Tag Archives: Miguel Ordóñez

Book Reviews: November & December 2017 Picture Book Roundup: Gift-Giving

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Click to visit the publisher's page for links to order, summary, sample, reviews, and author's and illustrator's bios.

River Rose and the Magical Lullaby by Kelly Clarkson and illustrated by Laura Hughes. HarperCollins, 2016.  Intended audience: Ages 4-8.

River Rose is so excited to be going to the zoo the next day. Her mother tucks her in and sings her a lullaby. That night, magic balloons show up outside her bedroom window and transport her to the zoo, where she has a party with the animals, none of whom are confined to their compounds. I like that at some point in the night she asks her friend, Joplin the dog, what he wants to do. At the end of the night, when the polar bears tell her that they need sleep, she snuggles up with the bears and sings the lullaby that her mother sang to her to the bears. She ends up back in her bed, glad for her adventure, but glad too to be home.  Was it a dream?  Was it real?  Does she go again to the zoo the next day and is she disappointed when she sees the reality of the zoo in the daylight?  The book doesn’t say.

***

Click to visit the publisher's page for links to order, summary, awards list, reviews, and author's and illustrator's bios.

Everything Is Mama by Jimmy Fallon and illustrated by Miguel Ordóñez. Feiwel & Friends-Macmillan, 2017.  Intended audience: Ages 1-3.

Like with Fallon’s first book, there’s not a lot here. In this, presumably mostly maternal animals try to teach their children new words, only to have them reply “mama,” with a reversal at the end with the trite ending “but you are everything to mama” (expect to fit the rhyme, the sentiment is phrased more awkwardly than that). I think very little of it, but I caught a mother reading it to a young child at the store, and the child giggled at every page, so there is an audience for this, and maybe neither my story time toddlers nor I are not it. My audience lately has comprised of children 4 and older.

**

Lessons in Sharing

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Clifford Shares by Norman Bridwell. Cartwheel-Scholastic, 2012.

There’s not much to this little board book either, just a few pages and a few sentences in total, but Clifford is a familiar friend. Clifford shares his water. He shares a bench. And then everyone shares with Clifford at a picnic. There’s just not much here to rate. There’s nothing remarkable about this book, really, good or bad. There’s a vague idea of reciprocity: Clifford shares so others share with Clifford, but the book’s real draw is Clifford.

***

Click to visit the publisher's page for links to order and summary.

The Berenstain Bears Give Thanks by Jan Berenstain and Mike Berenstain. Zonderkidz-Zondervan, 2009.

This was a long story time book, but one of my regulars showed up early, and I promised to read one book—whatever book she picked out. The prose in this book is prettier, more descriptive, the story more fleshed out with detail than what I usually read for story time, which was a nice change.

But this is a problematic book, relying too heavily on whitewashed history and doing little if anything to correct or clarify the narrative.  Papa trades some furniture for a turkey from Farmer Ben—a living turkey. Ben’s named the turkey Squanto after “a Native Bear who helped the Pilgrims plant their corn when they settled in their new home.” I mean, I guess, Ben. Sister Bear doesn’t like the idea of meeting her Thanksgiving dinner while he’s alive. She wants to keep Squanto as a pet. She visits him at the farm as the weather grows colder. To distract Sister from the idea of eating Squanto, Mama Bear proposes a costumed show of the legend of Thanksgiving. “We’ll need feathers for the Native Bears’ headdresses.” No you won’t, Mama Bear. Honey Bear represents Squanto the Native Bear with a full headdress of turkey feathers and speaking broken English: “Me, Squanto!” her only line. Admittedly, Honey Bear is not portrayed as speaking good English, and I suppose the cast is limited to the preexisting characters, but…. “He speaks English! What a miracle!” Miracle it is not, Cousin Fred, though maybe there is some miracle in Squanto finding his way back to his own land if not his own village after all his trials. The whole legend of Thanksgiving as told in this story is the whitewashed imagining that we hear “in school over and over again every November” (or we did when I was in public school; I hope today’s tellings are a little more nuanced, a little more accurate) with no discussion of the horrors visited on Native Americans by the European invaders.

That doesn’t even begin in on the problems of reminding children that our Thanksgiving feast features a once-living bird, and that it might be possible to persuade their parents to skip the bird and to keep the bird as a pet instead because Squanto the Turkey survives, is given a new pen in the Bears’ backyard. Parents should be prepared to answer questions that Sister Bear’s feeling for Squanto might stir.

It’s difficult to avoid religion when discussing the First Thanksgiving, and this book does not, the Bears’ prayer even included in the text.

**

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Plush by Louise Myers. Tiny Tales-Whitman, 1949.

A friend bought me this pocket-sized paperback because the pony Plush looks a quite a bit like my own pony. The animals of the farm (all anthropomorphized, though Plush less so than the others) take a pony cart, pulled by Plush, to the Fair to sell their goods and spend the money that they make. There’s an element of an animal sounds primer in the text, with the pony’s hooves clippety-clopping, the hen cackling, the duck quacking, the lamb baaing, and the pig oinking. The friends all buy gifts for Plush with their money. It’s a sweet story of gift-giving, expressing thanks, and retail.

****

Christmas and Wintertime

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River Rose and the Magical Christmas by Kelly Clarkson and illustrated by Lucy Fleming. HarperCollins, 2017. Intended audience: Ages 4-8.

Of the two River Rose books, this one my audience unanimously liked better. Now admittedly, we read this story December 16, just 9 days from Christmas morning, so I’m sure that timing and the already swelling excitement for the holiday tinged their reactions to the story. I’m going to be recommending the other more frequently because it is far less seasonal and far more universal. Not every child is excited for Christmas (not all of them celebrating the holiday), but I think that most children are excited to visit a zoo—particularly a zoo without enclosures and with no supervision but a polar bear mama as is the one in the first River Rose book. In this River Rose sneaks down the stairs to hand-deliver her letter to Santa, but she’s missed him. Instead the magical balloons from the previous book are waiting in her living room. She and Joplin take the balloons to the North Pole where they are greeted by the elves and Mrs. Claus, who plies River Rose with a wealth of sweets, the book becoming a numbers primer. She is near sleep when Santa returns. Santa makes one last trip to bring River Rose home, and she hand-delivers her letter to him—which is not a list of requested gifts, but a simple thank you, which touches Santa. This new illustrator does a good job continuing in the tradition of the previous. I didn’t notice the difference, and don’t think I’d have noted it expect that I write these reviews and am always sure to credit the illustrator too. Fleming’s palette is maybe a little more muted and her lines a little crisper than Hughes’.

***

Click to visit the publisher's page for links to order, summary, reviews, and author's bio.

Outside by Deirdre Gill. Houghton Mifflin Harcourt, 2014.

Deirde Gill illustrated Trains Don’t Sleep, which I read and loved in October. I went exploring to see what else she had done, and found this story, written and illustrated by Gill. A bored boy leaves the house and explores the snowy outside. His brother won’t join him outside, so he makes himself a friend—an enormous snowman, who comes to life to help him build a castle. And what do castles attract? Dragons of course! This one is thankfully friendly. His brother finally does come out to play, after the boy’s adventure in the snow is done, and together they make one last snowman. Because the brother stays inside staring at screens, he misses his younger brother’s adventures. There’s as much a lesson about leaving screens to play outside as there is a lesson about the wonders of the imagination and the outdoors and free play. These illustrations are everything I hoped for. The colors, the landscapes, the characters are amazing! There’s not a great deal of text, most pages comprising of only a sentence or two. Some have only a sentence fragment, and some have no words at all.

****

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A Loud Winter’s Nap by Katy Hudson. Picture Window-Capstone, 2017.  Intended audience: Grades PreK-1.

The friends from Too Many Carrots are back, this time with Turtle as the protagonist. I feel this turtle on a personal level. He doesn’t like winter. He just wants to hibernate through it. But his friends are having fun in the snow and being noisy nearby no matter where he makes his nest and despite his sign. Eventually he accidentally stumbles into some winter fun of his own, not realizing his newest napping spot is a sled primed at the top of the hill. He enjoys racing downhill, and in the end joins his friends on the iced-over pond where his sled stops, skating and drinking hot cocoa and generally enjoying the winter with his friends.

****

Click to visit the author's page for links to order, summary, and sample pages.

Santa’s Magic Key by Eric James. Jabberwocky-Sourcebooks, 2017.

I don’t think that I ever truly believed in Santa Claus, but I did grow up in a house without a chimney, and I wasn’t unaware of the myths surrounding the man. I think I questioned less how Santa would get into our house when we had no fireplace and more how we would communicate in J. K. Rowling’s wizarding world without a fireplace to connect to the Floo Network. How Santa did all that he was supposed to do were more for me questions of filling in gaps in the story than worries about whether or not I would receive any gifts.

The tagline for this book suggests starting a new family tradition—which makes it sound as though Eric James is hoping to appeal to the same audience as participate in the Elf on the Shelf tradition. As far as new holiday traditions go, I’d be far more willing to go along with James’. A) It requires action only one night out the year. B) It does not require me to suggest that an inanimate doll is 1) animate, 2) always watching and judging my child’s behavior and 3) reporting that behavior to a boss who will reward or punish a child based on that behavior. James’ story is less preparation for a police state and more assurance that your house can be visited by Santa despite your house lacking an element seemingly present in every Santa myth.

James’ book is long, but better written, and his illustrations are beautiful, hazily but realistically rendered full-page spreads rather than the cartoonish characters lacking much setting that accompany the Elf on the Shelf.

Despite all this, James is not likely to create the empire that Aebersold, Bell, and Steinwart have because he doesn’t self-publish and he didn’t create a character who can be dressed in different outfits, have pets, and have accessories, and whose pets can have accessories.

***

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Olaf’s Night Before Christmas by Jessica Julius and illustrated by Olga T. Mosqueda. Disney, 2015.  Intended audience: Ages 6-8.

Frozen’s Olaf becomes the protagonist of Clement Moore’s The Night Before Christmas, and Julius rewrites Moore’s text for Olaf. Familiar lines of Moore’s are echoed in the new text. Anna and Elsa make guest appearances, Olaf mistakes the “eight tiny reindeer” for “eight little Svens,” and at first he thinks that Santa might be Kristoff. There’s a lot more humor in this new version, the language is more modern and simpler than Moore’s (“His boots were all black and his pants were all red. But where was the rest of him? Where was his head?”). Olaf, a simple snowman not familiar with Christmas traditions, makes a delightful new narrator for this twist on the classic tale. The illustrations are bright with nods to the film in the style and in the details, but plenty of familiar, traditional Christmas details in them to almost erase the fact that this is a Disney product. There’s tradition, there’s extra sweetness, there’s the familiarity of Disney characters.

*****

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.

Book Reviews: June 2015 Picture Book Roundup: Frustrated Fathers and Anxious Children, But I Promise Happy Endings

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Puzzle Pals: Kiki the Kitten by Egmont. Sandy Creek, 2014. Intended audience: Age 3.

This is an intriguing concept for a book. Pieces of the illustrations are removable and become puzzle pieces to form when put together a complete image of the title character, Kiki the Kitten. Kiki is never named except for in the title. She is not much of a character, but perhaps a fairly stereotypical cat. The story—call it that—is exceedingly short, having only four pages of text, and each page having only a sentence, maybe two. I found the cover sadly pink and “feminine.” In our gender polarized world, it’s hard to imagine most boys wanting such a book, though there is nothing inherently feminine about a cat, even if it is a female cat. While I am impressed by the ingenuity of the illustrations, that’s about all I can really give this book.

*

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Your Baby’s First Word Will Be DADA by Jimmy Fallon and illustrated by Miguel Ordóñez. Feiwel & Friends-Macmillan, 2015. Intended audience: Ages 1-3, Grades PreK.

I knew very little about this book before its release. We had signs up at the store that displayed the cover, but gave no description. Honestly, I expected something very different—and I was glad to hear from a coworker that I wasn’t the only one. I thought not of the paternal pet name when seeing “DADA” but of the modernist art movement. I expected a book lauding Dadaism. Instead I was given a book of adult (presumably paternal) animals pleadingly or with frustration saying “dada” only to have their children blithely answer with their stereotypical animal sound (“moo” for a cow, for example). At the end all of the children look mischievously at one another and cry aloud, together “dada!” I can be impressed by Ordóñez’s expressive illustrations, though I’m not sure that I like the association with frustration (which expresses itself fairly like anger) and fathers, however accurate the emotion may be when trying to get a child to say a specific word. Ordóñez also uses good, pastel colors, which I believe are still recommended for the very young, especially as being soothing around bedtime. I may have liked this book better without the hype, without the chance to expect a book on Dadaism. On the whole though, it’s an animal sounds primer, and nothing much special beyond that. It’s hard to be outstanding with a primer.

**

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Brown Bear, Brown Bear, What Do You See? by Bill Martin, Jr and illustrated by Eric Carle. Henry Holt-Macmillan, 1996. First published 1967.  Intended audience: Ages 2-5, Grades PreK-K.

This is a classic to be sure, and as such, one I really feel incapable of fairly rating. This duo has had incredible staying power, most of their collaborations surviving today, being reprinted in numerous formats, still selling well, and being displayed prominently. This, I believe, was one of their earlier collaborations, maybe the first, and one that started a series of similar books that can serve as primers for animals. This one doubles as a color primer as well. Some of the animals are their natural colors. Some like the blue horse and purple cat are less so. Carle’s illustrations are fairly realistic, and yet his style is unique and recognizable. The story ends with the goldfish seeing the teacher and the teacher seeing the children and the children seeing all of the animals that had been previously mentioned, so there is the repetition of the lesson to help cement the words in the mind as well a crack in the fourth wall, of which I am always a fan. Carle includes children of many races, which was probably particularly radical in the 1960s, but we still need that diversity.

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It’s Okay to Make Mistakes by Todd Parr. Little Brown-Hachette, 2014.

I discovered this book—as honestly I do most of these books—by pure accident. Most of them I find while cleaning up after customers. This one was in a section that I know to be less frequented (the parenting section just outside of the children’s section), and I would if I could, move it to a more prominent location. I think I might even move it out of the children’s section altogether. Though marketed for the very young, I feel as if I have more insecurity as an adult about making the mistakes given as examples in this book than I ever did as a child—maybe because as an adult I feel the pressure to succeed and to conform more than I did as a child, and I know that my consequences may be more devastating in that they may result in losing a job and being unable to pay my rent or feed myself rather than being kicked off an extracurricular team or being called to talk to the teacher. How many children care if they put on mismatching socks? How many adults worry that a manager or potential employer will notice their mismatched socks and think less of them because of they grabbed the wrong clothes in the dark, rushing out the door to be on time? The other examples given in the book are more universal across the ages. It’s always important to know that you don’t have to know the answer. It’s always good to be reminded that you might discover something new by trying something different. Honestly, I think I would sell more copies of this during graduation season alongside Dr. Seuss’ Oh, the Places You’ll Go! than during any other time or to any parents of smaller children. I actually think that this book would go nicely just beside Bradley Trevor Greive’s in my room—books to read when feeling discouraged.

I’ve read several of Todd Parr’s books, and I find him enchanting. His colors are beyond Crayola vibrant. His vibrant colors create a universality that leaps across racial barriers and his childlike drawings sometimes surpass gender barriers besides. Animal characters also help to create a universality of reader. Parr leans towards second person text, directly addressing the reader, again lending a more universal feel to the story.

The illustrations are fairly simple, his faces being noseless, little more than smiley or frowny faces. The characters, figures, and backgrounds are all fairly blocky with a few lines to illustrate movement when necessary.

Parr ends his books with a brief summary of his idea and his “Love, Todd” signature.

****

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Hector’s Shell by Thomas Radcliffe. Little Bee-Bonnier, 2015. Intended audience: Ages 4-7.

Hector misplaces his shell while playing at the beach and goes in search of a new one, coming up with many creative solutions, including an origami shell, which turns mushy and leaves smudges of ink all over his body. It was enjoyable turning the page to see what new idea Hector would try and how it would inevitably go wrong. There was a lot of text in this book, making it better for an older reader. In Hector’s joy at finding his shell, there was a touch of a message about positive body image. After the fantastic build up, [SPOILER] it was a little bit anticlimactic for Hector to find his shell in the place that he’d left it. [END SPOILER]

*** 0763675954

Orion and the Dark by Emma Yarlett. Templar-Candlewick, 2015. First published 2014. Intended audience: Ages 3-7, Grades PreK-2.

Orion is scared of a lot of things—but especially of the dark. Fed up one night he yells at the dark, and the dark descends in a humanoid shape to show Orion why he shouldn’t be afraid of the dark and how much fun can be had in the dark. There’s even more text in this book than there is in Hector’s Shell. As with Hector’s Shell, a lot of the text is outside the story thread. For example, the sounds that Orion hears in the dark are written out. Examples of Orion’s fears and his ideas to escape the dark are also written into the illustrations. One of the cleverer aspects of the book is several pages where a flap is pressed towards the previous page to create a different image and reveal the text of the page. One page like this makes Dark shake Orion’s hand. A later page allows Dark to wrap his arm around Orion. It is a touching effect. The book is gentle and gently humorous, laughing at Dark’s fears of Dad’s snore and elbowing adults with references to the stars of Orion’s Belt. A Booklist review rightly compares the illustrations with Oliver Jeffers, who ranks among my favorite illustrator-authors. Emma Yarlett may become another illustrator for whom I watch when shelving new picture books.

****

These reviews are not endorsed by any one involved in their making.  They are independent, honest reviews by a reader.