any point seeking a relationship—is in fact seeking not to be in a relationship—is so refreshing.  Felicity does have to consider whether or not to settle with a man that she doesn’t love in the way that he loves her, and that undercurrent runs throughout the book, but that actually rings fairly true to my experience with asexuality too unfortunately, despite the 300 or so year difference filled with advances in women’s rights and autonomy between Felicity’s story and mine.  (Lee never specifies the year in which her book occurs, but I have determined it to be later than 1726 as that is the year of the founding of the Edinburgh School of Medicine.)

Felicity Montague is living with a Scottish baker when the book opens, and he fumbles a proposal that she flees, going to her brother and his lover in London. She has been turned out of meetings with every hospital board in Edinburgh. She is turned away by another in London, though one of the doctors afterwards suggests that she query her idol, Dr. Alexander Platt, who is currently in Stuttgart about to marry a childhood friend of Felicity’s with whom she had a falling out over their diverging interests. A Muslim sailor offers to fund Felicity’s travels to Stuttgart if Felicity will ask her no questions and will get her inside the Hoffmans’ home. Despite misgivings and her brother’s warnings, Felicity accepts Sim’s help, and the two embark across Europe.

Neither Felicity, Sim, nor Johanna Hoffman are happy with their lot, with the lot of women in the 18th century. Felicity wants to study and practice medicine. SPOILERS Sim wants to inherit the rule of her father’s pirate fleet. Johanna wants to become a biologist. All three seek to enter fields dominated and controlled and policed by men. Felicity writes a note to herself­—“You deserve to be here. You deserve to exist. You deserve to take up space in this world of men.”—words that still bear repeating by women today, taught to keep compliant, subservient, and quiet.  That these thoughts echo Tumblr and seem equally comfortable there as in a book set in the 18th century reflect on the slow pace of progress of women’s power.

The women’s attempts to overcome the obstacles of a patriarchal society were as much fun for me as was the chase across Europe and Africa and the possible fantastical turn that the book takes.

I finished this book in August, and I have put copies in the hands of several customers looking for something different, something fun, something to inspire hope since.  I have not bought myself a copy yet, but I intend to do so, as I am already wanting to read this book again—and I don’t intend to wait until the book is available in paperback.  I’ll look forward to catching up with these characters in August.

*****

Lee, Mackenzi. The Montague Siblings, Book 2: The Lady’s Guide to Petticoats and Piracy. Katherine Tegen-HarperCollins, 2018.

Intended audience: Ages 13+.

This review is not endorsed by Mackenzi Lee, Katherine Tegen Books, or HarperCollins Publishers. It is an independent, honest review by a reader.

Book Review: A Well Written, Realistic Tale in Awkward

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Click to visit the author's page for links order and summary.

I read Awkward to prep for an event for work, but it is one that has caught my eye before with its adorable leads, embarrassed it seems on the cover by the nearness of the other, and the later books, the next of which features a girl in a hijab (Akilah we learn in Awkward).

Peppi Torres manages to break Cardinal Rule #1 of surviving on the first day at her new school when she smacks into a boy in the hallway, causing a scene, and getting noticed by the bullies of the school. He shoves away the boy when he tries to help her, and almost immediately the guilt of doing so shreds her conscience. She knows that she ought to apologize to him, but she can’t seem to make herself do it; she is too embarrassed by what she has done and too afraid of his reaction to her.

Fate thrusts the two of them into an awkward alliance when he becomes her assigned science tutor. It seems for a moment that they might smooth over the awkwardness of their initial encounter, though still Peppi can’t force the apology out.

But then of course Peppi discovers that Jaime is in her art club’s rival science club, which makes talking to him outside of tutoring even more impossible.

The two clubs are competing for a table at the club fair, and the principal has said that the club that the school votes as having made the greatest contribution to the school will win the table. The rivalry, the pranks only escalate in the face of the competition.

The diversity in this novel is fantastic, not only racial diversity in Peppi Torres herself, the students in the clubs, and in the fantastically cool, African American science teacher, Miss Tobins; the diversity within the student body and clubs themselves, but also with the inclusion of Jaime’s mother, a successful artist who happens to use a wheelchair, at least one character who is differently-able. Chmakova has realistically peopled her middle school. I see many students and teachers that I have known in the ones at Berrybrook. Each character seems to have such dimension, even the ones whose names I know only from the character design gallery at the back of the book.

Peppi is a realistic role model. She may not always do the right thing, but she wants to do the right thing. She is a clever problem-solver, and that makes her a leader.

It is also really refreshing for a book to so honestly deal with a crumbling marriage and an emotionally abusive father. The book does not spend long on the situation, but it is good to see so stresses acknowledged and openly discussed on this level.

This is a book of lessons in being your best self, how to react in awkward situations: new schools, competitions that seem to prevent cooperation and stymie friendships, being asked by a friend to help them do something wrong and against the rules.

Ultimately, Peppi and Jaime, who become friends outside of school when they discover themselves to be neighbors, help the two clubs come together to complete a project that requires the talents of both groups, and their collaboration helps them face down the bullies that are the true enemy of them all.

I appreciated the absence of any romance in this novel.

This book uses a limited, pastel palette that is easy to read, soothing to look at.

This story is very well structured, using the title Awkward and the refrain situations defining “awkward” as “This.”  It encourages the exploration of several hobbies: art, cartooning, tinkering, science, and geocaching.

I enjoyed this time at Berrybrook, though here was nothing earth-shattering, no thrilling quest.  These were good characters to get to know.

****

Chmakova, Svetlana. Berrybrook Middle School, Book 1: Awkward.  JY-Yen, 2015.

Intended audience: Ages 8-12 per a comment by the author on Goodreads.

This review is not endorsed by Svetlana Chmakova, JY, or Yen Press. It is an independent, honest review by a reader.

Book Reviews: October 2019 Picture Book Roundup: Monsters, Monster Trucks, Female Icons, and Daniel Tiger

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Click to visit the publisher's site for links to order, summary, samples, and author's bio.

Elbow Grease vs. Motozilla by John Cena and illustrated by Howard McWilliam. Penguin Random, 2019. Intended audience: Ages 3-7.

I didn’t enjoy this one as much as the first Elbow Grease, though I’m not sure that I could put my finger on why if you asked me to do; perhaps it just isn’t living up to my expectation now that I have a more favorable expectation for Cena’s books. In the first, Elbow Grease learned the worth of his personality and how to use his skills, and his brothers learned to respect Elbow Grease. Now Elbow Grease is craving some of the adulation that his brothers receive. He decides that they need to defeat the biggest, baddest new truck in the monster truck world, and he devises a plan for he and his brothers with the help of a contraption made by their female mechanic Mel to work together to take down the monster. I don’t know. The plot and the lessons both fell more flat in this one for me, though the length was better, shorter. I really do think that this is just a case of my expectations being too inflated from the success of the previous book.

***

Click to visit the publisher's page for links to order, summary, reviews, and activities.

No More Monsters Under Your Bed! by Jordan Chouteau and illustrated by Anat Even Or. JIMMY Patterson-Little, Brown-Hatchette, 2019.

This book relied too heavily on its gimmick—a patch that according to the tale turns you invisible to monsters—in much the same way that Santa’s Magic Key was an explanation of why a person was giving you a key or The Elf on the Shelf is an explanation of why someone wants to give you a creepy elf plush. It begins by introducing a boy who is scared of monsters and then describing all the different types of monsters that scare him. His parents give him a patch which when pressed turns him invisible to monsters, which erases his fear. Becoming bored without anyone to scare, the monsters move on, and the boy passes on his patch to another friend, who passes it to another, and so on, until it reaches the reader, I suppose, who gets the patch by buying the book. This isn’t really teaching a reason to not fear so much as it is preaching a belief in a token.  It is though I suppose a lesson in sharing tools that have helped you.

**

Click to visit the publisher's page for links to order, summary, sample pages, trailer, reviews, activities, and author's and illustrator's bios.

Juno Valentine and the Fantastic Fashion Adventure by Eva Chen and illustrated by Derek Desierto. Feiwel & Friends-Macmillan, 2019.  Intended audience: Ages 4-6.

I did I think like this one just a bit better than the first of Eva Chen’s books. Chen has changed the rules of her magical closet. Now, Juno does not become the women whose clothing she obtains but rather interacts with famous historical women, who gift her clothing and advice on her quest to capture her brother who has trespassed in the magical closet—and it isn’t until I am writing this now that I have to wonder about the implications of a boy intruding on a woman’s private space, a space held open for interactions with other women. Does his interaction with the space change the space and how? Certainly now the conversations that Juno has with the other women have become conversations about her brother, how Juno can catch up to her brother. It does pass the Bechdel test, though the conversations with named women are either about catching Finn or about Juno’s clothes. In her wanders through the closet, Juno gains not only the means to apprehend her brother but a unique outfit for school photo day, which earns her the title “Most Likely to Be Herself and No One Else,” a little ironic since she is quite literally borrowing the fashions of the others.  Her class is a diverse group that includes children of many hues, a child in a wheelchair, and a child wearing what appears to be a patka, a head covering for Sikh boys.  Her teacher, Miss Dahlia, is a black woman, a thing that is more rare in a picture book than you would expect and than it ought to be.  I read an ARC.  The book is out now.

**

Click to visit the publisher's page for links to order, summary, and sample pages.

Peek-a-Flap: Boo by Rosa Von Federer and illustrated by Gaby Zermeño. Cottage Door, 2017.  Intended audience: Ages 2+.

I was pleasantly surprised by this little board book which has suggestions for celebrating the Halloween holiday, labels to make it a primer, and facts about the holiday—a few of which even I did not know. I still love how sturdy these Cottage Door Press board books seem. Most other flaps are cardstock, but these are the layered cardboard that make up board book covers and pages. The illustrations are bright.  This is a Halloween book that is more about how humans celebrate with costumes and candy than centering any of the monsters.

****

Daniel Tiger

Click to visit the publisher's page for links to order, summary, and activities. 

Big Enough to Help adapted by Becky Friedman and illustrated by Jason Fruchter. Simon Spotlight-Simon & Schuster, 2015.  Intended audience: Grades PreK-1, Ages 3-6.

Daniel isn’t big enough to do everything, but there are many things that he can do, and there are some things that he has to do be small to do, like play in his new playhouse. “Everyone is big enough to do something” is the refrain of this book.  Reading this aloud, I avoided the ending catchphrase, which is unfamiliar to me, and any singing (on all three of these).

***

Click to visit the publisher's page for links to order and summary.

Daniel’s First Fireworks adapted by Becky Friedman and illustrated by Jason Fruchter. Simon Spotlight-Simon & Schuster, 2016.  Intended audience: Grades PreK-2, Ages 3-7.

Daniel helps his little sister overcome her fear of the fireflies, which she has never seen, by holding her hand and showing no fear himself. She holds his hand as does his dad as the fireworks start, and they are louder than Daniel thought that they would be.  This is a sweet story about encountering new things and helping others experience new things that might be frightening.

***

Click to visit the publisher's page for links to order and summary.

Daniel Chooses to Be Kind adapted by Rachel Kalban and illustrated by Jason Fruchter. Simon Spotlight-Simon & Schuster, 2017.  Intended audience: Grades PreK-2, Ages 3-7.

Daniel asks King Friday what it is like to be king, and Friday declares him king for the day. He gives Daniel a list of things that he needs to bring to the castle at the end of the day. It’s never quite clear what King Friday intended to do with these items. After acquiring them, Daniel gives them all away in the course of the day to cheer up or help his friends. He never acquires replacements for the items that he gives away, which seemed a little odd honestly.  Though Daniel visits shops, he doesn’t seem to pay.  There’s seems to be some economy run on trade of services.  I really don’t remember much of Mister Roger’s Neighborhood anymore, and I have never seen Daniel’s Tiger’s Neighborhood.

***

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.

Book Review: The Utopia of Lucille in Pet

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Click to visit the publisher's site for links to order, summary, reviews, excerpt, audio excerpt, and author's bio.

This is a drawing I did for 2019’s Inktober challenge.

One brief, very vague spoiler in the review, one in the content warning at the bottom of the page, both marked with a SPOILER warning.

I fell pretty deeply in love with the world created by Akwaeke Emezi and with the town of Lucille within the first few pages. “It was the angels who took apart the prisons and the police; who held councils prosecuting the former officers who’d shot children and murdered people, sentencing them to restitution and rehabilitation. […] the angels banned firearms, not just because of the school shootings but also because of the kids who shot themselves and their families at home; the civilians who thought they could shoot people who didn’t look like them, just because they got mad or scared or whatever, and nothing would happen to them because the old law liked them better than the dead. The angels took the laws and changed them, tore down those horrible statues of rich men who’d owned people and fought to keep owning people. […] Instead they put up monuments. Some were statues of the dead, mostly the children whose hashtags had been turned into battle cries during the revolution. Others were [lists of names] of people who died when the hurricanes hit and the monsters wouldn’t evacuate the prisons or send aid, people who’d died when the monsters sent drones and bombs to their countries (because, as the angels pointed out, you shouldn’t use a nation as a basis to choose which deaths you mourn; nations aren’t even real), people who died because the monsters took away their health care […]” (1-3). Are you hooked yet? I was. Really, I didn’t even need to get to pages 3! This is the world remade as I have longed to see it. And Emezi was going to show me whether or not they believe it will work. They were going to let me live there for a little while.

It only got better and more inclusive from here on out.  This is a book that might make many feel seen.

We learn that the protagonist, Jam, is a transgender girl. Her only tantrum was when she let her parents know that she was a girl, and her wonderfully supportive parents helped her transition. Sometimes she finds it easier not to voice, so her parents taught her sign language, which they and her best friend Redemption, and her best friend’s uncle Hibiscus all learned to support her.

Redemption seems to live with his extended family, aunts and uncles and cousins along with his own immediate family of three parents, one of whom uses gender-neutral they/them pronouns, and a little brother. Redemption’s whole family is a rejection of the heteronormative family structure of one male and one female parent with their offspring living in a single-family house.

Jam’s father peppers his speech with Igbo, and the Igbo isn’t distinguished in any way from the English text, not italicized, not marked out as different.  The dishes that he cooks are inspired by recipes from Africa.

The local librarian uses a wheelchair and turns out to be a pretty amazing human, wonderfully fighting the good fight against censorship.

I love too that Jam and Redemption are oppositely gendered but never is there any mention of even niggling romantic feelings. Their relationship is wonderfully, beautifully platonic.

And that’s all just the human characters, the reality on this plane of existence! I haven’t even mentioned Pet, but I think maybe you should discover Pet for yourself. Pet is difficult to imagine, difficult to succinctly describe without spoilers. I have given you my attempt at a few character sketches of Pet though.

I think I might have loved Emezi’s world for itself, but Emezi’s writing is dazzling too. I have not so fallen in love with an author’s way of casting words so fast since I first discovered Maggie Stiefvater in April 2016 (and Patrick Rothfuss in May 2014 before that. Here are my new Big Three, though I probably ought to go read something else of Emezi’s before I include them in this lofty company).

This is a short little novel, only 208 pages. That was a welcome change from the 400+-page novels that I have lately been struggling to complete. It was a good feeling to finish something that was not a graphic novel or an audiobook, and something that I wasn’t reading at work’s suggestion. This is too I think a standalone novel, so there’s no commitment past those 208 pages.

I did foresee the twist—or one of the story’s twists. I did not like the story much less for having foreseen that twist though. Any other twist, I think, would have felt like a betrayal of the story’s inclusive cast or a betrayal of the rules of good fiction writing, so this was the best outcome available.

The town of Lucille is a beacon to me. It isn’t perfect. Its characters aren’t perfect; they are flawed as humans are. But it revolted against the oppressive and cruel world. It became better, and SPOILER it improves again. The cycle of systematic violence is broken in Lucille.

I want to shove this book into the hands of so many because I so enjoyed this writing and this world, but I have yet to find the right way to market it to others; I hope this longer review does better than my minute long pitches in the store. I have been describing this as an Afrofuturist fantasy that shares a great bit with magical realism. Have you read it? How would you classify it?

I read an ARC of Pet, but the book is available now in stores.

****

Emezi, Akwaeke. Pet.  New York: Make Me a World-Penguin Random, 2019.

This review is not endorsed by Akwaeke Emezi, Make Me a World, or Penguin Random House. It is an independent, honest review by a reader.

Content warning also a SPOILER: off-screen child abuse

LGBTQIA+ Representation in the Books That I Read in 2018

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I’m realizing now in October that I never posted about the books with LGBTQIA+ representation that I read in 2018. I posted about the books that I read in 2017 during 2018’s Pride Month, but during 2019’s Pride Month I was laid up with a sprained ankle, sad that I was missing the month’s events, and I suppose in that pain-induced haze I missed my opportunity to participate by posting a celebration of LGBTQIA+ representation in literature.

But, surprise! It turns out that there is an Ace Awareness Week (October 20-26, 2019), and I am beginning writing this post on Ace Awareness Week’s first day! (Unfortunately there are no openly ace characters in this list from 2018. Ace characters are particularly difficult to find, though I have now found several and read about one: Felicity Montague from Mackenzi Lee’s The Lady’s Guide to Petticoats and Piracy; you will hear more about her in future posts.)

I read far fewer books with LGBTQIA+ characters in 2018 than I would have guessed: 8 books out of a total of 163. I don’t even know if I want to do the math to find out that dismal percentage (.05% if I round up to the nearest hundredth decimal place… which actually is higher than the percentage from 2017). I have no excuses but can report having read 15 such books as of October 20 in 2019. Here’s to hoping again that next year’s percentage is higher.

We need more LGBTQIA+ representation in books for all ages, and we are getting it, but sometimes the turning of the tide feels awfully slow.

But without further dismal ado, let’s see what books I discovered in 2018:

Picture Books, Picture Storybooks, and Board Books (Ages 0-8)

Prince & Knight by Daniel Haack and illustrated by Stevie Lewis.  Little Bee-Simon & Schuster, 2018.

A prince does not connect on a romantic level with any of the princesses that he meets, but when he and a knight join together to battle a dragon, there is an immediate spark. The two marry and the kingdom and the royal family rejoice. This is a beautifully illustrated picture book.

Middle Grade-Young Readers (Ages 8-12)

The Heroes of Olympus, Book 5: The Blood of Olympus by Rick Riordan.  Hyperion-Disney, 2014.

In the previous book in the series, one character is forced to out himself as gay before another and before Cupid. In this book he becomes a hero to both demigod camps, outs himself to his former crush, and develops another crush on a boy who likes him back. He accepts his homosexual identity in ways that he had not in the previous books.

The Trials of Apollo, Book 3: The Burning Maze by Rick Riordan.  Hyperion-Disney, 2018.

Riordan doesn’t shy away from Apollo’s bisexuality in this novel, bringing up again that one of the loves of Apollo’s many centuries was Hyacinthus. Apollo is both the protagonist and the POV character for this series.

Teen (Ages 13-19) 

Timekeeper, Book 1 by Tara Sim.  Sky Pony-Skyhorse, 2016.

Danny’s love for Colton is forbidden not just because the two of them are boys. These two are the series’ OTP, but there is at least one other gay or bisexual character who kisses Danny.

The Raven Cycle, Book 3: Blue Lily, Lily Blue by Maggie Stiefvater.  Scholastic, 2015. First published 2014.

The Raven Cycle, Book 4: The Raven King by Maggie Stiefvater.  Scholastic, 2016.

In these books, two of the protagonists fall for one another, two protagonists who happen to both be boys. One of the boys is bisexual, earlier dating a third protagonist in the series.

Adult (Ages 20+)

Santa’s Husband by Daniel Kibblesmith and illustrated by A. P. Quach.  Harper Design-HarperCollins, 2017.

This was shelved in the adult humor section of Barnes & Noble, the writer having credits in late night comedy show script writing. Santa is helped by his loving husband in his stressful business. The gooey eyes that these two make at one another are adorable.

A Day in the Life of Marlon Bundo by Jill Twiss and illustrated by EG Keller.  Chronicle, 2018.

This was published by the crew of Last Week Tonight with John Oliver in response to the first of a series of picture books released by Charlotte Pence and her mother Karen Pence, the family of Vice President Mike Pence, who has pushed anti-LGBTQ laws in his home state of Indiana. The first book of the Pences’ uses the Pences’ rabbit, Marlon Bundo, to explore the White House and the president’s role. In this parody, Marlon Bundo meets the bunny of his dreams, a boy rabbit. Their love is cheered by their friends, but a Stink Bug that looks a bit like Mike Pence himself shouts that they can’t be married. Their friends suggest that differences should be celebrated. The friends vote the Stink Bug not in charge, and the bunnies are married by a cat who brings her wife to the ceremony. This too is shelved in the adult humor section of Barnes & Noble, but I know it ended up in several middle school classrooms. “Stink Bugs are temporary, but love is forever.”

And I’m realizing too that I never actually wrote a review for this book.  So, we’ll count this as a review space for it too.  This was a good book for what it was, a pointed jab at the Vice President and his anti-LGBTQ policies and a reminder of the power of democracy.  Was it a great book when compared to other picture books?  Not really.  The story is a bit too heavy-handed to be enjoyable apart from its political message.  But I like that this book exists.  It’s a flare of hope in a dark world and its publication was a petty, successful attempt to overtake the sales of Charlotte and Karen Pence’s book with profits benefiting The Trevor Project and AIDS United, though it was well-received by the two Pences, which was almost a flare of hope in itself.  Almost.  The publication of this book probably boosted sales of the Pences’ book too, and the proceeds for their book went too to charities, Tracy’s Kids and The A21 Campaign, so really, everyone won when this book was published.  The two bunnies and their friends are wonderfully cute, Marlon in his bow tie and Wesley in his glasses, the badger with his shirt cuffs.

***

Do you know or think that I misrepresented or misinterpreted any of these?  Please comment below.  Let me know.