Tag Archives: teen

LGBTQIA+ Representation in the Books That I Read in 2017

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It’s Pride Month, and I’m feeling prideful. I wrote this post ages ago and stuck it in a drawer because, frankly, I am still embarrassed for myself and for the industry by how few books including LGBTQIA+ characters I had read in 2017, but those books still deserve recognition. So:

This year I want to start something new: Already I’ve started the list on Goodreads, but I want to highlight here too the books that either include characters from the LGBTQIA+ community or which offer support to the LGBTQIA+ community (because some are more explicit than others).

I read 237 books in 2017. Of those I’m counting only 10 that include characters who are explicitly or implicitly part of the LGBTQIA+ community. Those are pretty abysmal numbers (.04%), but I’m aware of the lack now, and I’m openly seeking and celebrating books that I find that include more diverse gender identities or sexual orientations because representation matters.

Picture Books, Picture Storybooks, and Board Books (Ages 0-8)

Not Quite Narwhal by Jessie Sima. Simon & Schuster, 2017.

Sima’s book is not explicitly about gender identity or sexual orientation. It’s about a unicorn born under the sea with a diving helmet who thinks that he is a narwhal, though he never entirely fit in. He meets unicorns later in life and realizes that he is actually a unicorn. When he returns to his narwhal friends, he takes “a deep breath” and tells his friends “the news: It turns out… I’m not a narwhal.” “Of course you aren’t.” “I’m a unicorn.” “We all knew that.” His friends take “it quite well.” This conversation is coded like a coming-out. The book later makes possibly an argument for not having to choose to be one or another, neither land-narwhal with the unicorns or sea-unicorn with the narwhals. This might be about gender-fluidity or transgender identity or nonbinary identity. Possibly it’s an argument against the segregation of groups by identity, for diversity among friends. Whatever message the takeaway, whomever finds meaning it in, it’s an absolutely adorable story about finding yourself inside of community—and making your own community.

Quackers by Liz Wong. Alfred A. Knopf-Penguin Random, 2016.

Wong’s book has a pretty similar message to Sima’s. Quackers thinks that he is a duck because he’s grown up among ducks by the pond—until he meets cats, and they show him the ways of cats. Quackers decides that he is both duck and cat, sometimes doing duck things, and sometimes doing cat things.

Middle Grade-Young Readers (Ages 8-12)

Magnus Chase and the Gods of Asgard, Book 2: The Hammer of Thor by Rick Riordan. Hyperion-Disney, 2016.

Magnus Chase and the Gods of Asgard, Book 3: The Ship of the Dead by Rick Riordan. Hyperion-Disney, 2017. 

Alex Fierro is gender-fluid. He/She becomes Magnus’ love interest, and the two share a kiss in the final book. Loki is also gender-fluid and bisexual, having children with men and women. In the third book, Alex brings to life a gender-fluid clay figure, Pottery Barn, who uses they/them/their pronouns. The einherjar in Valhalla are not entirely comfortable with Alex’s gender-fluidity, but that there is a Norse word for gender-fluidity undercuts the argument that gender-fluidity is a new phenomenon, and by book 3, floor 19 has pretty much accepted Alex.

The Trials of Apollo, Book 1: The Hidden Oracle by Rick Riordan. Hyperion-Disney, 2016.

The Trials of Apollo, Book 2: The Dark Prophecy by Rick Riordan. Hyperion-Disney, 2017. 

Apollo, the protagonist and POV character in this first person narrative is openly bisexual. In the second story, the heroes stay with two older, strong, well-rounded women who left the Hunters of Artemis and immortality to pursue their love for one another. They are raising an adopted daughter together. In the first, we also get to see Nico and Will together, and the camp seems quite accepting of their romance, though that Nico will pull out some creepy Underworld magic if separated from Will probably does help to keep people from complaining. 

Teen (Ages 13-19) 

The Raven Cycle, Book 2: Dream Thieves by Maggie Stiefvater. Scholastic, 2014. First published 2013.

The Raven Cycle, Book 3: Blue Lily, Lily Blue by Maggie Stiefvater. Scholastic, 2015. First published 2014.

The Raven Cycle, Book 4: The Raven King by Maggie Stiefvater. Scholastic, 2016. 

Ronan Lynch and Adam Parrish are in love, and by the final book, the two are comfortable enough to come together openly, sharing a kiss at a party. I think they may already be in love with another when we meet them, though their growth as individuals certainly deepens their attraction to one another. Joseph Kavinsky, who lusts after Ronan Lynch (I wouldn’t call it love), helps Ronan come to terms with his own sexuality.

Adult (Ages 20+)

A Place at the Table by Susan Rebecca White. Touchstone-Simon & Schuster, 2013.

This historical fiction is in part the story of Bobby Banks, a pastor’s son from Georgia, whose father turns him out when he discovers Bobby in bed with another boy. Bobby grows up in exile from his family, living with his gentler grandmother. He later escapes Georgia and moves to New York City. His time in New York coincides with the AIDS epidemic of the 1980s, and Bobby loses his partner to the disease. His friends lose partners and friends to the disease.

Do you know or think that I misrepresented or misinterpreted any of these?  Please comment below.  Let me know. I’m hoping the list of books that I read in 2018 that include LGBTQIA+ characters grows far longer than this.

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Book Review: The Raven King Refuses Expectation and Surprises Despite Prophecy

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Click to visit the publisher's page for links to order, summary, and author's bio.

Pretty much spoiler-free.

This is an odd review, because I’ve now read the book twice. I generally try to write my reviews while the story is still fresh in my mind but missed that pass when I first borrowed the hardback from the library not long after its release in April 2017. The paperback I read in late April 2018.

The Raven King wasn’t what I was expecting—and I don’t know why I thought it would be; no book in the series has been what I expected. But I guess I thought that by the fourth book, the only one that I couldn’t read immediately when I wanted to because I had to wait for its publication, I would have come to a point where at the very least the tropes of the genre would steer the book in a direction that I could anticipate. The tropes did not. Stiefvater ruthlessly undercuts expectations and genre clichés. And ordinarily I’m 100% down with that, but this time… it was a little bit of a let down, to read 4 books about a quest that ultimately falls a little flat.

But hold that phone.

I love how writing reviews can solidify my views of a book. Now that I’m thinking about the book less as a reading experience and more as an undercutting of every built-up expectation, I’m becoming more and more on board. And I guess I’ll just have to read it a third time and revel in its unmaking of the tropes (yeah, I said it).

What a fine, fine line to toe though, between failing to fulfill a reader’s expectations and desire and surprising them. There are lessons to be learnt here.

That ability to surprise me despite how many books I’ve read in the genre, despite both the first in the series and this last beginning with the characters musing about their foretold destinies, is astounding.

And I know I’m an easy mark, but still.

The second time, knowing the conclusion, I was more on board. I was more on board with an unconventional conclusion, with an unexpected resolution, with an improvised solution.

And of course I was here for the prose, the beautiful, beautiful prose that had me rereading passages and reading passages out loud to anyone who would listen to hope that they would revel with me in the language, in the thing so beautifully captured and expressed, in the pointed description that is at once perfectly succinct and poetic.

One of my favorite lines from the prologue is this:

“A Gansey reached bravely into the night-blind water, fate uncertain until the hilt of a sword was pressed into a hopeful palm.”

And of course I was here for the characters. Tumblr user h-abibti once described this series like “long road trips and the sound of laughter in a car full of people you love and its singing on the top of your lungs to lame music” (the quote continues beautifully; follow the link and read the full quote), and that’s so accurate. I think the intimacy with which the characters treat one another invites the reader into that intimacy and refuses to let the reader not care. I care deeply. These are friends. A stew of psychoses, yes, but friends. There are new friends here too. I want to give a shout-out to Henry Cheng, the unexpected, late addition to the court, Chinese/Korean American who though he has an extensive vocabulary and sharp wit struggles to communicate how he’d like to do out loud in English or any other language.

I have to give this book 4 stars because I was still not on board totally this second read, but I suspect that a third reading might raise my rating of the book.

****

Stiefvater, Maggie. The Raven Cycle, Book 4: The Raven King. New York: Scholastic, 2018. First published 2017.

This review is not endorsed by Maggie Stiefvater or Scholastic, Inc.  It is an independent, honest review by a reader.

Shelfie 22: November 28, 2016: You Know You’re Old When…

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…you sympathize more with the adults in YA novels than the teens….

I tried to find something textual to give you tonight, gentle reader.  I really did.  I even went off in search of intriguing new book tags.  Alas, tonight, it’s not to be.  My mind is not in it.

So how fitting is it that the next shelfie in my queue is a photo of a page in The Order of the Phoenix, my favorite book of one of my favorite series–and certainly the series that I go to when I want something familiar, comforting, and nostalgic–that made me laugh?  I laughed because of how much I empathized with Madam Pince after 3 years working a bookstore–how I believed she was right for chasing Harry and Ginny out of her library for defiling her books with their chocolate-stained fingers.  Read the books that you’ve bought with chocolate-stained fingers by all means, but buy them first.

Shelfie 21: November 18, 2016: Passing Time with Timekeeper

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This must have been a lovely November day for me to take my book and my bucket onto the porch.  This was my first attempt to dive into Tara Sim’s first novel, Timekeeper, and the time that I realized that this book would capture me and not let me go–I knew it would be by the 4th paragraph.  In November I couldn’t afford to be so captured.  I wanted to enjoy this novel.  I am enjoying it now.  I’m sorry it’s taken me so long, Tara!

That’s a Hollins bookmark too.

Shelfie 20: November 7 & 10, 2016

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A tumultuous November, I leant heavily on an old favorite–The Order of the Phoenix–from which certain lines rang all too true to life.

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“Fools who wear their hearts proudly on their sleeves, who cannot control their emotions, who wallow in sad memories and allow themselves to be provoked this easily–weak people, in other words–they stand no chance against his powers!”

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“He took his revenge the only way he had: redoubling his efforts for the D.A.”

This book in particular is very dear to me.

Shelfie 18: October 14 & 18, 2016: Young Love

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I was really excited to keep reading this series after I fell in love with The Raven Boys without even realizing or thinking that I had done.  I thought I didn’t love it–until I couldn’t stop thinking about it.  And this book–the second–became my favorite of the series.

I was excited too to find this apt description, this description that I didn’t know that I needed in my life till I’d read it, but which I now think about often:

“His mind was a box he tipped out at the end of his shifts.”

P.S. — Here is my review of The Dream Thieves.

People of Color in the Books I Read in 2017: Part 2: Novels

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I read 68 books that included people of color this year, which sounds impressive compared to last year’s 44, but that is only 27% of the total books that I read this year. However, of those 68, 34 had a person of color as a protagonist—a full HALF, 14% more than last year! But again, those 34 are only 14% of all of the books that I read this year.

Did those numbers go up from last year? Yes, yes they did, but not by enough, never by enough. The percentage of books that I read with any mention of people of color increased by only 1%, but the percentage of books with people of color as protagonists rose by a full 9%.

For fun, within the age grouped sections, I’ve arranged the series by their most highly rated book, and the series themselves with their highest rated at the top of the list and lowest rated at the bottom, so for example, the highest rate book in the Harry Potter series is more highly rated than the highest rated book in Percy Jackson and the Olympians and Deathly Hallows is more highly ranked than Half-Blood Prince, and so on.

 

Middle Grade-Young Readers (Ages 8-12)

Harry Potter and the Deathly Hallows, Book 7 by J. K. Rowling. Scholastic, 2007.

Harry Potter and the Half-Blood Prince, Book 6 by J. K. Rowling. Scholastic, 2006.

Harry Potter and the Order of the Phoenix, Book 5 by J. K. Rowling. Scholastic, 2003.

Harry Potter and the Cursed Child by John Tiffany, Jack Thorne, and J. K. Rowling. Arthur A. Levine-Scholastic, 2016.

Despite some prevalent but far from universal fan theories and some casting decisions made by those heading the new West End play, the Harry Potter series is pretty white. There’s Dean Thomas, a boy of African descent from Harry and co.’s year, who gets a larger role in The Deathly Hallows, and Blaise Zabini, also of African descent, a Slytherin of indeterminate gender even, no more than the last name in the Sorting queue until Half-Blood Prince, where he emerges a member of the Slug Club. There’s Cho Chang, a girl of Chinese descent, whom Harry briefly dates during his fifth year. There’s Kingsley Shacklebolt, an Auror and Order member who later becomes Minister of Magic. There’s Lee Jordan, a classmate of African descent in Fred and George’s year, who reemerges as a radio host in The Deathly Hallows. There are the Patil twins, Parvati and Padma, who are of Indian descent. In The Cursed Child in an alternate universe created by meddling in the past, Ron marries Padma and has a half-Indian son, Panju, though neither Padma nor Panju are ever on stage, and Ron is pretty miserable as her husband. As far as speaking parts go… that’s pretty much it.

 

Percy Jackson and the Olympians, Book 5: The Last Olympian by Rick Riordan. Hyperion-Disney, 2011. First published 2009.

Percy Jackson and the Olympians, Book 1: The Lightning Thief by Rick Riordan. Hyperion-Disney, 2005.

Percy Jackson is also pretty white. Charon is described as having darker skin. He’s a god, the ferryman of souls to Hades’ realm, and an employee of Hades’. I feel like another of the gods was described as darker skinned, but I cannot remember whom. I know Thanatos, Death, is, but he doesn’t appear till the next series. Charles Beckendorf, head of the Hephaestus cabin, who dies a hero, is African American, at least in fan art that is now the official art, but I’m not even sure it says for certain in the series that he is African American. But Riordan learned.

 

The Trials of Apollo, Book 1: The Hidden Oracle by Rick Riordan. Hyperion-Disney, 2016.

The Trials of Apollo, Book 2: The Dark Prophecy by Rick Riordan. Hyperion-Disney, 2017.

The supporting cast of The Trials of Apollo is pretty wonderfully diverse, though Riordan handles it much better in the second than the first book. But now there is a Brazilian demigod at Camp Half-Blood who speaks very little English. One of Apollo’s children is African American. In the second, there’s Jamie, a graduate student and wielder of magic if he isn’t a demigod (which he might well be), descended from the Yoruba people of West Africa, to whom Apollo is pretty strongly attracted. There’s the Latino American Leo Valdez in all his marvelous impishness.

 

Magnus Chase and the Gods of Asgard, Book 3: The Ship of the Dead by Rick Riordan. Hyperion-Disney, 2017.

Magnus Chase and the Gods of Asgard, Book 2: The Hammer of Thor by Rick Riordan. Hyperion-Disney, 2016.

Magnus Chase and the Gods of Asgard, Book 1: The Sword of Summer by Rick Riordan. Hyperion-Disney, 2015.

Now we get to Riordan’s best—or my favorite so far. Here is Blitzen, a dwarf with dark skin. Here is Samirah al-Abbas, a hijabi and Arab American. She lives with her Iraqi American grandparents. She is engaged to Amir Fadlan, whose father Abdel runs Fadlan’s Falafel, a restaurant that has always been kind to Magnus Chase, finding him extra food when he was living on the streets of Boston. Here is Alex Fierro, a Mexican American, whose family immigrated from Tlatilco. He/she becomes Magnus’ love interest. Here is Thomas Jefferson Jr., a Union soldier from the Civil War, the son of a runaway slave and the Norse god Tyr, who while living dealt with the prejudice against African Americans. All of these are primary characters.

 

The Kane Chronicles, Book 1: The Red Pyramid by Rick Riordan. Hyperion-Disney, 2011. First published 2010.

In this series of Riordan’s, the two narrators and primary heroes are biracial, half-white, half-African American. Carter is dark skinned. Sadie is paler. They go to live with their Uncle Amos, who is African American. Most of the action for this story takes place in Egypt, where they interact with the magicians of the First Nome beneath Cairo. Carter’s love interest, Zia, is born along the Nile.

 

Avatar: The Last Airbender: The Promise: Part 1 by Gene Luen Yang. Dark Horse, 2012.

Avatar: The Last Airbender: The Search, Parts 1-3 by Gene Luen Yang. Dark Horse, 2013.

Avatar: The Last Airbender: The Rift, Parts 1-3 by Gene Luen Yang. Dark Horse, 2014.

Avatar: The Last Airbender: Smoke and Shadows, Parts 1-3 by Gene Luen Yang. Dark Horse, 2015.

Avatar: The Last Airbender: North and South, Parts 1-3 by Gene Luen Yang. Dark Horse, 2016.

I actually read these all in their individual parts. This is set in an alternate world, but the influences are mostly Asian, and most of the characters appear more Asian than Caucasian. The Water Tribes of the North and South Poles are darker skinned than members of other nations.

 

Hello, Universe by Erin Entrada Kelly. Greenwillow-HarperCollins, 2017.

This standalone of realistic, contemporary fiction–and hey! this year’s Newbery winner!–features a protagonist who is Filipino American and a pair of Japanese American sisters. Virgil’s Filipino American heritage is particularly explored. His grandmother is fairly newly immigrated.

 

Teen (Ages 13-19) 

The Hate U Give by Angie Thomas. Balzer + Bray-HarperCollins, 2017.

This story was inspired by the Black Lives Matter movement and police brutality against the African American community. Starr and her family are African American. Most of the characters are African American, but Starr attends a predominately white private school, and her boyfriend is white.

 

The Raven Cycle, Book 3: Blue Lily, Lily Blue by Maggie Stiefvater. Scholastic, 2015. First published 2014.

The Raven Cycle, Book 4: The Raven King by Maggie Stiefvater. Scholastic, 2016. 

Some of Blue’s family seems to be African American, though Stiefvater is never very explicit about it. I suspect Calla may be. I suspect Jimi, Orla, and their immediate family may be. According to Stiefvater, Blue herself and Blue’s mother Maura are not. Henry Cheng becomes a much more prominent character in The Raven King, even becoming the third wheel to Blue and Gansey’s tricycle, joining them on the road trip that I most want to be on. He’s Korean American.

 

All the Crooked Saints by Maggie Stiefvater. Scholastic, 2017.

Almost this entire cast, the entire Soria family is Mexican American.

 

Adult (Ages 20+)

Ender’s Game Alive by Orson Scott Card Exec. Skyboat-Brilliance with Audible, 2013. Ender’s Game first published 1985.

Shadow of the Hegemon by Orson Scott Card. Audio Renaissance-Tor-Holtzbrinck, Sound Library-BBC Audiobooks America, 2006. Shadow of the Hegemon first published 2000.

The International Fleet picks the best from every nation. Most of the primary characters are white. Bonzo Madrid, with whom Ender fights, is Spanish. Alai becomes one of Ender’s closer friends and part of the jeesh. He is North African. Shen, one of Ender’s first friends, is Japanese. Commander Chamrajnagar, later Polemark, is Indian. In Shadow of the Hegemon, Bean and Petra with Achilles travel the world pretty expansively. Bean befriends Suriyawong, and joins then later commands the Thai army. Virlomi, an Indian Battle School graduate, helps Petra escape by escaping Achilles to get word to Bean and Suriyawong. Achilles brokers a brief peace between Pakistan and India, meeting with representatives of both nations. Bean lives for a brief time in Brazil and then later moves the headquarters of the Hegemon there.

 

Anansi Boys by Neil Gaiman. HarperAudio-HarperCollins, 2013. First published 2005.

Fat Charlie and Spider are descended from Anansi the Spider of West African mythology. Fat Charlie’s mother and their neighbors in Florida are all Afro-Caribbean.  Rosie Noah and her mother are both Englishwomen of Afro-Caribbean descent, Rosie’s father having been instrumental in the introduction of Caribbean fusion food to England.

 

A Place at the Table by Susan Rebecca White. Touchstone-Simon & Schuster, 2013.

Alice Stone and her family are all African American. Amelia is revealed later to be biracial. Bobby Banks’ grandmother lives in a predominantly African American neighborhood, but Bobby struggles to make friends with the African American children who live there.

 

Do you know or think that I misrepresented or misinterpreted any of these?  Please comment below.  Let me know.

Book Review: Camaraderie Evades All the Crooked Saints

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Click to visit the publisher's site for links to order and summary.

I’ve begun rereading Blue Lily, Lily Blue, and I think I’m finally ready to talk about Maggie Stiefvater’s latest, All the Crooked Saints, which I finished back in early December.

If you’ve been with me a while, you’ll know that I fell and fell hard for The Raven Cycle, that I adored The Scorpio Races. I can’t say the same for All the Crooked Saints—the only other of Stiefvater’s novels that I’ve read, and as a later novel, one that I thought would build on the best elements of the other books that I’d read.

This was a different novel for Stiefvater. This was one of those deeply personal novels that she needed to write. (She has written a lovely, insightful piece on her Tumblr about this novel).

Stiefvater’s unique command and beautiful use of language was still on full display here as was her grasp of magical realism, that sense that, yes, this is real, but there is fantasy too, and the two don’t make either one any less true. This is the first of her novels that I’ve read (that she’s written?) with a predominantly non-white (in this case Mexican-American) cast. This is the first that I’ve read (that she’s written?) that can qualify as historical fiction, set in 1962 Colorado with talk of German POWs who work the farms during the previous generation’s childhood, and the music and pop icons of the day. There was lots that I thought that I would love—and I did love—but it lacked one crucial thing:

What I think kept me on the outskirts of All the Crooked Saints was the characters themselves. I fell for the “blinding, deafening, maddening, quickening” friendship of the boys and Blue, and like Blue “now that she’d had this kind, she didn’t want the other.” The protagonist of All the Crooked Saints, Beatriz, claims to be a girl without feelings. She has a difficult time relating to anyone and is forbidden to even talk to the people in her community who are not family. That kind of easy, “all-encompassing” friendship cannot exist for Beatriz (BLLB 103).

Beatriz is a lonesome in the way the Stiefvater defines lonesome herself in Blue Lily, Lily Blue: “a state of being apart. Of being other,” a philosopher, a genius thinker, a rationalist, scientist (28). In her case, this lonesomeness seems mostly self-imposed, a prison built of her belief in others’ cruel words about her having no feelings. I enjoyed her insights, but I missed others. She learns. The whole book is about achieving the miracle of overcoming one’s own worst faults, and Beatriz learns that she does have a heart and that faults can only be overcome in an accepting relationship, with love. But she learns slowly, and it’s not till near the end of the book that she has learnt this truth.

Beatriz’s otherness and lonesomeness were sort of the point, but it also kept me from feeling close to this novel and the characters in it—even Beatriz herself.

As an exploration of overcoming, of exploring and confronting the deepest, ugliest parts of ourselves, this book is important, this book means a lot to me. But I just didn’t enjoy it in the way that I wanted to enjoy it. I’m so glad that there are others who did. A second reading later may alter my perception of it some.

I did enjoy the languages. I enjoyed the scant scenes of the camaraderie—especially between the petitioners stuck with one miracle but not the second.

***1/2

Steifvater, Maggie. All the Crooked Saints. New York: Scholastic, 2017.

This review is not endorsed by Maggie Stiefvater or Scholastic, Inc.  It is an independent, honest review by a reader.

 

Book Review: A Christmastime Rebellion in the Enderverse

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Click to visit the publisher's site for links to order, summary, audio excerpt, reviews, and author's bio.

This is my third book in the Enderverse. I found the rereleased hardcover at Barnes & Noble and got so excited. It was nearing Christmas when I did, and I am a sucker for Christmas fanfictions, so a canon Christmas novella in a world that I’m just falling in love with was near irresistible. So I ran to the library.

This happens mid-Ender’s Game/Ender’s Shadow, when Ender is newly transferred to Rat Army, but the majority of the novel does not revolve around Ender.

Zeck Morgan is rescued from his ultra-religious father, a Puritan minister who whips Zeck to make him more pure. Zeck has a perfect memory, which his mother believes is from God, though she warns Zeck to hide that memory from his father, whom she thinks will believe it from the devil. The IF sees that memory as a useful asset in a soldier—and it seems implied that the soldier who comes for him believes that he is rescuing Zeck from his abusive household, though Zeck resents being drafted.

In Battle School, Zeck maintains his father’s preached pacifism and won’t fire his weapon, though he enters the Battle Room and does the school work for Battle School. He is disliked by the students.

A homesick Battle School student, Flip Rietvald, sets his shoes out on Sinterklaas Eve, and Dink Meeker, noticing the childlike gesture, gives him Sinterklaas gifts, a silly poem and a pancake shaped into a F.

Religious observation is banned in Battle School and Zeck’s father has preached that Santa Claus is a manifestation of Satan, so Zeck complains to Commander Graff about the Dutch boys’ observation of the holiday. The punishment that Flip and Dink receive spurs Dink to begin an underground celebration—not in the name of Christmas, but in the name of Santa Claus (in all his forms), whom he argues is not a religious figure but a cultural icon, his day celebrated even by the atheists of countries where he exists, and nationality impossible to ban. Children begin to give one another gifts with a sock attached so that the gift is known to be in Santa’s name.

The battle brews. Zeck stirs up trouble by convincing one Pakistani soldier that prayer is a national observation as much as is the celebration of Santa because Pakistan was formed as a Muslim nation, and so Muslim identity is national identity. When this results in several Muslims being led away in handcuffs for religious observation, the Santa Claus celebration stops; the fight becomes too serious, the consequences too dire; it ceases to be fun, and the celebration ceases to be in the spirit of Santa Claus, “compassion and generosity […] the irresistible urge to make people happy […] the humility to realize that you aren’t any better than the rest of us in the eyes of God” (78).

Because this series is Ender’s story more than any of the others’, it is Ender who gets to give the last Santa Claus gift of the book and demonstrate the team-building prowess that makes him such an astounding leader. He corners Zeck and convinces him of the error of his father’s protestations, battling Zeck Bible verse for verse and sharing secrets about his home-life and his abusive brother.

This story mostly provides an interesting platform to discuss national observations versus religious observations, particularly around the Christmas holiday but around all religions—though only Christianity and Islam are discussed—the intersection and dissonance of nationality and religion, religious tolerance, and the fake religious proclamations of those whose words are not reflected in their actions.

It ends on a happy note, which I almost require of my Christmas fanfiction but has even more substance than I’m used to expecting from a good Christmas ficlet—for which I was not ungrateful. I like more of a Christmas meal than Christmas fluff.

Ultimately, this was a good diversion while I prepped and then survived the Christmas holiday.  It was good food for thought.  It was not the cleanest and tightest of Card’s writings, but it was interesting to spend more time with Dink and more time with some of the previously nameless Battle School students.

***

Card, Orson Scott. A War of Gifts. New York: Tor-Tom Doherty-Macmillan, 2007.

This review is not endorsed by Orson Scott Card, Tor, or Tom Doherty Associates, LLC.  It is an independent, honest review by a reader.