Tag Archives: Frozen

Book Reviews: November & December 2017 Picture Book Roundup: Gift-Giving

Standard

Click to visit the publisher's page for links to order, summary, sample, reviews, and author's and illustrator's bios.

River Rose and the Magical Lullaby by Kelly Clarkson and illustrated by Laura Hughes. HarperCollins, 2016.  Intended audience: Ages 4-8.

River Rose is so excited to be going to the zoo the next day. Her mother tucks her in and sings her a lullaby. That night, magic balloons show up outside her bedroom window and transport her to the zoo, where she has a party with the animals, none of whom are confined to their compounds. I like that at some point in the night she asks her friend, Joplin the dog, what he wants to do. At the end of the night, when the polar bears tell her that they need sleep, she snuggles up with the bears and sings the lullaby that her mother sang to her to the bears. She ends up back in her bed, glad for her adventure, but glad too to be home.  Was it a dream?  Was it real?  Does she go again to the zoo the next day and is she disappointed when she sees the reality of the zoo in the daylight?  The book doesn’t say.

***

Click to visit the publisher's page for links to order, summary, awards list, reviews, and author's and illustrator's bios.

Everything Is Mama by Jimmy Fallon and illustrated by Miguel Ordóñez. Feiwel & Friends-Macmillan, 2017.  Intended audience: Ages 1-3.

Like with Fallon’s first book, there’s not a lot here. In this, presumably mostly maternal animals try to teach their children new words, only to have them reply “mama,” with a reversal at the end with the trite ending “but you are everything to mama” (expect to fit the rhyme, the sentiment is phrased more awkwardly than that). I think very little of it, but I caught a mother reading it to a young child at the store, and the child giggled at every page, so there is an audience for this, and maybe neither my story time toddlers nor I are not it. My audience lately has comprised of children 4 and older.

**

Lessons in Sharing

Click to visit Goodreads for summary and reviews.

Clifford Shares by Norman Bridwell. Cartwheel-Scholastic, 2012.

There’s not much to this little board book either, just a few pages and a few sentences in total, but Clifford is a familiar friend. Clifford shares his water. He shares a bench. And then everyone shares with Clifford at a picnic. There’s just not much here to rate. There’s nothing remarkable about this book, really, good or bad. There’s a vague idea of reciprocity: Clifford shares so others share with Clifford, but the book’s real draw is Clifford.

***

Click to visit the publisher's page for links to order and summary.

The Berenstain Bears Give Thanks by Jan Berenstain and Mike Berenstain. Zonderkidz-Zondervan, 2009.

This was a long story time book, but one of my regulars showed up early, and I promised to read one book—whatever book she picked out. The prose in this book is prettier, more descriptive, the story more fleshed out with detail than what I usually read for story time, which was a nice change.

But this is a problematic book, relying too heavily on whitewashed history and doing little if anything to correct or clarify the narrative.  Papa trades some furniture for a turkey from Farmer Ben—a living turkey. Ben’s named the turkey Squanto after “a Native Bear who helped the Pilgrims plant their corn when they settled in their new home.” I mean, I guess, Ben. Sister Bear doesn’t like the idea of meeting her Thanksgiving dinner while he’s alive. She wants to keep Squanto as a pet. She visits him at the farm as the weather grows colder. To distract Sister from the idea of eating Squanto, Mama Bear proposes a costumed show of the legend of Thanksgiving. “We’ll need feathers for the Native Bears’ headdresses.” No you won’t, Mama Bear. Honey Bear represents Squanto the Native Bear with a full headdress of turkey feathers and speaking broken English: “Me, Squanto!” her only line. Admittedly, Honey Bear is not portrayed as speaking good English, and I suppose the cast is limited to the preexisting characters, but…. “He speaks English! What a miracle!” Miracle it is not, Cousin Fred, though maybe there is some miracle in Squanto finding his way back to his own land if not his own village after all his trials. The whole legend of Thanksgiving as told in this story is the whitewashed imagining that we hear “in school over and over again every November” (or we did when I was in public school; I hope today’s tellings are a little more nuanced, a little more accurate) with no discussion of the horrors visited on Native Americans by the European invaders.

That doesn’t even begin in on the problems of reminding children that our Thanksgiving feast features a once-living bird, and that it might be possible to persuade their parents to skip the bird and to keep the bird as a pet instead because Squanto the Turkey survives, is given a new pen in the Bears’ backyard. Parents should be prepared to answer questions that Sister Bear’s feeling for Squanto might stir.

It’s difficult to avoid religion when discussing the First Thanksgiving, and this book does not, the Bears’ prayer even included in the text.

**

Click to visit Goodreads for reviews.

Plush by Louise Myers. Tiny Tales-Whitman, 1949.

A friend bought me this pocket-sized paperback because the pony Plush looks a quite a bit like my own pony. The animals of the farm (all anthropomorphized, though Plush less so than the others) take a pony cart, pulled by Plush, to the Fair to sell their goods and spend the money that they make. There’s an element of an animal sounds primer in the text, with the pony’s hooves clippety-clopping, the hen cackling, the duck quacking, the lamb baaing, and the pig oinking. The friends all buy gifts for Plush with their money. It’s a sweet story of gift-giving, expressing thanks, and retail.

****

Christmas and Wintertime

Click to visit the publisher's page for links to order, summary, sample, and author's and illustrator's bios.

River Rose and the Magical Christmas by Kelly Clarkson and illustrated by Lucy Fleming. HarperCollins, 2017. Intended audience: Ages 4-8.

Of the two River Rose books, this one my audience unanimously liked better. Now admittedly, we read this story December 16, just 9 days from Christmas morning, so I’m sure that timing and the already swelling excitement for the holiday tinged their reactions to the story. I’m going to be recommending the other more frequently because it is far less seasonal and far more universal. Not every child is excited for Christmas (not all of them celebrating the holiday), but I think that most children are excited to visit a zoo—particularly a zoo without enclosures and with no supervision but a polar bear mama as is the one in the first River Rose book. In this River Rose sneaks down the stairs to hand-deliver her letter to Santa, but she’s missed him. Instead the magical balloons from the previous book are waiting in her living room. She and Joplin take the balloons to the North Pole where they are greeted by the elves and Mrs. Claus, who plies River Rose with a wealth of sweets, the book becoming a numbers primer. She is near sleep when Santa returns. Santa makes one last trip to bring River Rose home, and she hand-delivers her letter to him—which is not a list of requested gifts, but a simple thank you, which touches Santa. This new illustrator does a good job continuing in the tradition of the previous. I didn’t notice the difference, and don’t think I’d have noted it expect that I write these reviews and am always sure to credit the illustrator too. Fleming’s palette is maybe a little more muted and her lines a little crisper than Hughes’.

***

Click to visit the publisher's page for links to order, summary, reviews, and author's bio.

Outside by Deirdre Gill. Houghton Mifflin Harcourt, 2014.

Deirde Gill illustrated Trains Don’t Sleep, which I read and loved in October. I went exploring to see what else she had done, and found this story, written and illustrated by Gill. A bored boy leaves the house and explores the snowy outside. His brother won’t join him outside, so he makes himself a friend—an enormous snowman, who comes to life to help him build a castle. And what do castles attract? Dragons of course! This one is thankfully friendly. His brother finally does come out to play, after the boy’s adventure in the snow is done, and together they make one last snowman. Because the brother stays inside staring at screens, he misses his younger brother’s adventures. There’s as much a lesson about leaving screens to play outside as there is a lesson about the wonders of the imagination and the outdoors and free play. These illustrations are everything I hoped for. The colors, the landscapes, the characters are amazing! There’s not a great deal of text, most pages comprising of only a sentence or two. Some have only a sentence fragment, and some have no words at all.

****

Click to visit the publisher's page for links to order, summary, preview, trailer, reviews, and author's bio.

A Loud Winter’s Nap by Katy Hudson. Picture Window-Capstone, 2017.  Intended audience: Grades PreK-1.

The friends from Too Many Carrots are back, this time with Turtle as the protagonist. I feel this turtle on a personal level. He doesn’t like winter. He just wants to hibernate through it. But his friends are having fun in the snow and being noisy nearby no matter where he makes his nest and despite his sign. Eventually he accidentally stumbles into some winter fun of his own, not realizing his newest napping spot is a sled primed at the top of the hill. He enjoys racing downhill, and in the end joins his friends on the iced-over pond where his sled stops, skating and drinking hot cocoa and generally enjoying the winter with his friends.

****

Click to visit the author's page for links to order, summary, and sample pages.

Santa’s Magic Key by Eric James. Jabberwocky-Sourcebooks, 2017.

I don’t think that I ever truly believed in Santa Claus, but I did grow up in a house without a chimney, and I wasn’t unaware of the myths surrounding the man. I think I questioned less how Santa would get into our house when we had no fireplace and more how we would communicate in J. K. Rowling’s wizarding world without a fireplace to connect to the Floo Network. How Santa did all that he was supposed to do were more for me questions of filling in gaps in the story than worries about whether or not I would receive any gifts.

The tagline for this book suggests starting a new family tradition—which makes it sound as though Eric James is hoping to appeal to the same audience as participate in the Elf on the Shelf tradition. As far as new holiday traditions go, I’d be far more willing to go along with James’. A) It requires action only one night out the year. B) It does not require me to suggest that an inanimate doll is 1) animate, 2) always watching and judging my child’s behavior and 3) reporting that behavior to a boss who will reward or punish a child based on that behavior. James’ story is less preparation for a police state and more assurance that your house can be visited by Santa despite your house lacking an element seemingly present in every Santa myth.

James’ book is long, but better written, and his illustrations are beautiful, hazily but realistically rendered full-page spreads rather than the cartoonish characters lacking much setting that accompany the Elf on the Shelf.

Despite all this, James is not likely to create the empire that Aebersold, Bell, and Steinwart have because he doesn’t self-publish and he didn’t create a character who can be dressed in different outfits, have pets, and have accessories, and whose pets can have accessories.

***

Click to visit the publisher's page for links to order and summary.

Olaf’s Night Before Christmas by Jessica Julius and illustrated by Olga T. Mosqueda. Disney, 2015.  Intended audience: Ages 6-8.

Frozen’s Olaf becomes the protagonist of Clement Moore’s The Night Before Christmas, and Julius rewrites Moore’s text for Olaf. Familiar lines of Moore’s are echoed in the new text. Anna and Elsa make guest appearances, Olaf mistakes the “eight tiny reindeer” for “eight little Svens,” and at first he thinks that Santa might be Kristoff. There’s a lot more humor in this new version, the language is more modern and simpler than Moore’s (“His boots were all black and his pants were all red. But where was the rest of him? Where was his head?”). Olaf, a simple snowman not familiar with Christmas traditions, makes a delightful new narrator for this twist on the classic tale. The illustrations are bright with nods to the film in the style and in the details, but plenty of familiar, traditional Christmas details in them to almost erase the fact that this is a Disney product. There’s tradition, there’s extra sweetness, there’s the familiarity of Disney characters.

*****

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.

Book Reviews: February 2015 Picture Book Roundup: Evocative is Today’s Word

Standard

click-clack-peep!-9781481424110_hr

Click, Clack, Peep! By Doreen Cronin and illustrated by Betsy Lewin. Atheneum-Simon & Schuster, 2015. Intended audience: Ages 4-8, Grades: PreK-3.

Cronin’s Click, Clack, Moo: Cows That Type has been fairly successful, frequently being displayed in various places in Barnes & Noble. This latest edition to the series takes on a far more relatable and age-appropriate topic, I think, than did this first book of Cronin’s, which I found a little too bureaucratic in its subject. In this, a new duckling is born on the farm, and like a child sometimes, he will not be quiet and will not sleep, so the animals can’t sleep. With a plethora of onomatopoeia’s and creative text formatting, this is a visually pleasing story and visually evocative too. There’s one page with so many peeps that I’d have been irritated if I’d felt the need to read each one, just as the characters in the story are irritated by the constant peep of the duckling. On another page the tension of waiting for duckling’s egg to hatch is palpable, evoked by the text and illustrations alike. This funny book will make a great bedtime story.

****

9677118

Walking Home to Rosie Lee by A. LaFaye and illustrated by Keith D. Shepherd. Cinco Puntos, 2011.

A. is a professor of mine. I was in her class when or shortly after this book was released. She read the book aloud to the class and several of us were unable to keep our eyes dry, and while I’m sure some of that is attributable to the emotion that A. as the author put into the characters through her reading, the story remains evocative without the author’s interpretation. Gabe’s is a perspective little covered in texts for any age: the struggle for African Americans, former slaves, after the Civil War. Gabe’s syntax adds life to Gabe’s voice. Heartbreaking and finally uplifting, this is a story I think needs to be told. Gabe’s search for his mother, for family, for love, for home is universal as well as historical. Shepherd’s illustrations are bright and bold. There’s enough detail in the story to illuminate the suffering of African American slaves, but not enough to make it inappropriate for most children, especially on the older end of picture books.

****

20759671

Disney’s Frozen’s Melt My Heart: Share Hugs with Olaf by Reader’s Digest. 2014.   Intended audience: Ages 2-5.

This book is a collection of lines of Olaf’s from Disney’s Frozen. The lines do not make a plot. I would love to see if this book makes any sense separate from the film, but I saw the film and so could add a little weight and meaning to the text and illustrations. I would have liked an original plot, a plot separate from the film, or even any connection beside the central character between pages. The board book does sport plush arms, but I have seen even this concept better handled. They are difficult to manipulate and still hold the book.

*

5beb42bab833bfa71d610764448933de

The Adventures of Beekle: The Unimaginary Friend by Dan Santat. Little, Brown-Hachette, 2014.

This is the latest Caldecott Medal recipient, and this is a wonderful and wonderfully illustrated book. Santat’s imagination is, frankly, stunning. He built a world and culture here and peopled it with fantastical characters that might bear some resemblance to creatures and objects in this world, but are unique nonetheless. With equal prowess he captures our world, the “real world,” though in the absence of children and imagination, the world appears in grayscale. Beekle leaves the world where imaginary friends are born and wait to be chosen by a child in the real world. He sails alone to the real world and scours our world for his friend, finally finding her. Together they learn about friendship, and he helps her make other friends too.

****

These reviews are not endorsed by any one involved in their making.  They are independent, honest reviews by a reader.

Book and Film Reviews: Of Ice Princesses in Disney’s and Martin’s Worlds: Frozen and The Ice Dragon

Standard

I found George R. R. Martin’s The Ice Dragon at a shop called Too Many Books and had to take it home with me because I was having a difficult time deciding whether or not Martin would be able to write children’s literature.  This high fantasy novella is probably meant for middle-grade readers.  It gets into none of the depth that A Song of Ice and Fire does, but the story remains a wartime story, with the battle not coming to the protagonist’s doorstep till the climax, but always with the growing threat of approaching armies and increasing numbers of soldiers passing through the village where the protagonist lives.  Its protagonist is young, seven at the novel’s climax, and Martin as he does within A Song of Ice and Fire remains relatively true to the childlike perceptions of his protagonist.

Martin handles this children’s book with the same flowery and abstracted prose with which he writes A Song of Ice and Fire.

It was impossible to watch Disney’s Frozen without thinking about this book (which is a good way to give this review a jumpstart: turn it into a paired book and film review).  Like Adara, Elsa is winter’s child, though she seems to have been born in summer (seeming to come of age and have her coronation in summer), which I find an interesting choice.  Like Adara, she is cold to touch and can interact with ice and snow in ways that others cannot.  Yet, while Adara is cold and removed, Elsa feels too strongly.  This seems to me to be a difference in the writer’s visions of winter.  Martin seems to see—or at least to write about—the winter of the medieval farmland, when plows are stilled and harvests are no more and all that can be done is to huddle by a fire and hope to survive to the spring and the planting while consuming the year’s harvest.  Disney saw the blizzard and the biting wind.

Martin’s ideal reader seems to be a younger child who feels like an outsider among peers for being too into his or her books and too reserved.  Such children undoubtedly exist and need literature that caters to them, so yes, I guess I would say that this is successful children’s literature, but I’m not sure it’s what I expected.  It’s more message than it is adventure.  I think I wanted an adventure, especially as I am used to expecting A Song of Ice and Fire from Martin, and it is difficult to draw any moral direction from A Song of Ice and Fire.

Adara loses her power when she begins to feel love, but in losing her power, she gains the love and acceptance of her family and her village.  The Ice Dragon‘s message is that you can be loved despite your distance from the world and that that which makes you different from others can be used to save others but also that you will be better loved if you do interact with the world at large and lose the chill of your power.

With love, Elsa learns to control her power and gains the acceptance of her family and kingdom as well as a crown and power of another kind, making Elsa seem at first the more empowered heroine.  However, Elsa’s power must be curbed to make her safe, while Adara is never a danger to others, just a puzzle.  I still think Disney’s is the better message to send to young girls because Martin’s story says that you will be loved better if powerless and Disney’s allows a heroine to keep her power and to wield it openly so long as she wields it with prudence and control, and prudence and control really ought to be used with power regardless of gender.

Before I close, a few brief notes about the illustrations of Yvonne Gilbert’s in Martin’s The Ice Dragon:  At first I was miffed to see that each chapter with the same illustration of dragonback battle, but I grew to really like the repetition of that image as an illustration of the constant but distant war that pervades Adara’s life.  Otherwise her illustrations are wonderfully detailed and expressive.

***                                    ****

Martin, George R. R.  The Ice Dragon.  Illus. Yvonne Gilbert.  New York: Starscrape-Tom Doherty, 2007.  First published 1980.  Tom Doherty Associates, LLC is now an imprint of Macmillan.

Frozen.  Dir. Chris Buck and Jennifer Lee.  Walt Disney.  2013.

These reviews are not endorsed by George R. R. Martin, Yvonne Gilbert, Starscrape Books, Tor Doherty Associates, LLC, Macmillan Publishers, or Walt Disney Animation Studios.  They are independent, honest reviews by a reader and viewer.