I wanted to be so much happier with this picture book than I was, partially because its art is amazing and vaguely reminiscent of the art from DreamWorks’ How To Train Your Dragon, which predisposed me towards it, but also because coworkers of mine had been lauding it. Despite its pink protagonist (and why does the female protagonist have to be pink?), it is a boys’ book filled with growling and snapping of teeth and clacking of claws. Those bits would be a lot of fun to dramatize in a story time with one’s own kids. In a story hour, I worried that they might be a bit too scary for some kids and a bit too violent for some parents.
Freddie wonders what it would be like to touch the clouds. Gingersnap tries to fly but falls with style right on top of Freddie. They chase one another—right off a cliff, but Gingersnap catches Freddie, and the two of them land gracefully enough. And as J. K. Rowling has said, “There are some things you can’t share without ending up liking each other, and knocking out a twelve-foot mountain troll is one of them” (Harry Potter and the Philosopher’s Stone). Another, I think, is falling off of cliff. Gingersnap helps Freddie to fly and feel the clouds as the other dinosaurs cannot. Interesting to note here that, though pink, Gingersnap is the one that enables Freddie’s dream rather than it being the other way about.
There’s nothing particularly thrilling about the story, but I do love dragons, and while I wish she weren’t pink, I like that Gingersnap is the one to help Freddie.
This book comes with a finger puppet butterfly for the reader to wear. The book describes the actions and sounds of various animals but reminds readers to stop and listen to the whisper of butterfly wings, a message I really like now and I think I’d like as a parent to impart to children even as a toddler if they might not understand the metaphor then and might think that it means a literal whisper of butterfly wings… which I guess with sonic hearing and a sterile environment it would be possible to hear.
The Rainbow Fish by Marcus Pfister. North-South, 1992.
This is an old favorite of mine as I told my story hour friends. Most of them knew it too. This is a story about sharing and about how beauty is not merely physical. I think even in the first grade or so when I read this first I understood that it did not mean that I should go about giving away locks of my hair. I’m pretty sure that never crossed my mind or there would be some good stories from my parents. Asked to share, the Rainbow Fish cruelly rejects the plea, and for doing so, he is shunned by the other fish. After seeking the advice of a wise, FEMALE octopus, he decides to give sharing a try. He gives away his unique, glittering scales. In giving of himself, he becomes less uniquely beautiful but gains friends by making others as beautiful as himself. If I wanted to do so, I could find the negative message in that: the Rainbow Fish must self-mutilate and change his appearance to gain friends. I choose to accept the story as I understood it in my childlike naivety. The pages of The Rainbow Fish have always been something to enjoy for their sparkle, which even now is still rather unique among picture books.
Santa!: A Scanimation Picture Book by Rufus Butler Seder. Workman, 2013.
This scanimation book, while it is still novel to watch the illustrations move as you turn the pages, lacked the message of Gallop, Seder’s first scanimation book. As such, I was underwhelmed. Also it’s very much a book that is stuck within a particular season of the year.
Hold and Touch: Wake Up by Belinda Strong. Hinkler, 2013.
This touch-and-feel book didn’t excite me very much. It’s touch-and-feel pages were not much more than a little bit of felt and this was not even on every page. Its plot takes the reader through the routine of waking up. Words are paired so that “wake up” is side by side with “sunshine” (one of its possible causes) and “breakfast” is paired with “yummy” (one of its possible reactions). Some of the illustrations are of anthropomorphized animals acting as a young toddler might, with a colt in a high chair, for example, while some are of animals acting as animals. Each page features a different animal, so the book could be used as a bestiary and will likely provoke exclamations of “horsey!” and “kitty!”
Disney’s It’s A Small World: Hello, World! by the Walt Disney Company and illustrated by Nancy Kubo. Disney, 2011. Intended audience: Ages 1-5.
This book has a page for greetings from each of ten languages with a simple illustration for each. Each page includes the proper spelling as well as a phonetic pronunciation in parentheses. That part of the book I enjoyed, but the illustrations propagate cultural stereotypes and that I find rather disheartening. People in Brazil don’t generally go about bare-chested with a necklace of string about their necks. Of this I’m quite sure. Nor do all Irishmen wear green suits with clovers in their green top hats with buckles around the brim.
An Elephant and Piggie Book: I Am Going! by Mo Willems. Hyperion-Disney, 2010. Intended audience: Ages 4-8.
I always enjoy Elephant and Piggie books. Elephant Gerald and Piggie remind me mercilessly of my protagonists in their childhood. In this one, Piggie says he has to go, and Gerald freaks out. Go? Why? He can’t go! He can’t leave Gerald! When Piggie can finally get a word in, he tells Gerald that he’s only going to lunch. Gerald joins Piggie for lunch. And it is “a good day. Just like yesterday.” Like many of Elephant’s and Piggie’s interactions, this one for me seems particularly realistic. I’m pretty sure I’ve done just as Gerald does in this book when told before that a friend was moving—before I learned that it was only across town. It’s also nice too to see two friends just enjoying one another’s company without having to do anything as they are at the beginning of the book when it is first declared to be “a good day.”
Penguin and Pinecone by Salina Yoon. Walker, 2012.
This book is one in a series of books about Penguin by Yoon. I read another of them in February. In this series, Yoon features a penguin protagonist who loves to knit. I know of several mothers who come to mind immediately as ones who would enjoy such a protagonist. Penguin finds a pinecone. The pinecone looks cold. Penguin knits it a scarf and travels far to return the pinecone to its home where it can be happier. Penguin has to leave Pinecone in the forest and return to his own home. After some time has passed, Penguin returns to the forest to visit his friend and discovers that it has grown into a mighty pine tree.
The story and the illustrations are all very endearing.
Yoon uses speech bubble asides, which give the story an even more whimsical feel somehow.
The knitting in this story is used more effectively than it is in one of its sequels, Penguin in Love. In this story it is used mostly to show the passage of time, though Penguin’s skills as a knitter allow him to knit his friend a gift.