Tag Archives: Alice Schertle

Book Reviews: March 2019 Picture Book Roundup: Growing Up and Getting Lucky

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St. Patrick’s Day

Click to visit the publisher's page for links to order, summary, and trailer.

Pete the Cat: The Great Leprechaun Chase by James Dean. HarperCollins, 2019. Intended audience: Ages 4-8.

I was impressed by this book; I went in expecting little.  Pete the Cat is trying to capture a leprechaun; he has started a business catching leprechauns for his classmates. Pete expected catching Clover the Leprechaun to be easy, but it is not. The leprechaun taunts Pete in limericks, which is a fun gimmick and fun to read aloud.

I was surprised by how many kids thought that we could actually catch a leprechaun, that I might have leprechauns running about the store, awaiting their traps. I was glad that in this book, the point is made that leprechauns can only be caught on St. Patrick’s Day. It saved me being the one to disappoint them on the Saturday before.

That Pete catches only one leprechaun for his three different customers, that Pete takes more orders without first fulfilling previous orders is not really addressed.

Clover teaches Pete that luck doesn’t come from catching a leprechaun. Having friends, Clover says, is what makes a person lucky. So Pete lets Clover go, and he help his friends prepare for their examinations, recitals, and matches. Hard work and practice, not luck, helps the friends succeed.  They are lucky to have a friend willing to help.  This was a great message and a surprising one to find in a book about leprechauns and St. Patrick’s Day.  What a hidden gem.  This will be one I will probably read every St. Patrick’s Day-themed story time from now on.

*****

 Click to visit the publisher's page for links to order, summary, reviews, and author's and illustrator's bios.

How to Trap a Leprechaun by Sue Fliess and illustrated by Emma Randall. Sky Pony-Skyhorse, 2017.

This book has only one kind of trap that it suggests setting for a leprechaun who will grant wishes and give you his gold: a cardboard box with gold-painted rocks as a lure, a rainbow slide to mark the gold, and glue on the rocks to keep the leprechaun from escaping the lure. This leprechaun, Liam, tells the kids, a diverse group, not to fret that he escaped but to go enjoy St. Patrick’s Day and to try to catch a leprechaun again next year. The text is told in rhyme, but lacks Pete’s limericks.

***

Click to visit the publisher's page for links to order and summary.

Ten Lucky Leprechauns by Kathryn Heling and Deborah Hembrook and illustrated by Jay B. Johnson. Cartwheel-Scholastic, 2013. First published 2012. Intended audience: Grades PreK-K.

The book counts up as redheaded male and female leprechauns are added to this group in a forest. The text is extremely formulaic:  One, two, three, etc. leprechauns see or otherwise become aware of a [adjective] “wee elf” who performs some action illustrated on the page that rhymes with his or her assigned number. “Feedle-di-fizz, ‘tis magic, it is! It’s leprechaun number…” TWO, THREE, etc.  I found it too formulaic, and I found the nonsense words awkward, an attempt at… what?  Sounding Irish I suppose but without using a lyric recognizable from any song.  Perhaps this text would work better sung?  The nonsense was maybe too near fiddle-de-dee, used as an expression of dismissal since the late 1700s, and colored my vocalization and sense of the nonsense.

**

Growing Strong and Smart

 Click to visit the publisher's page for links to order, summary, sample pages, reviews, and author's and illustrator's bios.

I Will Be Fierce! by Bea Birdsong and illustrated by Nidhi Chanani. Roaring Brook-Macmillan, 2019. Intended audience: Ages 3-6.

I read an advanced reader’s copy of this book.  Much—almost all—of this story is told in the illustrations. The text itself is affirmative, many “I will” statements. The protagonist, a young girl, a woman of color and likely Indian or perhaps Pakistani, sets off to what seems to be a first day of school. (The surnames on the mailboxes in the atrium of her apartment are Phag, Huang, Caimoi, Warren, Jain, Bers, Rao.  Rao and Jain are both of Indian origin according to Behindthename.com, and Phag is a surname most prevalent in Pakistan according to Forebears, and the illustrator is of Indian descent.) The girl imagines herself as an adventurer in a high fantasy, driving back dragons (dogs on the street) with bubbles, walking with giants (older students), and tricking the Guardian of Wisdom (the smiling librarian) into revealing her secrets while her steed is a trusty school bus. She stands up against bullies and makes friends with a rejected girl in glasses.  I also like that at the end of her day, the girl rests. The protagonist seems to live with a grandmother. Her armor is a comfortable-looking, rainbow-striped pullover.  Though a small detail, I like that the protagonist’s hair isn’t perfectly sculpted, strands escaping from the shape.

*****

 Click to visit the publisher's page for links to order, summary, reviews, and author's and illustrator's bios.

When Grandma Gives You a Lemon Tree by Jamie L. B. Deenihan and illustrated by Lorraine Rocha. Sterling, 2019. Intended audience: Ages 3+.

I loved this book so much that when I didn’t get the chance to read it for one story time I brought it out for a second weekend. A grandmother in the city brings her granddaughter a lemon tree sapling in a coffee tin as a birthday present. It’s not the high tech toy that the granddaughter wanted, and she at first tries to get rid of the tree, but ultimately, she becomes protective of the growing tree. When the tree produces its first crop, the grandmother returns and helps her granddaughter turn the lemons into lemonade and the lemonade into enough money for the high tech toy that she had originally hoped to receive for her birthday. But the tree has inspired a love of gardening that supersedes her desire for the toy, and she returns from the store with a wagon full of more plants to add to her garden and share with her neighborhood. There are so many wonderful lessons here: about hard work and perseverance and money earned, a practical recipe for lemonade, a love of gardening to engender in a new generation, especially one bound in the concrete of a skyscraper city, how to respond to unwanted gifts, the wisdom of our elders, and that sometimes something you first disliked may become beloved. The lessons and the expressive characters superseded my usual dislike for this type of text, which lists things that a universal “you” should and should not do as in books like Elise Parsley’s stories about Magnolia, the books in the How to Catch series by Adam Wallace, and the series of how-tos by Jean Reagan. Both grandmother and granddaughter are women of color.

*****

Click to visit the publisher's page for links to order, summary, and author's bio.

Animalphabet by Julia Donaldson and illustrated by Sharon King-Chai. Dial-Penguin Random, 2018. Intended audience: Ages 3-5.

There is a great deal to love in this book too. First, this is a lift the flap book the flaps of which extend the pages in different ways, at times doubling the page’s size outward or upward or downward.  Sometimes the flaps are large and sometimes they are small.  Simply interacting with the pages was fun and exciting, but the whole book too is a guessing game.  “Who can slither better than a rabbit? A snake! Who can growl better than a snake? A tiger!”  The animals are alphabetically mentioned. There are peep-through holes in many creative shapes in the pages that hint at the following page but rarely at the hidden animal. Often the question itself hints at the upcoming animal, mentioning some act associated with that animal, as snakes are known to slither and tigers are known for their growls. For a primer, this is a very delicate book, but what a wonderfully colorful, wonderfully creative book. I think its silliness, its beauty, and its creativity will shine for older readers too. I hope that they will.

*****

Click to visit the publisher's page for links to order, summary, sample pages, reviews, and author's bio.

Corduroy by Don Freeman. Penguin, 2014. First published 1968. Intended audience: Ages 0-5.

Here is a true classic. Corduroy the bear has sat on the shelf of the toy store a long while waiting for a child to bring him home. When a mother concerned with the expense when refusing to buy the bear that day for her girl comments that Corduroy doesn’t even look new, that he’s lost a button, Corduroy takes a nighttime quest around the department store to find his missing button. Corduroy is endearing in his innocence of the world. He mistakes an escalator for a mountain. He mistakes the furniture department for a palace. He has never slept in a bed. He has always wanted a home. I wonder how much longer a department store will be a relatable setting for young children. Corduroy makes a ruckus trying to retrieve a button for himself from one of the mattresses. Without having attained a button, his quest a failure, the night watchman returns Corduroy to the shelf, where the next morning he is discovered by the girl from before. Lisa has counted her own money, and she has enough to bring Corduroy home. Lisa likes Corduroy as he is, but she thinks that he will be more comfortable if she replaces his button, which she does herself. She is considerate of his comfort, she knows what she wants, and isn’t afraid to stand up for what she wants, but she respects her mother and is polite to the salesperson. She loves Corduroy through his external flaws. She is independent, purchasing Corduroy when her mother does not, and fixing his overalls herself. The two recognize one another as friends. Lisa and her mother are African American, notable and laudable especially for a book from ‘68.

*****

Click to visit the publisher's page for links to order, summary, and author's and illustrator's bios.

We Are the Gardeners by Joanna Gaines and illustrated by Julianna Swaney. Thomas Nelson-HarperCollins, 2019.

To read this one out loud, I cut sentences, I cut paragraphs, I cut pages. It was just long. Honestly, it was a chapter book trying to be a picture book. It would have benefited greatly from more editing.  I suspect that Gaines was able to rely a bit on her celebrity to get the book that she wanted instead of the book that this could have been.  I don’t need to know everything that happened in and to and before this garden to read a good story, nor do I need to know all of the science behind healthy gardens to enjoy a story. The family’s father brings home one fern. That fern dies from overwatering. Another fern is acquired. A watering schedule is established. More ferns are acquired. The ferns become a dream for a larger, outdoor space and more plant variety. The garden grows. It is enjoyed. Another child is born. Animals come and destroy the garden. The garden is regrown. There were lots of facts sprinkled into the text, definitions of terms, advice for growing, explanations of the garden ecosystem. The pastel illustrations were soothing though. The lessons of perseverance through adversity were good. Everything just felt overexplained. And too much seemed to happen, too much seemed to want to be said in the span of only 40 pages. The book is told from a plural first person, the kids collectively narrating.

**

Click to visit the publisher's page for links to order, summary, audio excerpt, video of the author reading to her daughter, and printable activity.

You Are My Happy by Hoda Kotb and illustrated by Suzie Mason. HarperCollins, 2019. Intended audience: Ages 4-8.

A family of bears (a parent and cub) reflect on the things that made them happy throughout the day as they are settling down for the day: marks of growing and friends and families that they observed and with whom they interact. I could have done without the refrain “that’s what made me happy.” The list rhymes. The story ends with “the one I’m thankful for you is you. You are my happy.” It’s sweet. It’s a nice ritual to establish with a little one, listing the things that made you happy before bed.

***

 Click to visit the publisher's page for links to order, reviews, and author's and illustrator's bios.

Little Blue Truck’s Springtime by Alice Schertle and illustrated by Jill McElmurry. Houghton Mifflin, 2018. Intended audience: Ages 4+.

This lift the flap, animal primer uses the Little Blue Truck character to introduce readers to farm animals and their offspring. More and more toads (that really look more like frogs to me) gather on the truck, and I made a game of counting the toads on each page. There are nine ducklings and ten piglets to count too and a passel of bunnies. The text is very simple, very short but rhymes. The flaps tend to hide the animals.

***

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.

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Book Reviews: September 2015 Picture Book Roundup: Just Shy of Outstanding

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A note.  It’s been just over a month since my last update to this blog.  For that, I apologize; life just became too chaotic for me to update.  I am beginning now to piece my life back together and regain some semblance of organization and relaxation.  I have had, though, two reviews sitting partially done for a while in my drafts box: this and one more.  These two I want up on the blog sooner rather than later.  I will post them regardless of it being a Tuesday.  Look for Nine Pages to return to its regular schedule soon.

9780670013968Llama Llama Gram and Grandpa by Anna Dewdney. Viking-Penguin Random, 2015. Intended audience: Ages 3-5.

Meet the latest in Dewdney’s Llama Llama family. Llama Llama is spending a night at his grandparents’ house. After all the fun, when Llama Llama is getting ready for bed, he realizes that he has forgotten his stuffy in his mother’s car, but Grandpa is ready with a beloved stuffy of his own to keep Llama Llama company in the night. Told in the series’ usual singsong rhyme and rhythm and with illustrations I’ve not appreciated enough before, I’ve been able already to put this book into the hands of many grandparents as the perfect gift for grandkids because it is part of a popular series, expresses grandparents’ love for their grandkids, and is new enough that it is unlikely to be a book that the grandkids already have. Just an adorable book, really. It so truly captures the waffling of that first night away from home.

****

cvr9781442445864_9781442445864_hrOlivia and Grandma’s Visit by Cordelia Evans and illustrated by Shane L. Johnson. Simon Spotlight-Simon & Schuster, 2013. Intended audience: Ages 3-7, Grades PreK-2.

With Grandparents’ Day falling as it does in September, I suppose it ought to be unsurprising to have two grandparents’ visit-themed books in this roundup, but I admit myself surprised. This one is an older book that I stumbled across only because a grandparent whose grandchild loves Olivia asked about it. This time Grandma is coming to visit Olivia, and Olivia is being told that she must give up her room and share her brother’s for Grandma’s comfort. Olivia is not pleased. She doesn’t want to sleep in her brother’s room. It smells funny, and she thought that she’d get to share with Grandma. She tries several times to get back into her own room, and her insightful Grandma detects her desire and hesitation and invites Olivia back into the bedroom herself, favoring Olivia with an ice cream sundae. Olivia then learns that Mom is always right when she is chased out of her room and into her brother’s by Grandma’s snores. This plot packs in a lot of life lessons: about sharing, about family, about obedience, about trust, about cultivating a positive outlook. Something about it left a niggling doubt in my mind. Maybe I felt that Olivia was somehow rewarded for her attempts to wheedle her way back into her room when Grandma treats her to an ice cream and some special attention. Maybe I felt like not enough time was spent on how she ought to treat her brother or not enough was said about how she was treating her brother poorly. This book is based off of the Olivia TV series, which is an offspring of the original book series by Ian Falconer. I wonder how the plot plays out in a 15-minute episode instead of as a picture book, if these things that bothered me would be dealt with or be dealt with differently so that they bother me less.

**

9780312515812Panda Bear, Panda Bear, What Do You See? by Bill Martin, Jr and illustrated by Eric Carle. Priddy-Macmillan, 2013. First published 2003. Intended audience: Ages 1-4, Grades Pre-K.

Panda Bear, Panda Bear, What Do You See? is very much like Brown Bear, Brown Bear, What Do You See?, written and illustrated by the same pair. It uses the same pattern. The edition that I read uses sliding panels to reveal the animal seen on the next page before turning the page. The sliding panels were a big hit with my young story hour crowd. I’m not sure, however, that the sliding panels actually help tell the story any better. One of my eager listeners, excited to be taking part, kept sliding the panels before I could read the sentences printed on them. The book being written in a certain pattern though, it was easy enough to guess at the text. What might have been fun is to reveal just a bit of the animal on the next page, have my listeners guess or tell me what they could about the animal. This book more than Brown Bear, Brown Bear uses obscure animals: a whooping crane, a macaroni penguin…. Carle’s illustration of the dreaming child was an interesting choice too. The child looks only vaguely humanoid. I would have better believed it to be a moon than a child. By the time we arrived at the dreaming child, though, I’d lost the attention of most of my audience, so no one really batted an eye at it but the parents and I.

***

20578965Dinosaurumpus! by Tony Mitton and illustrated by Guy Parker-Rees. Cartwheel-Scholastic, 2014. First published 2002.

This book is a play off of Giles Andreae’s Giraffes Can’t Dance, also illustrated by Parker-Rees. Instead of African animals gathering for a dance, it is a group of dinosaurs meeting in the sludgy old swamp. The text rhymes and repeats the phrase “Shake, shake shudder… near the sludgy old swamp. The dinosaurs are coming. Get ready to romp,” which easily becomes singsong, which is perfect for its dance-themed plot. Given time I’d learn to read the whole of the book in that same cadence. This book is not as easily dance-along as, say, Sandra Boynton’s Barnyard Dance, but it has the potential to be dance-along nonetheless with the descriptions of dinosaurs twirling and stomping. There are a lot of onomatopoeias in the text that make it even more fun to read aloud. Some less familiar dinosaurs (like deinosuchus) appear beside the more familiar triceratops and tyrannosaurus rex, so be prepared or prepare to stumble; I did stumble, but I think that I hid it decently. Small facts can be gleaned about the dinosaurs from the text and pictures. The tyrannosaurus does frighten the other dinosaurs and may frighten a few children, but he only wants to dance too. This book I came to read because a young would-be paleontologist asked for a dinosaur book, and I wanted something that would be fun enough to keep the interest of my other listeners but factual enough to please him.

****

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Little Blue Truck by Alice Schertle and illustrated by Jill McElmurry. Houghton Mifflin Harcourt, 2015. First published in 2008.

Little Blue Truck Leads the Way by Alice Schertle and illustrated by Jill McElmurry. Houghton Mifflin Harcourt, 2011. First published in 2009.

I actually read the sequel to Little Blue Truck first because a child asked me to read it. Maybe because I read it first, I enjoyed Little Blue Truck Leads the Way more than I did Little Blue Truck. Little Blue Truck Leads the Way is a story of taking turns and being kind to one another. Little Blue Truck is a story of being kind and helping one another. In the wake of Little Blue Truck Leads the Way, Little Blue Truck seemed repetitious—but then I know that that should be reversed—that Little Blue Truck Leads the Way repeats the themes of Little Blue Truck without much variation. That being said, there was a little more, I thought, to the plot and to the moral of Little Blue Truck Leads the Way. Little Blue Truck, however, is an animal noise primer, which Little Blue Truck Leads the Way is not. Both books have some onomatopoeias that make the read aloud fun.

***                     ****

25773980Max the Brave by Ed Vere. Jabberwocky-Sourcebooks, 2015. First published 2014.

Max knows that cats chase mice, but Max isn’t sure what a mouse looks like. A la Are You My Mother? Max asks different characters that he encounters if they are mice. They are not, and the mouse tells Max that he is a monster and that Mouse is asleep just over there. Turning the page reveals an actual monster—big, green, and hairy with sharp teeth in a wide mouth—which Max mistakes for a mouse, antagonizes, and is swallowed by. Afterwards, Max only chases mice, which he has been taught by Mouse are “monsters.” I enjoyed this story. I enjoyed this precious, precocious kitten. I enjoyed a story of a cat that believes it is chasing monsters. But I also recognize, that long term, this book hasn’t really got a lot going for it. It’s a fun book and it will remain a fun book, but I don’t think that it’s original or stand-outish enough that we’ll have many people asking for it or remembering it beyond Barnes & Noble’s promotion of it.

****

9781770496453Bug in a Vacuum by Mélanie Watt. Tundra-Penguin Random, 2015. Intended audience: Ages 5-9.

A fly leaves the sunny outdoors and lands inside “on top of the world” (a globe), but from there he is sucked up by a vacuum and goes through the stages of grief as he believes his life is over. There is a place for this book. This may even be a helpful book for grieving children. When reading it aloud, I skipped the section headings that list the stages of grief, and doing so I think gave the book a better flow and made the book more appropriate for a general audience, making the educational aspect of this picture book more subtle. There are very few books for kids about death or grieving and even fewer of those that deal with the grief in an unobtrusive way or broad way (most will make direct references to death and to grieving and it being okay to grieve), and so I think this is one that I may recommend to customers in the future when they need a book for grieving children. Outside of the context of grieving, this is an odd book and a harder sell. Flies aren’t the sort of protagonists that one readily attaches too (though there is a popular Fly Guy series by Tedd Arnold), though Watt does give the fly a bold and memorable and relatable voice, rather like Mo WillemsPigeon. Fly’s dialogue is generously emotive, which makes it fun to read aloud. The illustrations especially I think have some clever details for parents.

****

These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books.  They are independent, honest reviews by a reader.