Tag Archives: Patrick Rothfuss

Challenge: Zombpocalypse Book Tag

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I just really like using the word zombpocalypse.  But officially, this is known as:

The Zombie Outbreak Survival Team Book Tag:

Step 1: Choose six books from your shelves: two with titles that contain your first initial, two with titles that contain your second initial, and two with titles that contain your last initial.

I cheated a bit. I had a really hard time finding any books that even included a word in the title that began with J that I remembered well enough to know who these characters were. I guess I have some rereading to do. I did have three books I could I knew really well with titles beginning with K, so… 3 Ks, 1 J, and 2 Es. I mean. I didn’t cheat a lot. And these are much more fun when you remember the characters.

Step 2: Draw the names of those six books out of a hat in random order then answer the following questions:

Open your first book to a random page. The character whose name you see first just dragged you out from whatever hiding place you’ve holed up in (let’s just face it – we’d all start out under the bed). This character probably just saved your life, and is destined to become your best friend before all this is over. Also, s/he is the leader of the EZFBKs. (Don’t get jealous. You thought you would be invisible so long as your head was covered by your lucky ducky blanket.)

1777211Book 1: A Wizard of Earthsea by Ursula K. LeGuin

And Vetch is the first name I see. I love Vetch. Yeah, he could lead EZFBK, and I’d love to be his bestie. He’s an excellent bestie.

Open your second book to a random page. The character whose name you see first is your weapons supplier. What sort of weapons does s/he have stashed in the basement?

Book 2: To Kill a Mockingbird by Harper Lee mockinbird

All of these fantasy books, and I get the one realistic, historical fiction. Jem’s gonna be supplying our weapons. So… guns, knives, slingshots, rope. All very practical. Probably less likely than the magical or sci-fi weapons to backfire on us or die because there’s no more electricity available due to the plague. I guess. But I was kind of hoping for some magical or at least high-tech weapons.

Open your third book to a random page. The character whose name you see first just died in front of you. This apocalypse just got getting serious.

9780756404741MBook 3: The Kingkiller Chronicles, Book 1: The Name of the Wind by Patrick Rothfuss

Fela. Fela just died. Not sweet, loyal, intelligent Fela, who knows the Name of Stone.  She was probably doing something idiotically heroic.  She’s probably one of the last people who should have died of this group.

Open your fourth book to a random page. The character whose name you see first is your vehicle specialist. I hope s/he has a fast ride…

Book 4: The Jungle Book by Rudyard Kiplingjungle

There’s a lot of irony in this book tag…. “By the broken lock that freed me, I am sure, Little Brother.” Little Brother here is Mowgli. I think we’ll be riding whatever wild animals Mowgli can convince to let us ride on their backs. I mean… could be worse?

Open your fifth book to a random page. The character whose name you see first is your medic.

enderBook 5: Ender’s Game by Orson Scott Card

Bonzo. This team gets worse and worse…. I’d rather avoid Bonzo entirely.

Open your sixth book to a random page. The character whose name you see first is… well, you’re honestly not sure how this person ended up on your team, or how s/he is still alive. But every team you’ve ever seen has one of these Resident Idiots, so maybe they’re good luck.

Book 6: The Kane Chronicles, Book 1: The Red Pyramid by Rick Riordanpyramid

Ha! Carter and Sadie’s British Gran, Catherine Faust, is… why is she here?

 

All right… recap….

Vetch saved me, pulling me out from under the bed and taking me with him and his team on the run. Time to smash some zombie heads! Vetch I’m excited to see. He has magic. He’s a good friend. He’ll get me through this somehow. EXCEPT the only weapons that Jem can find are those available in the early 1930s in rural Alabama. So, you know, at least they’re not likely to run on electricity, which might be scarce. Mowgli has convinced several of his animal friends to help us, but they get tired too, and we’re heavy loads for most of them. At least we won’t run out of fuel, though they will have to stop to hunt or graze. Sweet Fela dies in front of me, and that breaks all our hearts. Bonzo is not the person I’d most trust to be our medic. Vetch would be better, but Vetch is too busy leading to also be medic. At least Bonzo’s trained for war. I just don’t like him. Gran’s here too. I hope she’s not our cook, or we’ll be eating a lot of burnt biscuits. She’s tougher than she looks though, and maybe a zombpocalypse will convince her to unleash some Egyptian magic—though that’s not likely.

You know, actually, we just might make it, our low-tech team, led by a kind-hearted wizard, with our battle-trained medic who you know will try to wrest power, and with our Gran who might just cave to the magic in her veins too.  Yeah, I might read that novel.

I think this book tag originated with Gwen over at Apprentice, Never Master. Anyway, that’s where I found it. Thanks, Gwen, for a fun, relaxing blog post for my fuzzy, sickly brain. I really enjoyed that way of choosing books—very unique—even if it was a little hard. (It’d’ve been easier if my memory was better.)

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Shelfie 14: July 5, 2016: The True Way

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We all make ourselves better, and once we’ve made ourselves better, we make the spaces we’re in better, and that’s how we make the world better.

It’s amazing to me how much Auri speaks to me–and by “Auri” I mean Patrick Rothfuss writing with the voice of an insane young woman.

Read this page.  Then read it again.

This page is from The Slow Regard of Silent Things.

Book Review: The Slow Regard of Silent Things: When a Story is Not a Story

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Patrick Rothfuss prefaces The Slow Regard of Silent Things by saying that this is not the third book in The Kingkiller Chronicles, that it’s not like his other books, and that “this book might not be for you.” He ends it by confessing his fears that this book would not be well received, that he thought this story would be unwanted by readers and editors

I didn’t jump on this book when it was first published (I unwisely thought that, having just finished Wise Man’s Fear a month earlier, I could patiently wait till the price dropped). I had friends to recommend the book to me before I bought it, and the criticism I was hearing about this book was primarily that it was not what the reader had expected (which usually I attribute to reader error more than author error—but having read the book, maybe just this once, it was at least partially the book’s fault).

This book was not what I expected because as Rothfuss himself says it’s not what you expect of a story; it has none of the framework that we’ve been taught to call “story.” As I read it, I kept waiting for it to become what I expected. It did not. The story is not cohesive. It does not have an arc. It is only loosely held together by an idea in Auri’s mind that she must find gifts for Kvothe before he next comes. The Slow Regard of Silent Things is a collection of vignettes more than anything perhaps and a tour of a world below the surface of the series that I’ve come to love.  This is exploration.

But it wasn’t the plots of The Kingkiller Chronicles books that caught me either, and the same wordsmith is here to tangle words together in creative new ways—now with a very different puppet. Kvothe (POV character of The Kingkiller Chronicles) is careful. Each word is weighed and measured and planned and meant to provoke a certain emotion and scene and image. He is, as he’ll remind you, Edema Ruh first, and the Ruh are performers and storytellers. I think Auri is actually the more reliable narrator. Maybe partially because Auri in this story has an audience she cannot manipulate. The silent universe judges her every move. She feels that judgment, knows when something is amiss, and she knows how to fix it, but she cannot put on a false face for the universe.

We’re told Auri is half-mad, but the method behind the madness, revealed when she becomes here a narrator, makes more sense than a lot of other worldviews. Auri moves through the universe sensing when things are off-balance and seeking to fix the imbalances, and to that purpose she seeks to lose self to All Else.

Rothfuss says that as he let friends and later others read the story, the feedback often amounted to “I don’t know what other people will think. They probably won’t like it. But I like it” (158). Rothfuss marvels at this and cites his empathy with her as the root of his fondness for Auri. “I cannot help but wonder how many of us walk through our lives, day after day, feeling slightly broken and alone, surrounded all the time by others who feel exactly the same way” (158). In some ways, this first reading, the endnote to this book made me feel more than did the book itself because it made all the rest make sense, and it was a rare glimpse into a writer’s fears and doubts.

Knowing now what this story is and is not, I’m looking forward to a second reading.

Read this story for the language, read it to ease a sense of loneliness, read it for a new perspective. Read it for meaning if you like but don’t expect to have the lessons handed to you Dumbledore-style. Expect to have to work for your meaning by examining one object and one sentence for several slow minutes and then letting it all flow together into a greater whole. Don’t read it as you read any other story. Don’t read it for plot. Don’t look for humor. Don’t expect a usual experience, and maybe you won’t be disappointed.

****

Rothfuss, Patrick. The Slow Regard of Silent Things. Illus. Nate Taylor. New York: DAW-Penguin, 2014.

This review is not endorsed by Patrick Rothfuss, Nate Taylor, DAW Books, or Penguin Group, Inc.  It is an independent, honest review by a reader.

Book Review: Female Power in The Wise Man’s Fear

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Spoilers!

It didn’t take me long to go looking again for Kvothe, the red-headed lutist of Patrick Rothfuss’ Kingkiller Chronicles. I had been somewhat blinded to my fondness for this protagonist by my love of Rothfuss’ artistry, but I found myself missing them both after some time away, and Kvothe much more than I would have expected.

I had been warned that I wouldn’t enjoy the second book in the series as much as I had the first. Kvothe remains in many ways naïve throughout The Name of the Wind, an underdog fighting to play in the same field as older, richer men, ready to believe the best of others on the fringes of society and the worst of those who move at the highest tiers.

The Wise Man’s Fear sees Kvothe ousted from that field and sent to try his tongue on foreign soil. The majority of the book is spent exploring other and Other cultures within the world created by Rothfuss.

Kvothe’s first journey by sea, a journey involving “a storm, piracy, treachery, and shipwreck, although not in that order” is given one full page of text (403-404), and then we land in Vintas, where a once more penniless Kvothe is to meet with a man richer than his king. Unwilling to long support himself by the means of street living with which he is all too familiar, Kvothe bluffs his way to the Maer’s door.

Kvothe then undertakes misadventures of courtly intrigue and faux pas, learning and enlightening us to the intricacies of Vintish culture.

When Kvothe has all but outlived his usefulness to the Maer, he is sent on a fool’s errand, which though more difficult and dangerous than anyone had expected, Kvothe manages spectacularly to complete despite poor circumstances.

On this errand with him is an Adem mercenary, who begins Kvothe’s instruction in Ademic culture—which is interrupted by an encounter with a Fae known to lure men away for intercourse, during which they succumb to either death or insanity.

The second half of this book, alongside its exploration of the Other, specifically explores the ideas of female power in its many and varied forms. The Fae Felurian represents and embodies the female sexual power. She possesses a strange magic that Kvothe hopes to learn and which he temporarily bests through Naming. In besting Felurian, Kvothe earns the right to learn about her powers, both Faen and sexual. Felurian does not learn from him, and so Kvothe’s power is increased while Felurian’s remains static.

Upon returning from this tryst, Kvothe finds himself compelled to follow Tempi to Ademre, where the two are immediately parted and Kvothe made to defend himself by learning the ways of the Adem and particularly of the Adem mercenaries. Rothfuss here shows readers another form of female power. The best Adem warriors are women because women are less often led by anger or impatience and are better at “knowing when to fight” (849). Again Kvothe learns while his female instructors do not.

The power of procreation for the Adem is further purely female. The Adem do not believe that men are involved in procreation. In our culture, historically, much of a woman’s power and value have been derived from her ability to birth children but that power has been limited because of a woman’s dependence upon a man to do so. That power in Ademre is unlimited, and what’s more men depend on women not only for their own birth but also for the continuation of the culture. The Ademic culture then is similar to the early matriarchal, mother-goddess cultures that I have heard postulated, where women are believed to be the sole progenitors and derive their power from this, sort of taking the patriarchal demotion of women as sex objects and turning it into a promotion.

Much of Kvothe’s increased power during the course of The Wise Man’s Fear has, then, come from female instructors and in his acceptance of the female powers offered to him, which might be another paper in itself.

Within The Kingkiller Chronicles so far, Rothfuss has mainly presented a world in which the greatest female power is sexual. However, while almost all of his female characters have presented sexual interest in one male figure or another, few have possessed merely sexual power. There are strong and wise fighters like the Adem and clever survivors like Auri and Devi, and intelligent scholars and craftsmen like Fela and other female university students.

Denna of course embodies for Kvothe the ideal woman. She is one of only a few women who do not advance on Kvothe sexually, and Kvothe is clever enough not to ask or demand her sexual favor. She is in many ways unattainable to Kvothe because he has seen her flee from the sexual advances of other men, but Denna certainly knows how to use her sexuality, so she is powerful in that right. Perhaps she is desirable for being powerful but unattainable. In a story arc that comprises almost wholly of Kvothe’s struggles to attain knowledge and through knowledge power, that interpretation makes a lot of sense.

On the whole, I’m not sure that I can call Rothfuss’ presentation of the female “feminist” in the same way that I can some of George R. R. Martin’s characters or Patricia C. Wrede’s Cimorene, and I wish that I could, because Rothfuss treads near a feminist perspective in this book especially.

****1/2

Rothfuss, Patrick. The Kingkiller Chronicles, Day Two: The Wise Man’s Fear. New York: DAW-Penguin, 2013.  First published 2011.

This review is not endorsed by Patrick Rothfuss, DAW Books, or Penguin Group, Inc.  It is an independent, honest review by a reader.

Book Review: Patrick Rothfuss, Hero Who Can Call The Name of the Wind

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For years, friends have been raving about the misadventures of Kvothe and even more so about the poetry of Patrick Rothfuss. Years back, I found The Name of the Wind in the library. I read the first few paragraphs, and I was blown away by the weight of each word, the perfection of and care taken with each sentence and paragraph break, and the images that were painted. I said, “I don’t have time for this.” I wanted to give it the time that I thought I would need to enjoy it. I’m so sad that it took me years to decide to have time for it.

The prologue is awesome, and when paired with the epilogue, it left me a blabbering mess of “Did he just— He did!” I don’t even really know how to begin to describe to you the wonder of what Rothfuss did with those four pages. I’ve never seen a wizards’ knot, but I think now that I might have read one.

Now, don’t, like me, be daunted by the prologue. This book reads surprisingly fast. Granted, I did decide to read it when I knew that I would have more than my usual free time, but I don’t think that it would have been bogged down by the usual pace of life, and I think I’d have been stealing moments to read just a little more. Despite criticism from friends who were pushed into saying something by the gabbling Facebook status that I posted after finishing the book and despite that I recognize their criticism as valid, I’m still hankering for the second in the series and was not sated but rather my appetite increased by the short story, “The Lightning Tree,” recently released in Rogues.

Kvothe is fairly likeable if a little pompous and self-aggrandizing (though in fairness he is the storyteller and can be expected to shed himself in the best light just as any of us would) but Rothfuss is the real star of The Name of the Wind. I enjoyed Kvothe’s adventures, but I enjoyed Rothfuss’ storytelling and poetry so much more. Rothfuss is a writer’s writer often alluding to the process and perils of writing by having his protagonist engage in storytelling, and there is much within the novel that rang like a hammer against a nail of truth and sympathy driven into myself. Another of my favorite sections is the four pages that Kvothe and Rothfuss take trying to decide how to describe one character because those pages allude so fiercely to the difficulty of describing characters in fiction (417-420).

The Name of the Wind and presumably the whole of The Kingkiller Chronicles are written with a frame story, and the two stories weave together to drive the reader on into the series. Kote the barman is confronted in the present-day with the resurfacing of his past, from which he has run and hid, but which has found him at last. He battles a darkness that manifests as overgrown spiders, tries to brush aside his knowledge of how to destroy them as garnered secondhand from visitors to his lonely tavern, but more privately lets slip something about a war that is his fault, of which I guess that these creatures are a symptom. His student, Bast, is worried about his Reshi and is using the famed storyteller, Chronicler, to try and get Kvothe to remember himself and become what he was. Chronicler is looking for a story, and the truth. So Kvothe is wheedled into telling his story, and he takes us back to his childhood. The Name of the Wind, the first of the three days that Kvothe believes that his story will take to be told, spans from Kvothe’s happy youth, to his tragic tween and teen years, to his first few terms at university, where he distinguishes himself but not perhaps in the ways that he had hoped, and during which time he meets an alluring girl and worries over whether or not he has her heart. This first book of the trilogy has many elements of the bildungsroman, and the adult Kote, looking back, talks about his story as if it is indeed the education and becoming of himself: “If you are eager to find the reason I became the Kvothe they tell stories about, you could look there, I suppose” (186).

Kvothe’s time at the university can be dissected too in terms of the school story, where those familiar with the genre (as many of us unwittingly are thanks to J. K. Rowling) will recognize many familiar patterns: the rivalry with the more powerful peer, difficulties in learning, the grudges held by professors, the unexpected aid from those same or other professors, a squad of friends on whom one can rely when difficulties arise in the classroom and outside of it…. I’ve said before that one of the perils of the school story is the large cast that it calls for. Rothfuss handles the cast quite well. He does not unnecessarily dive into everyone’s backstories, and their characters do seem to enter—as they should—onto the stage only when Kvothe needs them to do, but they seem too to have lives and personalities outside of Kvothe, and that is imperative to good characterization and an element too frequently overlooked when one is working with a larger cast.

In the university, Rothfuss’ fantasy is given scientific examination. Dragons are large fire-breathing lizards but are considered natural. Magic is given names like sympathy, which applies scientific principles like the inability of energy to be created or destroyed to the manipulation of objects. Naming is another form of magic that has more in common with Ursula K. LeGuin’s and Diane Duane’s models. I have always been a fan of the blending of magic and science, and so Rothfuss’ models tug at my heart. It’s clear that, as with the language and craft he uses in storytelling, Rothfuss has given a lot of thought to magic and world-building. I’m interested to see if the scientific nature of magic persists throughout the series. I don’t know how to apply science to some of the things that the elder Kvothe has clearly encountered: fey, spider demons, the angelic Amyr, and wraithlike Chandrain.   Kvothe reminds me in that way of myself:  He’s learned the science but he won’t give up the magic despite people’s judgements of his “childlike” fascination with the truth of the world that they can’t see.

If you enjoy words, if you enjoy writing, I must recommend this book as a meaty helping of prose.

*****

Rothfuss, Patrick. The Kingkiller Chronicles, Day One: The Name of the Wind. New York: DAW-Penguin, 2008.  First published 2007.

This review is not endorsed by Patrick Rothfuss, DAW Books, or Penguin Group, Inc.  It is an independent, honest review by a reader.