You’ll have to all forgive me the tardiness of this post again. Another month means another move for me, this time to an apartment with which I will share the lease with a friend, one that is new to us, and so required us to set up our Internet—and while I thought about going elsewhere to get this post up on time, I realized that I ought rather to worry about getting things out of boxes and making sure that we can get fixed all that needs fixing.
This month there are a lot of books that just made me think “ehn.” Also, Halloween has come early to Nine Pages, Halloween books being what Barnes & Noble is promoting on its children’s octagon and up by the registers. So, if you’re interested in books to give a young child for Halloween, you’ve found the right review blog.
Anna Karenina: A BabyLit Fashion Primer by Jennifer Adams and illustrated by Alison Oliver. Gibbs Smith, 2013.
A fashion primer is not something that it would ever occur to me to gift to a child. A fashion primer seemed—upon my initial reading of the book—to be a tool of an overly consumeristic society and merely to give a child words to ask for extravagances. Upon considering it more carefully, I recognize that there are advantages to a young child being prepared with the words to ask for the extravagances that she desires—and not all of the clothing types listed are unnecessary frou-frou (a word actually used within the illustrations) if most of them are. This BabyLit primer includes brief quotes from the original work (all describing the characters’ clothing) and also is more interactive than any of the BabyLit primers that I’ve previously read, asking the reader to find elements within the pictures. Asking the reader to find these other elements also allows BabyLit to include two vocabulary words per page rather than the usual one of the primer format. I enjoyed Moby Dick more but concede that Anna Karenina is probably the better-constructed and more useful primer. I do think that Moby Dick is the better illustrated as if the animal characters give Alison Oliver greater rein for her imagination; her animal characters seem warmer and more friendly and childish than her stiff human characters.
Goodnight, Mouse: A Peek-A-Boo Adventure by Anna Jones. Parragon, 2012.
The construction and glitter of this book attracted me to it. I frankly found the text disappointing for being banal and the pictures dark (in color palette), but I maintain that I do like the cutaway format and that I do like a little tasteful glitter.
Pop-up Surprise Haunted House by Roger Priddy. Priddy-Macmillain, 2012.
Priddy rarely disappoints. Other than that I’ve read a lot (two) Halloween-themed counting books about monsters arriving for a party, I liked this book of his. Of those two, I thought that Priddy’s was the better written for being more creative with sentence structure. Also it has the advantage of being a pop-up. The page with the werewolf is even a tiny bit frightening for the height of the pop-up.
Curious George by H. A. Rey and illustrated by Margret Rey. Houghton Mifflin, 1994. First published 1939. First published in English 1941.
This one I actually read twice this month, once to myself, and once aloud to a group of twelve kids, none probably older than eight and some as young as one and a few months. In reading it to myself, I worried that I would have to answer questions such as why it’s okay for George to have “a good smoke” (that line and illustration more than any other really dated the book, first published 1939 in France) and why George’s phone looks so absurd (being rotary).
George gets into a lot more trouble than I remembered. George looks thoroughly distressed when the Man in the Yellow Hat snatches him in his bag. George nearly drowns when he tries to fly like a seagull. He is taken to a dismal, dungeon-like jail cell by the firemen.
This last is another concept that I was not utterly comfortable disseminating to impressionable children. A lot of work is done to ensure that children are comfortable around firefighters, firefighters being less able to help children who are terrified of them. While it’s important for children to know that calling the fire station when there is no emergency is a crime and wrong, the dungeon prison into which George is thrown is truly miserable.
The kids seemed to enjoy the story. I think I was more distressed by the situations in which George found himself than they were. I also made it fairly interactive. George—even in the overlarge paperback I was giving for Curiosity Day story time—was often small, so I had the kids come and point out George to me. I had them tell me what animals they saw George sharing with at the zoo.
Curious George is a classic and George’s adventures are a good mix of relatable and whimsical, teaching consequences without endangering children and being exciting and fun enough to entertain.
Gallop!: A Scanimation Picture Book by Rufus Butler Seder. Workman, 2007.
This is the first scanimation book, scanimation being the patented way of creating a moving image. It’s pretty much just as exciting now as it was when it was released in 2007, and though I’ve flipped the pages of this and other scanimation books before, I’m sad it took me this long to read Gallop! It is a very interactive text, asking readers to if they can “gallop like a horse” or “swim like a fish,” “spring like a cat,” or “soar like an eagle.” Readers could either answer the text’s questions or, if feeling active, try to imitate the pictures’ motions. Nonsense words accompany the pictures and create a rhyme scheme for the book. The final page commends the readers’ efforts and says, “take a bow and smile: you twinkle like a star. Take a bow and shine: a star is what you are,” providing a positive message for readers, because compliments, even coming from an author that you’ve never met face to face, are nice to receive.
Count, Dagmar! by J.otto Seibold. Chronicle, 2011.
This is the second Halloween themed counting book, with which I was less impressed than with Priddy’s. Also “Janner [and Kathryn] was as unsettled by the overuse of exclamation points as he was by the dreary countenance of the place” (176). The exclamation in the title is entirely unnecessary, but that is a small quibble. While I am quibbling with Seibold’s punctuation, let me congratulate him on the pun; I did not when reading the book notice that the title is a command, not Count Dagmar (like Count Dracula, Count Count, or Count Chocula) but “Count, Dagmar.” I have just discovered that this is a spin off of another book that I have not read—Vunce Upon a Time—and as such may find its merit and its marketability in being a spin off, also in the popularity of Seibold’s Olive the Other Reindeer.
Sophie La Girafe: Peekaboo Sophie! by Dawn Sirett. DK, 2013.
As a touch-and-feel book to accompany a teething toy, I hadn’t expected to find any quality to the book, but Sophie la Girafe has always been known for quality and the book was no exception. Very interactive, this touch-and-feel book is also a flap book and the text invites reader interaction with questions.
Frankenstein by Rick Walton and illustrated by Nathan Hale. Feiwel & Friends-Macmillain, 2012.
This was a very cleverly and well-done parody of the classic picture book Madeline by Ludwig Bemelmans. Walton keeps a similar rhythm and rhyme scheme to the original’s and, basically the same story, where a caretaker of twelve children awakes in the night knowing that something is not right to find that the smallest/ugliest of them all, Madeline/Frankenstein, has contracted a disease: appendicitis/headlessness. The cure is sought and achieved, but then the other eleven children want to contract the same disease and in Walton’s succeed. Walton throws in a twist where the caretaker does not care for the remaining eleven, her problems being greatly solved by their headlessness.
Cozy Classics: War and Peace by Jack and Holman Wang. Simply Read, 2013.
Cozy Classics are, like BabyLit, are classics remade into board books for kids. The stories seek to capture the basics of the plot in pages with a single word associated with a picture. Cozy Classics does a good job creating full scenes with their felt dolls. The dolls can also be surprisingly expressive. This is a series I appreciate for its illustrations more than its text or concept.
I’ve not actually read Tolstoy’s War and Peace and am not overly familiar with the story other than to know that it follows several Russian families through several generations (I think), so I can’t attest to the Cozy Classics’ merit as an adaptation. I have to think that there would have been some stronger illustration, however, than of a yellow dress—unless the yellow dress is highly symbolic in a way with which I am unfamiliar?
Cozy Classics: Les Miserables by Jack and Holman Wang. Simply Read, 2013.
This Cozy Classic also attempts to be an opposites primer but does not maintain the opposites throughout. This Cozy Classic does a decent job of capturing the entirety of the tale (as I know it from the musical rather than the novel), though it glosses a lot of the reasons behind its illustrated nouns and the connections between pages are lost in translation.
Chuckling Ducklings and Baby Animal Friends by Aaron Zenz. Walker Children’s-Bloomsbury, 2013.
This board book was another surprising find. It’s a greatly factual book, and it feels that way but not oppressively so. With a rhyming singsong rhythm, Zenz lists the different technical names that we have for baby animals, going into amazing specifics and digging up the more obscure names of which I was previously unaware. There was nothing of a plot to the text, however, and it can really be lauded more as a reference with colorful and playful drawings than as a story. The back also includes a pictorial guide so that, if there are animals the adult name of which the reader could not guess, the reader won’t have to search for the information.
These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.