I found Susan Cooper’s The Dark Is Rising Sequence—wow—fourteen years ago? It was around the same time as that I was devouring J. K. Rowling’s Harry Potter series and Diana Wynne Jones’ Chronicles of Chrestomanci, after Patricia C. Wrede’s Enchanted Forest Chronicles.
That list alone should give you some idea of the genre and the intended audience—or an appropriate audience.
I don’t think I began to really understand its complexities and nuances until maybe four years ago (at the latest). I had always sort of imagined the Dark and the Light as synonymous with the Christian symbolism with which I was most familiar. “Your word is a lamp to my feet and a light to my path” (ESV Ps. 119:105) and “[…] the wicked shall be cut off in darkness, for not by might shall man prevail” (ESV 1 Sam. 2:9). I think it was the last book that I was reading, Silver on the Tree, when I realized that Cooper’s Light and Dark has very little to do with Christian ideology (and I think that I’d read one of Diane Duane’s Young Wizards series not long before, which is I think heavily influenced by Christian mythology, and seeing the two book series in contrast may have helped to make this revelation so jarring.)
God—the Judeo-Christian God, that is—or any other god for that matter, except perhaps Herne the Hunter, who might according to some theories have evolved from one of several pre-Christian gods—really doesn’t enter into Cooper’s story at all—as much as this book in the series happens around Christmas and the protagonist, Will Stanton, is raised in a Christian household. In Christian ideology, man cannot succeed, cannot be saved apart from God. In Cooper’s mythology, the Old Ones of the Light and the masters of the Dark are more than men, almost gods, and they rely on their own power and on men for success. That is the starkest divide between Cooper’s mythology and Christian mythology—the source of might and of salvation and the reliance of men on God or gods on men.
Perhaps had I been raised outside of the Christian faith, I would have more fully understood Cooper’s ideas of the Dark and the Light sooner, maybe even when I first read them in middle school.
For all that I’m talking about this now, realize that as a child, I missed the nuance, I missed the replacement of God or any god with more-than-men-but-not-gods. I don’t discourage Christian parents from sharing this story with their children by any means. It’s an excellent story about the conflict of Good and Evil and demonstrates the perfectly human powers of teamwork, phileo love, persistence, and sacrifice needed to combat Evil, and it gives to Evil both a human face and an otherworldly face that I think is congruent with Christian beliefs.
That, again, being said: You may need to be ready to one day have this discussion with your child. They may like me be rocked to find on a reread that the book series that they loved as a child seems now like not the same series.
But this is a beautiful book series, excellently written, neither too poetic nor too prosaic. This book has been a favorite Christmas story for a long time. I enjoyed rereading it, and I will do so again, probably come next Christmastime.
Cooper, Susan. The Dark Is Rising Sequence, Book 2: The Dark Is Rising. New York: Aladdin-Simon & Schuster, 1973.
This review is not endorsed by Susan Cooper, Aladdin Paperbacks, or Simon & Schuster. It is an independent, honest review by a reader.