Tag Archives: Pete Oswald

Book Reviews: December 2019 Picture Book Roundup: Big Names and Series Continuations

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Click to visit the publisher's site for links to order, summary, and author's and illustrator's bios.

Construction Site on Christmas Night by Sherri Duskey Rinker and illustrated by A. G. Ford. Chronicle, 2018.  Intended audience: Ages 3-5.

The characters from previous Construction Site books return. Each is gifted new equipment from an anonymous donor that I presume to be the company who thanks them for their work throughout the year. My anti-capitalist self found a great deal to be cynical about in this set up. The company provides their workers with something that they need to perform for the company but frames that equipment as a gift to make the company seem kinder? Hmmm….  I am almost certain that I am seeing an unintentional parallel between today’s corporate structures and those of this book; I don’t think that Rinker intentionally set out to write a pro- or anti-capitalist book, one that lauds the company’s gesture or reveals the manipulative behavior of the company in the mask of Christmas—especially, as I have said, since the company is never definitively named as the gift-giver. And certainly her intended audience isn’t going to consciously wonder or even consider the ethics of the company’s behavior.

The pattern to this book is similar to Mighty, Mighty Construction Site with each vehicle’s task for the day described before the truck is put to sleep with a “Goodnight.” The vehicles’ work is finally revealed in its finished form: a new fire station. I wonder if that signals an upcoming book in the same world. Mighty, Mighty Fire Station anyone?

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Click to visit the publisher's page for links to order, summary, sample pages, and author's bio.

Where Do Diggers Celebrate Christmas? by Brianna Caplan Sayres and illustrated by Christian Slade. Penguin Random, 2018.  Intended audience: Ages 3-7.

This book was something of a disappointment. I liked the illustrations, and it fit well thematically with the required book for our story time, Construction Site on Christmas Night. The text… well, to start, it never answered the questions it asked. I expected an answer eventually, thought that I was going to get a book written stylistically like Jane Yolen’s How Do Dinosaurs series, questions then answers. This was the first book in this series (books that are titled in the pattern of Where Do X Sleep at Night?) that I had ever read. I’m guessing that this book is written in the style of the series, and if I’d known that and been prepared for it, I might not have minded it so. I did appreciate that this book seems to celebrate more than many others do that family and friends’ gatherings that mark the holiday. We had fun finding the little mouse in each of the illustrations.  This is definitely a book whose illustrations outshone its text.

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The Cool Bean by Jory John and illustrated by Pete Oswald. HarperCollins, 2019.  Intended audience: Ages 4-8.

This has been I think my favorite by this duo. The POV bean used to hang out with a group of other beans, but as they got older, he grew apart from the other beans. They became “cool,” and he did not. He thinks that he’s lost his friends, but then when the not-cool bean gets into some embarrassing scrapes at school, dropping his lunch, falling on the playground, each time the cool beans help him out. He realizes that his friends haven’t changed so much, that they are still kind, still friends, even if their interests and wardrobes have diverged and if the cool beans have found new skills at which they excel. Their small gestures of kindness improve the POV bean’s outlook, give him self-confidence and confidence in the kindness of his friends. Kindness not clothes or special skills make beans cool. This was a story to which I related. I grew up in a small town and coolness only came as we hit upper elementary school. The old stereotypes of 80s and 90s movies didn’t hold up. One of the coolest girls in our school was also one of the most generous and softest, and her kindness did a lot to cheer me up on more than one occasion. That said, check out the band Smoke Season because while we haven’t kept up I hear that she’s been doing well for herself.

****

Click to visit the publisher's page for links to order, summary, sample pages, audio sample, reviews, and author's bio.

The Serious Goose by Jimmy Kimmel. Penguin Random, 2019.  Intended audience: Ages 3-7.

This was a surprisingly fun book. The reader is asked to make a silly face (there is a mirrored surface in the book) to make the serious goose laugh. And that—not the silly hats or the tasty treat of the previous pages—is what turns the serious goose who won’t smile into a silly goose who is buoyantly happy and barks like a dog to be silly. The rhyming is a lot of fun. There is a good bit of adult humor with the narrator threatening the audience with lawyers for violating a direct commandment from the Order of the Serious Geese and Gooses. The proceeds for the sales of this book benefit children’s hospitals.

****

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The Kindness Book by Todd Parr. Little, Brown-Hachette, 2019.

Although my opinion may be colored by having to rush through it as I’d lost two members of my audience entirely and the last’s attention was split between coloring and listening and waiting for her family to return, I read this one after reading Kindness Makes the World Go Round, and honestly it paled in comparison. There’s no plot. This is a good overview though of the kind things that a person can do for others, for the community, for strangers and loved ones, for oneself, for animals. There is actually a pretty strong emphasis on being kind to oneself; it’s mentioned thrice. I appreciated the inclusion of characters of limited physical mobility with the gray-haired woman whose wheelchair rests beside her bed and another whose cane rests by her chair. Todd Parr’s bright colors and simple drawings and simple text hide a deeper message as almost always.

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These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.

Book Reviews: February 2019 Picture Book Roundup: Living in Community

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Almost all of these books—and there are a lot of them this month—come back to the idea of community, living together with your fellow creatures, sharing resources, and showing kindness.  One exception is Another Monster at the End of This Book, where two friends argue over the course of action that they should take, one excited for the promised thrill and the other frightened of the promise.  The other exception is Hamilton’s The People Could Fly.

Click to visit the publisher's site for links to order, summary, sample pages, reviews, and author's bio.

The Little Guys by Vera Brosgol. Roaring Brook-Macmillan, 2019. Intended audience: Ages 3-6.

I read an advanced reader copy of this book, which comes out April 2. This is a story about sharing. The Little Guys are tiny creatures like acorns with stick person legs and arms and bulbous, orange noses that travel in a pack. The pack makes them mighty. They are unstoppable through the power of teamwork, able to cross dangerous terrains and “beat up” any animal that they encounter. On their quest to find breakfast, they steal and hoard the forest’s resources—“every… thing…”. But being too greedy results in the creatures tumbling into the forest stream. The animals that they have stolen from band together to help the Little Guys. The Little Guys realize that caring about only their own pack isn’t enough, that they are not as indomitable as they had thought, as the whole pack would have been lost if not for the care of others.  They learn that they need to work with the larger forest community, made up of all of the different creatures that inhabit the area. The text itself is fairly simplistic, told in the plural first, the boasts of the Little Guys. The illustrations tell the larger story.

***

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The People Could Fly by Virginia Hamilton and illustrated by Leo and Diane Dillon. Knopf-Random, 2004.

I bought this book for a graduate class in 2007, and then found out that there is a collection of folktales edited by Virginia Hamilton and bearing the same name and that that was the book we were going to need for class. (The collection was published in 1985; this story is taken from that larger work.) I kept the picture book though. This story is a retelling by Virginia Hamilton of an old tale and beautifully, movingly illustrated by the Dillons. Told in a conversational vernacular style, it’s the story of a people from Africa whose beautiful, black wings shed under the cruelty of slavery and the Atlantic crossing, but whose power of flight is unearthed again with the help of an old man in the fields who comes to the hurting people and whispers the magic words to help them remember.  He can’t help all the people fly; not all of them can fly. In the note in the back, Hamilton explains that the power was often associated with the Gullah (Angolan) people. This is a tale of magic, of reawakening.  It’s a tale of the indomitable desire for freedom.  It’s a celebration of African American resilience and strength.

*****

 Click to visit the publisher's page for links to order, summary, trailer, sample, reviews, activity, and author's and illustrator's bios.

The Bad Seed by John Jory and illustrated by Pete Oswald. HarperCollins, 2017.  Intended audience: Ages 4-8.

John Jory takes on the nature v nurture debate in this picture book. The Bad Seed had a rough life. He ended up in a bag of sunflower seeds, chewed upon by a human, and spit out, crash landing beneath the bleachers, and living for a while in these grubby surrounds. He becomes depressed, never smiling, without purpose. He breaks all the social mores and the rules. He hears the other seeds call him a “bad seed.” But he makes a decision to turn his life around. He decides that he is going to begin apologizing and saying please and thank you and holding doors, trying to be more pleasant in his interactions with others. He is going to try to change his mindset and his actions too. He’s not perfect, but he’s trying, and the other seeds are beginning to acknowledge that “he’s not so bad anymore.” It’s definitely an oversimplification of recovery from trauma and depression. It’s not that simple to turn a life around, I don’t think, and I hope no one takes it as a formula for healthy recovery. But it is nice that Jory acknowledges that the Bad Seed doesn’t need to be perfect to improve, that he is not bad if he fails, that his situation is improved by trying.

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Click to visit the publisher's page for links to order, summary, trailer, sample, reviews, activity, and author's and illustrator's bios.

The Good Egg by John Jory and illustrated by Pete Oswald. HarperCollins, 2019.  Intended audience: Ages 4-8.

This book seemed to be written almost more for adults in the room—but then I was the kid who would have benefited from this lesson at a younger age too. This Good Egg does all the right things for the sake of being good, though he does not always excel at helping as when he paints the house with abstract stokes of multiple colors. But under the pressure of being good when all of his carton-mates are bad (when his carton-mates constantly misbehave) is causing the shell around his crown to crack from the pressure. He leaves his carton to find some peace, and to allow himself to heal, to escape the pressure caused by being at odds with his problematic friends, but he finds himself missing his carton-mates. He has to learn that he doesn’t always have to be good, doesn’t always have to follow every rule and all social mores, and that he doesn’t have to hold everyone to his own standard of excellence. He learns to relax a little bit, and that being good, doesn’t have to mean being perfect. He learns that breaking the rules doesn’t necessarily make you bad.  Now, there is some danger in this message too.  Not only that of caving to peer pressure, but returning to a toxic environment is not necessarily healthy even when one misses those familiar faces, and ignoring others’ toxic behaviors in order to be able to maintain one’s own peace is not always ethical or healthy.  This like the message of The Bad Seed I think needs to be taken with caution. John Jory’s text here follows the same formula that he used in The Bad Seed.

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Pirate Adventure by Karen King and illustrated Ben Mantle. Top That!, 2017.

I was actually truly delighted by this little tale. The pirate captain’s nephew Pete is coming aboard whether or not the crew likes it—and they don’t like it.  They see Pete as small and weak, the ship as no place for a boy. Pete does all the things that a ship’s boy is supposed to do, all the manual labor that is often glossed over in children’s picture books about pirates, which are often all about adventure and feature smiling pirates or ones who are grumpy and growly but in an endearing way to a rough-and-tumble child. When Captain Jim falls ill, Pete is put in charge of the crew and finishes the Jolly Roger’s treasure hunt. The pirates forget their dislike of Pete when they find the treasure chest. Here in the US, the book is available in Barnes & Noble’s bargain section. I did not (yet) buy the book to try to build the pop-out pirate ship.  It seems to have had multiple titles including Treasure Island and Pirate Pete’s Treasure.

*****

Sesame Street

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We’re Different, We’re the Same by Bobbi Kates and illustrated by Joe Mathieu. Random, 1992.  Intended audience: Ages 3-7.

This book highlights different body parts in illustrations meant to look like a collection of instant photos. This page talks about the differences between the features in each of these photos: old noses, baby noses, round noses, big noses, small noses. The next page reveals a busy tableau of diverse characters, human and Muppet, and talks about how each of these features that appear different perform the same functions (“our noses are the same. They breathe and sniff and sneeze and whiff”). Beyond that, the book confronts ableism. Some may need to wear helmets to protect their heads. Some need to take more time to form words with their mouths. Some won’t talk much. Some won’t talk at all. Some need glasses. Some are blind. One character is in a wheelchair but playing basketball with friends. It advocates asking for a break from a teacher if it’s needed.

The 90s fashion styles in these illustrations! I had to Google their names, but I recognize the old comedy sketch duo Laurel and Hardy in the illustrations. I don’t know why the pair appear in the pages of a book from the early 90s.

*****

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Elmo’s Super-Duper Birthday Party by Naomi Kleinberg and illustrated by Joe Mathieu. Random, 2016. Intended audience: Ages 3-7.

This book, though a little long, was wonderful. Elmo and his mother prepare for Elmo’s birthday celebration, shopping, making cupcakes, filling the piñata, and setting up games. The text is simple, perhaps at times a little too detailed, but that also serves to spark ideas for the would-be-party-planner/reader (I got some ideas for stuffing my next piñata). Elmo and his friends enjoy the party, but Elmo’s wish when he blows out the candles takes this book to the next level. Elmo wishes to share his birthday joy with others, so they move the party to the nursing home, and continue celebrating, including the seniors there in the festivities. It’s enough to melt my cold heart. Elmo is too good for this world, and I hope young readers learn from his example; the world would be a kinder, better place. The paperback includes stickers, a crown for the birthday child, and a game to play at a party. It’s a party in a book! Just add cake and friends.

****

Click to visit the publisher's page for links to order, summary, sample, and author's bio.

Who’s Hiding? by Naomi Kleinberg. Random, 2017. Intended audience: Ages 2-5.

Play along as Elmo and other Sesame Street characters lead the reader through Sesame Street. Some of their friends are hiding, and the characters give you clues as to whom you’ll find (“His best friend is a worm.” “He’s green and grouchy.”), but to find out who is on each page, you’ll have to lift the flaps. The illustrations are photographs of the Muppets and actors on the Sesame Street set.

****

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Kindness Makes the World Go Round by Craig Manning and illustrated by Joe Mathieu. Jabberwocky-Sourcebooks, 2018. 

Elmo’s mother gives him the gift of a camera on World Kindness Day (November 13 if anyone wants to celebrate) and a quest to go and capture examples of kindness on Sesame Street. Elmo spends the day photographing his friends performing little kindnesses, and then turns around and performs a kindness for his mother. This story is wonderfully sweet, in much the way that is Naomi Kleinberg’s Elmo’s Super-Duper Birthday. This though is told in an enchanting rhyme.

*****

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Another Monster at the End of This Book by Jon Stone. SFI Readerlink Dist, 2018. First published in 1996.  Intended audience: Ages 3-5, Grades PreK-K.

Adding lift the flap elements to this story is an improvement on the first Monster at the End of This Book, but otherwise this book falls rather flat in comparison to the first. I would rather have The Monster at the End of This Book done in this format. In this, Grover and Elmo argue over whether or not to turn the page and come closer and closer to the promised monster at the end, and of course the monsters are just themselves as Grover was the monster in the first book.

***

Song Lyrics

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All You Need is Love by John Lennon and Paul McCartney and illustrated by Marc Rosenthal. Little Simon-Simon & Schuster, 2019. Intended audience: Ages 4-8, Grades PreK-3.

This is not the intended medium for this text. The repetition of the chorus, which itself is the word “love” repeated, just doesn’t read well. For a story time reading, I pulled out a tablet, and let YouTube provide the “reading” by finding a recording of the song by the Beatles. The book illustrates a bear who, woken by the singing of a bird, leaves his forest home, enters the city, and picking up a crowd along the way, interacts with the diverse people there, creating elaborate chalk drawings in the park. Some of the illustrations are bright and colorful certainly, but they would have just as much power I think separate from the book as overwritten with the song’s lyrics.

**

Click to visit the publisher's page for links to order, summary, sample pages, reviews, and illustrator's bio.

What a Wonderful World by Bob Thiele and George David Weiss and illustrated by Tim Hopgood. Henry Holt-Macmillan, 2014.  Intended audience: Ages 2-6.

For this one, I also let Louis Armstrong via YouTube do the work of “reading.” This at least has more concrete images to illustrate. The cast is again diverse, with no real narrative this time to the illustrations beyond the text’s wonder of the world. This text at least works better as a narrative, as read aloud.

***

Click to visit Barnes & Noble's page for links to order, summary, sample pages, and reviews.,

Puff the Magic Dragon by Paul Yarrow and Lenny Lipton and illustrated by Éric Puybaret. Sterling, 2007.  Intended audience: Ages 3-7.

Peter, Paul & Mary did the “reading” for this book via a YouTube video of the song recording. I can’t remember ever having heard the full song before; I’m sure I did do in my childhood, but I doubt then that its story really sank in for me. The text itself tells of a lonely dragon who meets and befriends a boy, who as time passes, stops coming (dies the song implies, though the illustrations suggest he just became a busy adult and parent), leaving the dragon lonely again. The illustrations portray a young girl (presumably Jackie’s daughter), unmentioned in the text, coming to the dragon on the final pages, giving the story at least some hope, though she too will die and the dragon’s loneliness return. I like that Puybaret added to the story, took that extra step beyond the text.

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These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.