Elbow Grease vs. Motozilla by John Cena and illustrated by Howard McWilliam. Penguin Random, 2019. Intended audience: Ages 3-7.
I didn’t enjoy this one as much as the first Elbow Grease, though I’m not sure that I could put my finger on why if you asked me to do; perhaps it just isn’t living up to my expectation now that I have a more favorable expectation for Cena’s books. In the first, Elbow Grease learned the worth of his personality and how to use his skills, and his brothers learned to respect Elbow Grease. Now Elbow Grease is craving some of the adulation that his brothers receive. He decides that they need to defeat the biggest, baddest new truck in the monster truck world, and he devises a plan for he and his brothers with the help of a contraption made by their female mechanic Mel to work together to take down the monster. I don’t know. The plot and the lessons both fell more flat in this one for me, though the length was better, shorter. I really do think that this is just a case of my expectations being too inflated from the success of the previous book.
No More Monsters Under Your Bed! by Jordan Chouteau and illustrated by Anat Even Or. JIMMY Patterson-Little, Brown-Hatchette, 2019.
This book relied too heavily on its gimmick—a patch that according to the tale turns you invisible to monsters—in much the same way that Santa’s Magic Key was an explanation of why a person was giving you a key or The Elf on the Shelf is an explanation of why someone wants to give you a creepy elf plush. It begins by introducing a boy who is scared of monsters and then describing all the different types of monsters that scare him. His parents give him a patch which when pressed turns him invisible to monsters, which erases his fear. Becoming bored without anyone to scare, the monsters move on, and the boy passes on his patch to another friend, who passes it to another, and so on, until it reaches the reader, I suppose, who gets the patch by buying the book. This isn’t really teaching a reason to not fear so much as it is preaching a belief in a token. It is though I suppose a lesson in sharing tools that have helped you.
Juno Valentine and the Fantastic Fashion Adventure by Eva Chen and illustrated by Derek Desierto. Feiwel & Friends-Macmillan, 2019. Intended audience: Ages 4-6.
I did I think like this one just a bit better than the first of Eva Chen’s books. Chen has changed the rules of her magical closet. Now, Juno does not become the women whose clothing she obtains but rather interacts with famous historical women, who gift her clothing and advice on her quest to capture her brother who has trespassed in the magical closet—and it isn’t until I am writing this now that I have to wonder about the implications of a boy intruding on a woman’s private space, a space held open for interactions with other women. Does his interaction with the space change the space and how? Certainly now the conversations that Juno has with the other women have become conversations about her brother, how Juno can catch up to her brother. It does pass the Bechdel test, though the conversations with named women are either about catching Finn or about Juno’s clothes. In her wanders through the closet, Juno gains not only the means to apprehend her brother but a unique outfit for school photo day, which earns her the title “Most Likely to Be Herself and No One Else,” a little ironic since she is quite literally borrowing the fashions of the others. Her class is a diverse group that includes children of many hues, a child in a wheelchair, and a child wearing what appears to be a patka, a head covering for Sikh boys. Her teacher, Miss Dahlia, is a black woman, a thing that is more rare in a picture book than you would expect and than it ought to be. I read an ARC. The book is out now.
Peek-a-Flap: Boo by Rosa Von Federer and illustrated by Gaby Zermeño. Cottage Door, 2017. Intended audience: Ages 2+.
I was pleasantly surprised by this little board book which has suggestions for celebrating the Halloween holiday, labels to make it a primer, and facts about the holiday—a few of which even I did not know. I still love how sturdy these Cottage Door Press board books seem. Most other flaps are cardstock, but these are the layered cardboard that make up board book covers and pages. The illustrations are bright. This is a Halloween book that is more about how humans celebrate with costumes and candy than centering any of the monsters.
Big Enough to Help adapted by Becky Friedman and illustrated by Jason Fruchter. Simon Spotlight-Simon & Schuster, 2015. Intended audience: Grades PreK-1, Ages 3-6.
Daniel isn’t big enough to do everything, but there are many things that he can do, and there are some things that he has to do be small to do, like play in his new playhouse. “Everyone is big enough to do something” is the refrain of this book. Reading this aloud, I avoided the ending catchphrase, which is unfamiliar to me, and any singing (on all three of these).
Daniel’s First Fireworks adapted by Becky Friedman and illustrated by Jason Fruchter. Simon Spotlight-Simon & Schuster, 2016. Intended audience: Grades PreK-2, Ages 3-7.
Daniel helps his little sister overcome her fear of the fireflies, which she has never seen, by holding her hand and showing no fear himself. She holds his hand as does his dad as the fireworks start, and they are louder than Daniel thought that they would be. This is a sweet story about encountering new things and helping others experience new things that might be frightening.
Daniel Chooses to Be Kind adapted by Rachel Kalban and illustrated by Jason Fruchter. Simon Spotlight-Simon & Schuster, 2017. Intended audience: Grades PreK-2, Ages 3-7.
Daniel asks King Friday what it is like to be king, and Friday declares him king for the day. He gives Daniel a list of things that he needs to bring to the castle at the end of the day. It’s never quite clear what King Friday intended to do with these items. After acquiring them, Daniel gives them all away in the course of the day to cheer up or help his friends. He never acquires replacements for the items that he gives away, which seemed a little odd honestly. Though Daniel visits shops, he doesn’t seem to pay. There’s seems to be some economy run on trade of services. I really don’t remember much of Mister Roger’s Neighborhood anymore, and I have never seen Daniel’s Tiger’s Neighborhood.
These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.