Tag Archives: Drew Daywalt

Book Reviews: November 2019 Picture Book Roundup: Sing Along

Standard

Snow Blows White

Click to visit the publisher's site for links to order and summary.

The Soundtrack Series: Let It Go by the Disney Book Group. Disney, 2019. Intended audience: Ages 3-5.

You probably almost all know this book by heart already. This is the lyrics and illustrations to match the original animation of “Let It Go” from Disney’s Frozen. Nothing really spectacular here, but if you need the lyrics for, say, a sing-along story time, it is a helpful book to have on hand. The book comes with a CD of the single. According to the description, the CD is a karaoke, instrumental version, and a sing-along version of the song. It’s a good song, but I’m not sure that the picture book is a necessary publication. I was surprised how few of my littles at story time did sing along with the book and I (we were a cappella). I had one who definitely knew the chorus, but that was all the backup that I got.

***

Click to visit the publisher's page for links to order and summary.

Reindeers Are Better Than People by the Walt Disney Company. Disney, 2015. Intended audience: Ages 3-5.

I had sort of hoped that this would be the lyrics to the song like the Soundtrack Series: Let It Go—only because I was doing a sing-along story time. It was not. I still sang the song for the kids, and I only missed a line. I pulled it up on my iPod and let Jonathan Groff sing us through it once too. It’s such a delightful, short song. Instead of lyrics, this is a very brief introduction to the characters of Frozen, seemingly narrated by Kristoff (I would guess because of his “thing with the reindeer”), two sentences or for each of the main adventurers. The kids at story time laughed at and seemed to very much enjoy the characters that they knew with reindeer antlers.

***

Click to visit the publisher's page for links to order and summary. 

Anna, Elsa, and the Secret River by Andria Warmflash Rosenbaum and illustrated by Denise Shimabukuro and Elena Naggi. Disney, 2019. Intended audience: Ages 3-5.

This is a new adventure for children Anna and Elsa. Note: I have not yet seen the new film, but I don’t believe that this particular adventure is portrayed in the film. Anna convinces Elsa to chase after a magical river that might provide answers to why Elsa is born with magic mentioned in a lullaby. The sisters use their senses to search for the river, but the sun begins to rise before they find it. As soon as they decide to return to the castle, they wake in their beds, but was the adventure a dream or did they really venture out of the castle and into the woods? The illustrations in this are beautiful, and Rosenbaum does a good job capturing the personalities of the two sisters as I understand them from the first Frozen film. The introduction to the senses—sight, smell, hearing—was a nice touch too.

****

Click to visit the publisher's page for links to order, summary, reviews, and sample.The Crayons’ Christmas by Drew Daywalt and illustrated by Oliver Jeffers.  Penguin Workshop-Penguin Random, 2019.

In previous Crayons books the crayons have written to Duncan.  Now the crayons are the recipients, receiving letters and postcards and gifts from friends and family in a sweet celebration of reaching out to loved ones at the holidays.  The book has the same offbeat humor and insightful comments on our use of colors that the previous books did.  Many of the characters are from previous books, their adventures expanded here, and I think the book made less sense as a standalone for that reason.  The concept of the crayons and their letters was not well explained in this book (I’m giving it five stars anyway but suggest reading The Day the Crayons Came Home first; meet Esteban).

I grew up with my mother’s love of the interactive picture book, The Jolly Postman by Allan Ahlberg.  This book reminded me of that with its letters and postcards and gifts in envelopes attached to the page while the envelopes’ contents remained separate, able to be taken from the book and read.  This book includes ornaments to hang on a Christmas tree, games, and a gluten-free cookie recipe to try in addition to letters and postcards.  There was also a Hanukkah greeting and paper dreidel to make!  Reading it could easily be spread out over a day or several days if one stops to interact with all the contents.

I had a small audience for this one, but they did better with this story than they have with the length of any of the other Crayons books.  I struggled to balance the book and the separate pieces.  If you’re reading it aloud, make sure you have somewhere to lay the book down to hold up the envelopes’ contents.

*****

 Click to visit BN's website for links to order, summary, trailer, and reviews.

Jack Frost vs. the Abominable Snowman by Craig Manning and illustrated by Alan Brown. Wonderland-Sourcebooks, 2019. Intended audience: Ages 4-7.

I am excited to have an introduction to choose your own adventure style stories for such a young audience, although the Choose Your Path series name is more fitting. The endings for this story cannot change; there is only one. A reader can however choose which character to follow through the story. There is a lesson here about not having to be locked into one way of reading. When I let my story time children choose their path, they did miss one adventure with Abe the Abominable Snowman, so if they read it a second time, there might be a surprise for them. The instructions to turn to this or that page were included in the rhyming text, and sometimes that felt awkward, but reading it aloud without any prep time, it was nice to have a catchy way to explain to the audience how we could choose between following either of the two racers.

***

Click to visit the publisher's page for links to order, summary, and sample pages.

Cookies for Santa: The Story of How Santa’s Favorite Cookie Saved Christmas. Illustrated by Johanna Tarkela. America’s Test Kitchen Kids-Sourcebooks Explore-Sourcebooks, 2019. Intended audience: Ages 4-7.

This was a pretty long book for story time, and required me to skip a bit of the text—though, again, I didn’t get to prep. With more time before reading, I might have been able to trim it more effectively. I barreled through to the ending, but the kids’ attentions were wandering. This is yet one more picture book trying to begin a new Christmastime tradition (like Elf on the Shelf, like Santa’s Magic Key), though this is my favorite of the traditions that picture books have yet tried to begin—and may already be a tradition for many. This tradition is to make a particular type of cookie: Chocolate Krinkle Cookies.

The Kringle family cookbook, which Santa uses every year to make cookies for his helpers and family, is missing. Santa cannot get the recipe right without. He has no cookies to share as he usually does. His helpers and family feel unappreciated and become uncooperative, not helping him prepare for Christmas any longer.

Meanwhile in a library, Abigail who reads cookbooks for fun, finds the Kringle cookbook. She brings it home, and the odd ingredients in the cookbook confuse her family.

In a televised address, Santa confesses to feeling like he should cancel Christmas because he is so upset that he lost the cookbook. Abigail and her family realize what they have, and rush to the America’s Test Kitchen studio to get help with the recipe, not having time to mail the book back to Santa in time for Christmas. The cooks there figure out substitutes for all of the magical ingredients. They televise the recipe and encourage the world to bake the cookies that Santa could not and leave them for him.

On his rounds, Santa finds the cookies left for him, and cheers up considerably. Abigail and her family leave the book for him in addition to the cookies.

In addition to being long, I didn’t really like any character in this story. Santa is not jolly. He, the elves, reindeer, and Mrs. Claus are too focused on the gifts that come with the season. The insertion of America’s Test Kitchen was clunky and clearly an advertisement for the company. I think reading aloud I actually left out the trademarked brand, and I think that the text ought to have done too.

The story I think would have been better without the inclusion of Abigail and her family and without the inclusion of America’s Test Kitchen, perhaps instead a story about Santa losing his cookbook and his family and friends reminding him of the Christmas spirit. The idea that the world gets to give back to Santa is sweet, though.

I could never decide whether I was imagining that the stack of these books smelled a touch like peppermint and chocolate, though they are not advertised as scented.

Kirkus suggests a chance that Abigail and William’s mom might be Asian, but I’m not sure that I see the same.

The book does include the recipe in the backmatter.

**

Click to visit the author's page for links to order, summary, reviews, and activities.

Cookiesaurus Christmas by Amy Fellner Dominy and Nate Evans and illustrated by AG Ford. Hyperion-Disney, 2018. Intended audience: Ages 3-5.

I did not realize that Cookiesaurus was a series until I began to research for this review, though this is only the second in the series. Cookiesaurus, whose pleas and excuses make up the text of the story, wants to be the cookie left out for Santa. He knocks other cookies off the plate, making several messes and hurting his friends. Near the end, he realizes that his friends have been hurt by his actions and apologizes and helps the cookies back onto the plate. As a reward, he is chosen to top the Christmas tree. The style of writing reminds me of Mo WillemsPigeon books.

***

Making the World a Kinder Place

Click to visit the publisher's page for links to order and summary.

Stir, Crack, Whisk, Bake: A Little Book about Little Cakes. America’s Test Kitchen Kids-Sourcebook Explore-Sourcebooks, 2019.

This is an interactive book on the line of Don’t Touch the Button! and Press Here. My audience member was shy and nervous about participating. The text reads like instructions for an app game, especially “Use your finger to drag each [ingredient] to the counter.” The end result of these interactive instructions is a batch of cupcakes for a “special day.”  This is a way to “bake” together with a little one without the mess, but the result is only “cupcakes.” I can’t eat “cupcakes.” I can see where a family might use this one though, to make a little feel as though they had been included in the baking process.

***

Click to visit the publisher's page for links to order, summary, and reviews.

Sunny Day: A Celebration of Sesame Street by Joe Raposo and illustrated by Christian Robinson, Selina Alko, Brigette Barrager, Roger Bradford, Vanessa Brantley-Newton, Ziyue Chen, Joey Chu, Pat Cummings, Mike Curato, Leo Espinosa, Tom Lichtenhelf, Rafael López, Emily Winfield Martin, Joe Mathieu, Kenard Pak, Greg Pizzoli, Sean Qualls, and Dan Santat. Random, 2019. Intended audience: Ages 4-8.

The text of this book is the lyrics of the theme song that opens episodes of Sesame Street. Each illustrator gets a single page spread. The book celebrates diversity. As a bookseller, I enjoyed the challenge of identifying each illustrator and have yet to convince myself that I have solved the puzzle. I believe the illustrators are listed in the order that they appear, but I would have to double-check that. The text works best, I think, as a sing-along, but there was a verse that neither I nor the young parents at my story time remembered.

***

Click to visit the publisher's page for links to order, summary, and author's bio.

People in Your Neighborhood by Jeff Moss and Sesame Street. Sterling, 2019. Intended audience: Ages 3-7.

I remembered this song only after looking it up, and I did not find this exact version of the song. I was able to sing the chorus for story time but not the verses. The book does come with a CD, but reading a book intended for sale to another, I did not use it for story time. The book introduces children to several professions including postman and fireman. The book suggests that putting on the clothes of such a profession makes one such a professional.

This book has been available at Barnes & Noble for several months now, at least since November when it was a required story time read, but it appears that it will be getting a wider release in February 2020.

***

Click to visit the publisher's page for links to order, summary, info about Thunberg, info about the 350.org, and author's and illustrator's bios.

Greta and the Giants by Zoë Tucker and illustrated by Zoe Persico. Frances Lincoln Children’s-Quarto, 2019. Intended audience: Ages 4-7.

Greta Thunberg, Time’s Person of the Year 2019, is in another picture book. This one makes fantastic her battle against the giant corporations—here literal giants. Greta lives in a forest. The forest animals come to Greta to ask for her help because the Giants are destroying their home. Greta makes a sign and stands in the Giants’ way. They bowl past her, but other human inhabitants of the forest watch, and slowly begin to join her protest until the Giants are forced to pay attention to the crowd. In this story, the Giants mend their ways and begin to live more sustainably, making the forest better for all those who live in it. The giants are portrayed as being greedy and busy but blind to their destruction rather than heartless. I really like the illustrations in this one. I like the hope in this one even if I believe it to be misplaced.  Greta is portrayed though as more magical than she is, given the ability to speak to animals, and that is a dangerous line to walk, but then, this is clearly a fantasy if the antagonists are literal giants so a heroine who can talk to animals is not unusual in such a story.

*****

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.

Book Reviews: April 2017 Picture Book Roundup: Lessons, Playtime, and Older Stories Made New

Standard

The Lessons Learnt

 Click to visit the publisher's page for links to order, summary, reviews, trailer, educators' kit,and author's and illustrator's bios.

Raisin, the Littlest Cow by Miriam Busch and illustrated by Larry Day. Balzer + Bray-HarperCollins, 2017. Intended audience: Ages 4-8.

Raisin is the littlest cow in the herd and is nuzzled and cooed over by the other cows. She likes the color brown and movies and especially dislikes change. But change always comes. Her mother has another little cow, a little brother for Raisin, and Raisin does not like her little brother or that her little brother is now the one being cooed over and nuzzled and that the attention that he is garnering means that no one but Raisin remembers movie night, so no one is there to help her see over the fence. She helps herself, but the day keeps getting worse. There’s rain. There’s thunder. The movie is canceled, and her brother is wailing almost as loud as the thunder. Raisin and her brother bond over their mutual dislike of thunder and over his brown eyes, which are her favorite color. She makes him giggle by dripping on him then by showering him with a shaking her coat, calming him when no one else can do. I imagine this book would be helpful for a child dealing with jealousy of the attention given to a newborn sibling, to see their feelings validated, reflected. With humor snuck into the text and illustrations, the message, the promise that a new sibling can be a friend and not a reason to run away to Jupiter nevertheless seemed a little too prominent, a little heavy-handed. I’m not sure what made the message seem so heavy-handed, since Busch never stated her intention outright. Perhaps it’s simply that I’m not Busch’s target audience.

****

Click to visit the publisher's site for links to order, summary, sample, reviews, and author's bio.

Dad and the Dinosaur by Gennifer Choldenko and illustrated by Dan Santat. G. P. Putnam & Son’s-Penguin Random, 2017.  Intended audience: Ages 5-8.

Gennifer Choldenko is probably best known for her middle-grade historical fiction novels, most notably perhaps her series that begins with Al Capone Does My Shirts. This picture book is about an active, sports-involved boy who is bolder in the presence of his toy dinosaur—the dinosaur very wonderfully illustrated by Santat, his translucent image truly imposing. Overall I liked the writing, but I disliked that the husband brushes off his wife by saying they are going out for “guy stuff” as the book nears its end. As a woman I felt like I was being cut out of the story. It was something I didn’t and don’t expect from another woman—though I know we can be as guilty of sexism against women as men can be. This seems particularly jarring after the mother has been so physically present throughout the book and the boy’s father so obviously absent, hearing about his activities after the fact from the mom. That too is why, though, the dad’s compassion, his acceptance of his son’s coping mechanism is so particularly touching. The lesson could have been far more heavy-handed than it is. The father could have chosen to be the “adult” and deny the boy’s need for his dinosaur. I’m glad that he did not, even as I’m glad that he does state baldly that it’s okay to be scared and that he too gets scared sometimes. Normalizing fear and normalizing coping mechanisms for fear are needed. Normalizing sexism and strict adherence to gender roles and stereotypes are some things that I would like to see less.

***

Interactive Books

 Click to visit the publisher's page for links to order and summary.

Don’t Touch This Book! by Bill Cotter. Jabberwocky-Sourcebooks, 2016.

I had the great pleasure of having this book read to me during one of my twice-weekly story times. It’s a wonderfully interactive book—and I like it so much more than the previous book by Cotter, Don’t Touch the Button! Don’t Touch the Button! and Hervé Tullet’s books too ask the reader to interact with the page of the book. Don’t Touch This Book! begins that way. Larry (the protagonist) tells the reader not to touch the book, then allows the reader to use just one finger, then to use all their fingers when he appreciates the reaction of the book to the reader’s action. Quickly though this book asks the reader to do all manner of ridiculous things that many readers at story times ask of their listeners anyways that are more physical than merely pressing a particular spot on a page or shaking the book: flap your arms like the wings of a flying bird, roar like a dinosaur, spin around…. The readers’ acts precipitate the responses of the book. Roaring like a dinosaur causes a T-rex to appear on the following page. Flapping your arms causes the monster protagonist to sprout wings to be able to escape the T-rex. This will almost certainly join the repertoire of story time books that I keep in mind when I need to wear out my too rowdy crowd. It may supersede some of the others. I’m very glad my story time visitor chose this book to read to me.

*****

Click to visit the publisher's page for links to order, summary, sample pages, awards list, and author's bio. 

Dinosaur Dance! by Sandra Boynton. Little Simon-Simon & Schuster, 2016.  Intended audience: Ages 1-5.

This book is a simple dance-along book featuring dinosaurs. Each dinosaur—named primarily by species—does a particular step of a dance. T-rex goes STOMP STOMP STOMP, The red Brontosaurus goes QUIVERY QUAKE. There’s a little dinosaur no one can identify who both cha-chas and goes DEEDLY DEE. I appreciate that there is an animal that no one can identify, especially in what could be considered a primer; too infrequently are toddlers told that it’s okay not to know. Of course all of the text rhymes. I was reminded of Van Fleet’s recent book Dance, which sets itself apart with its pull tabs, though I think that I prefer the text here. There’s more sense in this that the reader is a caller than there is in Tony Mitton’s Dinosaurumpus! but not as much as can be found in Boynton’s better-known Barnyard Dance; Barnyard Dance has very much a square dance rhythm to it. For its more imaginative and open-ended dance moves, I may like this one even better than Barnyard Dance. Plus, dinosaur primers are harder to find than a barnyard primers, and this book is able to do more with color than does Barnyard Dance.

****

Retellings

Click to visit the publisher's page for links to order, summary, sample pages, reviews, music video, activity sheets, and author's bio. 

We Are the Dinosaurs by Laurie Berkner and illustrated by Ben Clanton. Simon & Schuster 2017.  Intended audience: Ages 4-8.

This book takes the text of Laurie Berkner’s song and adds more of a story to it with its illustrations and asides. I read the story before finding the song. The song talks about dinosaurs broadly. The picture book narrows the story a group of friends—different types of dinosaurs—who adventure towards the top of a volcano—and run away from the rumbling mountain and back to their parents to revel in their bravery and adventure. Ben Clanton’s bright, cartoony dinosaurs are memorable but I didn’t discern much personality from any of the dinosaurs, which was a bit disappointing.

***

 Click to visit the publisher's page for links to order, summary, sample, reviews, videos, educators' resources, and author's and illustrator's bios.

The Legend of Rock Paper Scissors by Drew Daywalt and illustrated by Adam Rex. Balzer + Bray-HarperCollins, 2017. Intended audience: Ages 4-8.

Drew Daywalt gained his fame with The Day the Crayons Quit and The Day the Crayons Came Home, both done in conjunction with Oliver Jeffers. His latest book continues to focus on art supplies and children’s play. He invents a story behind the popular Rock, Paper, Scissors game. There are three great warriors from three different kingdoms around a home. Each has fought the warriors that exist in their own kingdoms, and none are satisfied with their competition or their victories. They each go on a quest for fulfillment and a meaningful victory—and discover joy in fighting one another. This story wasn’t beloved, it didn’t seem, of my audience for story time (in the interest of full-disclosure, my audience was three girls, and they were older, maybe 6-9; I suspect this book would go over better with the boys who come in looking for books on WWE and the ones who build guns out of Legos at our events; the whole plot of the book is battles and fighting and the dialogue is primarily traded boasts of one’s own prowess and colorful insults). I perhaps could have hammed up the text a little more than I did, but I did ham it up some. It’s hard not to do so when I’m provided lines like

rovlta9

and pages like

Paper became my favorite warrior for his bemused reactions to the aggressions of the other two in their first three-way battle and his frightful “fighting words”: “Hi there.” I greatly enjoyed that Daywalt chose to make Scissors a master swordswoman with painted-red lips. This could easily and in another decade likely would have been a book without any female representation. I enjoyed the dinosaur-shaped chicken nuggets particularly too. What a nod to children’s play. But ultimately that I enjoyed it more than girls in the target age-range makes me like the book less.

***

Click to visit the publisher's page for links to order and summary.

Beauty and the Beast adapted by Cynthia Rylant and illustrated by Meg Park. Hyperion-Disney, 2017.  Intended audience: Ages 3-5.

I thought because this was marketed (at least by Barnes & Noble) with all of the books and merchandise for the new live-action Disney remake of its animated film by the same name that this story would follow the Disney story, but instead Rylant stayed nearer the Perrault version of the story and devoid of any talking furniture. Beauty (not Belle) is the youngest of three sisters and her father is a merchant whose fortune is lost at sea. Her older sisters when the father’s ships are recovered want emerald necklaces, but Beauty wants only a rose. On the way back to home from port, the father is caught in a storm and shelters in a castle that seems deserted except that a feast is laid out for him. On his way from the castle, he spots a rose in the garden and remembers his youngest’s wish. As payment for the rose, the Beast, master of the castle, demands the father’s enslavement but allows him to return first to his family to say goodbye. Beauty demands to go to the Beast in her father’s stead. The Beast gives Beauty endless days of leisure, fine clothes, wonderful food. He reads poetry to her by the fire at night. And every day he asks if she is happy. One day he asks her to marry him, and she refuses. The Beast accepts her answer. She returns to her father to care for him in illness, then returns when she dreams that the Beast is dying. Her realization that she loved the Beast restores him to his human form: a man with darker skin than Belle’s.

IMG_1107

Meg Park, who I’ve admired from a distance for some time for her softness, bright, jewel-like colors, and expressive characters, makes nods to the Disney cartoon in her illustrations: The Beast has the same basic shape, though he is perhaps more wolfish, Beauty’s design is close to Belle’s, though her hair is more auburn and her outfit more seafoam green than sky blue. Beauty’s horse is a palomino but not a Belgian Draft. In these ways and more she deliberately strays from the Disney retelling but harkens to it enough to highlight that both stories use Perrault as the basis for their tale.

I really enjoyed introducing young enthusiasts to a retelling nearer the Disney version.

*****

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books.  They are independent, honest reviews by a reader.

Photos of the books’ interiors are all mine.  I borrowed the meme.