Never Touch a Spider by Rosie Greening. Make Believe Ideas, 2018. Intended audience: Ages 0-3.
This came out as part of a series of similar books by Make Believe Ideas: Never Touch a Dragon, Never Touch a Monster, Never Touch a Dinosaur. These books are bright. The textures, made of rubber or some rubbery substance, are unique. I actually like that these are just fun; there’s not really any kind of educational element to these. They are silly. It makes a rare change in a touch-and-feel book—in touch-and-feel books. I admit that there’s not a lot of maybe value to this, but I enjoyed the laugh, and I enjoy the textures.
Prince & Knight by Daniel Haack and illustrated by Stevie Lewis. Little Bee-Bonnier, 2018. Intended audience: Ages 4-8.
Stevie Lewis has done an amazing job with these illustrations! They are so vibrant. My favorite by far is the page with the prince and his knight lounging together by the town fountain, watched by the joyful townspeople. Their pose says so much about the casual, comfortable love and trust that they have for one another. The kingdoms that the royal family travel to too are colorful. It’s difficult to tell but there seems to be some chance that the prince’s chosen knight is of a different racial background than the prince as well. The story is told in easy rhyme. The prince’s parents are supportive not only of his eventual choice but in his quest for the perfect partner, taking him abroad to meet princesses with whom he does not ultimately end up sharing a connection. The prince is often in stereotypical princess poses, for example leaning on a balcony railing, propping his head on one hand—or caught in the knight’s arms as he falls from the dragon. The story is good. The message is good. The characters are good—like, lawful good (chaotic good?). All around, I love this one.
How to Catch a Snowman by Adam Wallace & Andy Elkerton. Jabberwocky-Sourcebooks, 2018. Intended audience: Ages 4-10.
This story plays with modern, living snowman “lore,” specifically referencing without naming Frosty of Rankin and Bass’ movie and Olaf of Disney’s Frozen. That was almost my favorite and least favorite part of the book—the references to other snowmen. The midnight snow star is new. The flying is new too. Why the kids want to catch a snowman is never really addressed; though it says in Goodreads’ description that the kids have built him for entry into a contest, I did not pick up on that in reading through the text; maybe if I examined the illustrations more carefully I would have done, but I often read these upside down for the first or second time. The kids’ traps all fail. The snowman is never caught but he creates a larger than life, snow trophy for them—which makes more sense if the kids’ first ambition had been to win a trophy. Some of the rhyming seemed forced, and I’m not overly fond of the direct address to the audience format.
These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.