The sequel to Ender’s Game, Speaker for the Dead, follows Ender and the colonists that he heads decades in the future on a distant planet, encountering a new alien race. That’s all well and good (I assume), but following Ender’s Game Alive, I wanted to know what happened to all of the Battle School students, not merely to Ender, so I sought out something a little closer to Ender’s Game in time and space. I skipped over Ender’s Shadow, which happens simultaneously with Ender’s Game, and jumped to the second in that sequel series, The Shadow of the Hegemon. This book deals with the immediate aftermath of Ender’s Game (and Ender’s Shadow), specifically what happens to the jeesh once they arrive back on earth, though it focuses pretty solely on Bean and Petra, and on Peter Wiggin’s quest to attain the title of Hegemon.
I want to start by saying that I don’t read many political thrillers—or not books that would be primarily classified as political thrillers (I suppose Martin’s A Song of Ice and Fire could be classified as such). I’ve never read Vince Flynn, David Baldacci, Brad Thor, or any of those other household names in the genre. But I was sucked into this one, which disguises itself as a science-fiction book by virtue of association with the other books in its series. I won’t pretend to judge this book against others in its genre, but I do qualify it as more of a political thriller than a science-fiction book. Card describes this as being inspired by the board game Risk, a game of global domination through alliances and wars (I think; I’ve also never played Risk).
I say this is more political thriller than science-fiction because all of this book happens on Earth and its drama is in the geopolitics and the child geniuses who are pulling at the strings, toying with world leaders and directing the militaries of various countries.
Shortly after arriving back in their own countries, the entire jeesh is kidnapped—except for Bean, who is meant to be killed with his family in an explosion, which he escapes using a superior “Spidey” sense for danger. For a while, the book becomes an Earth-wide whodunit with every major country and political group as a suspect. I enjoyed this part of the book a lot. I enjoyed the mystery, and I enjoyed the insights into each country’s desires and assets. I enjoyed (and was horrified to find) that I could recognize the seeds of Card’s future-Earth geopolitics in my mediocre understanding of the political aspirations of today’s superpowers, that I found myself nodding along as the characters laid out the clues.
Petra having gotten a message to Bean, and Bean having gotten a message to Peter Wiggin, the three reveal that the architect of the jeesh’s capture is Achilles, a character from Bean’s past (I have not read Ender’s Shadow or I’m sure I’d know more about Achilles, but I picked up enough through Shadow of the Hegemon to know that he’s a dangerously smart, savvy, charismatic psychopath who has killed in the past and will kill in the future). Only Petra remains captive after that, Achilles interfering directly with her rescue and whisking her away to India, where she is forced to take part in the planning of a war for Indian expansion into Burma (Myanmar) and Thailand, though her intelligent plan for guerilla warfare is ignored for reasons that only become clear as the novel and Achilles’ complicated plan to sew chaos unfolds.
Bean meanwhile goes to Thailand and earns the trust of Suriyawong, another Battle School graduate and a member of Ender’s Dragon Army and now the nominal head of the Thai military’s planning division. With his knowledge of Achilles and Petra and military strategy in general, Bean helps to predict and to thwart what can be thwarted of Achilles’ plan, though Bean’s larger goal is always to save Petra.
Achilles is playing the nations against one another, but he is also pitting himself against Bean, working to destroy Bean.
This is Bean’s story (spoiler in white) and ultimately Bean’s victory to paraphrase the novel.
I loved to hate Achilles. I loved his dialogue, his speeches. And that’s of course how charismatic dictators rise to power, but—thank God—this kid is fictional. He’s at his best when he is convincing the Pakistani president to join a ceasefire with India and move Pakistani troops away from the border.
I loved the back and forth, the squabbles of Peter and Bean, two kids too bright for their own good.
I loved that Petra had so much more agency in this novel, so much more of a role, that the women (not only Petra, but Carlotta, Mrs. Wiggin, and Virlomi), who were largely absent in Ender’s Game even with the insertion of Major Jayadi in the audioplay that I listened to were here and were bigger parts of the plot.
I have some reservations about this audiobook, however. Some of the cast of the audioplay that I listened to for Ender’s Game reunited (I say reunites because I listened to this book second, but this book was actually produced first, so really they reunited for Ender’s Game Alive) for this audiobook, but not all of them, and this was a full audiobook, narration included. The voice actors took different parts and read different sections. But they could not decide how to pronounce Achilles. Though Peter had to hide that he knew that it should be pronounced A-SHEEL to avoid sounding more knowledgeable about current events than his parents. By the end of the text, even Bean’s voice actor had caved to the anglicized Greek pronunciation, ə-KIL-eez. That could be intentional. Perhaps Achilles remade himself into the Greek Achilles, adopting the more prominently used pronunciation as he became not the leader of a street gang but a puppet master on the global stage. I had thought that the voiceover of the word Hegemon was some weird conspiracy, something done to give the name importance and prominence, and it actually didn’t occur to me till reading a review on Goodreads that this was a poorly dubbed voiceover of a mispronounced word—which makes me wonder more about the conflicting pronunciations of Achilles. In the last few bits, when most of the primary characters were again sharing the scenes, the voice actors returned to more of an audioplay format, with everyone voicing the dialogue of their primary characters; I like that format better, and I liked to see its return, but it makes me question: why not do that sooner? Achilles and Petra share most of the book, yet lines of dialogue where they shared a scene were voiced by one or the other of the narrating voice actors.
Retrospectively, maybe this is one to read and not to listen to on audio. Maybe.
But this was a story I wanted and a story that I liked a lot with compelling characters.
Card, Orson Scott. Shadow of the Hegemon. Narr. David Birney, Scott Brick, & Gabrielle de Cuir. Prod. Stefan Rudnicki. Audio Renaissance-Tor-Holtzbrinck, Sound Library-BBC Audiobooks America, 2006. Audiobook, 11 CDs. Shadow of the Hegemon first published 2000.
This review is not endorsed by Orson Scott Card, Audio Renaissance, Tor Books, Holtzbrinck Publishers, LLC, Sound Library, BBC Audiobooks America, or anyone involved in the production of the book or audiobook. It is an independent, honest review by a reader.