Challenge: Zombpocalypse Book Tag


I just really like using the word zombpocalypse.  But officially, this is known as:

The Zombie Outbreak Survival Team Book Tag:

Step 1: Choose six books from your shelves: two with titles that contain your first initial, two with titles that contain your second initial, and two with titles that contain your last initial.

I cheated a bit. I had a really hard time finding any books that even included a word in the title that began with J that I remembered well enough to know who these characters were. I guess I have some rereading to do. I did have three books I could I knew really well with titles beginning with K, so… 3 Ks, 1 J, and 2 Es. I mean. I didn’t cheat a lot. And these are much more fun when you remember the characters.

Step 2: Draw the names of those six books out of a hat in random order then answer the following questions:

Open your first book to a random page. The character whose name you see first just dragged you out from whatever hiding place you’ve holed up in (let’s just face it – we’d all start out under the bed). This character probably just saved your life, and is destined to become your best friend before all this is over. Also, s/he is the leader of the EZFBKs. (Don’t get jealous. You thought you would be invisible so long as your head was covered by your lucky ducky blanket.)

1777211Book 1: A Wizard of Earthsea by Ursula K. LeGuin

And Vetch is the first name I see. I love Vetch. Yeah, he could lead EZFBK, and I’d love to be his bestie. He’s an excellent bestie.

Open your second book to a random page. The character whose name you see first is your weapons supplier. What sort of weapons does s/he have stashed in the basement?

Book 2: To Kill a Mockingbird by Harper Lee mockinbird

All of these fantasy books, and I get the one realistic, historical fiction. Jem’s gonna be supplying our weapons. So… guns, knives, slingshots, rope. All very practical. Probably less likely than the magical or sci-fi weapons to backfire on us or die because there’s no more electricity available due to the plague. I guess. But I was kind of hoping for some magical or at least high-tech weapons.

Open your third book to a random page. The character whose name you see first just died in front of you. This apocalypse just got getting serious.

9780756404741MBook 3: The Kingkiller Chronicles, Book 1: The Name of the Wind by Patrick Rothfuss

Fela. Fela just died. Not sweet, loyal, intelligent Fela, who knows the Name of Stone.  She was probably doing something idiotically heroic.  She’s probably one of the last people who should have died of this group.

Open your fourth book to a random page. The character whose name you see first is your vehicle specialist. I hope s/he has a fast ride…

Book 4: The Jungle Book by Rudyard Kiplingjungle

There’s a lot of irony in this book tag…. “By the broken lock that freed me, I am sure, Little Brother.” Little Brother here is Mowgli. I think we’ll be riding whatever wild animals Mowgli can convince to let us ride on their backs. I mean… could be worse?

Open your fifth book to a random page. The character whose name you see first is your medic.

enderBook 5: Ender’s Game by Orson Scott Card

Bonzo. This team gets worse and worse…. I’d rather avoid Bonzo entirely.

Open your sixth book to a random page. The character whose name you see first is… well, you’re honestly not sure how this person ended up on your team, or how s/he is still alive. But every team you’ve ever seen has one of these Resident Idiots, so maybe they’re good luck.

Book 6: The Kane Chronicles, Book 1: The Red Pyramid by Rick Riordanpyramid

Ha! Carter and Sadie’s British Gran, Catherine Faust, is… why is she here?


All right… recap….

Vetch saved me, pulling me out from under the bed and taking me with him and his team on the run. Time to smash some zombie heads! Vetch I’m excited to see. He has magic. He’s a good friend. He’ll get me through this somehow. EXCEPT the only weapons that Jem can find are those available in the early 1930s in rural Alabama. So, you know, at least they’re not likely to run on electricity, which might be scarce. Mowgli has convinced several of his animal friends to help us, but they get tired too, and we’re heavy loads for most of them. At least we won’t run out of fuel, though they will have to stop to hunt or graze. Sweet Fela dies in front of me, and that breaks all our hearts. Bonzo is not the person I’d most trust to be our medic. Vetch would be better, but Vetch is too busy leading to also be medic. At least Bonzo’s trained for war. I just don’t like him. Gran’s here too. I hope she’s not our cook, or we’ll be eating a lot of burnt biscuits. She’s tougher than she looks though, and maybe a zombpocalypse will convince her to unleash some Egyptian magic—though that’s not likely.

You know, actually, we just might make it, our low-tech team, led by a kind-hearted wizard, with our battle-trained medic who you know will try to wrest power, and with our Gran who might just cave to the magic in her veins too.  Yeah, I might read that novel.

I think this book tag originated with Gwen over at Apprentice, Never Master. Anyway, that’s where I found it. Thanks, Gwen, for a fun, relaxing blog post for my fuzzy, sickly brain. I really enjoyed that way of choosing books—very unique—even if it was a little hard. (It’d’ve been easier if my memory was better.)


Book Review: Everything I Love is in The Dark Prophecy–But So is Apollo


Click to visit the author's page for links to order and description.

That title seems harsh, but it is nonetheless true.

Some spoilers!

This is a story of overbearing fathers or fathers who overshadow their children—Marcus Aurelius, Nero, Zeus, Midas, Apollo himself, maybe even Ssssarah’s father should be included in the list (is that Tartarus?)—the weight that they put on their children, and the right and wrong ways to react to that weight.

Apollo seemed to me less annoying in The Dark Prophecy, whether because this is a god much humbled or because the supporting characters are larger, helping to balance him better. Here is Leo, already well-developed and greatly loved, and Calypso with him. Their relationship, one in which I was fairly invested prior to the beginning of this series, serves as a good breaker of a subplot to Apollo’s narcissism. Jo and Emmie, new characters, are large characters too (and if you want to give us the continued or previous adventures of Emmie and Jo, Uncle Rick, I won’t complain). They loved each other so much that they left the Hunters of Artemis and its accompanying immortality. They are also not just lesbians, but an older, married and settled lesbian couple, particularly underrepresented in children’s literature maybe partially because adults are so rarely the heroes in children’s literature. I’d love to see more teen and child heroes raised by two women in love—or two men in love.

Riordan has introduced another new character that I want to keep an eye on: Olujime (Jaime). Olujime is descended from the Yoruba people of Western Africa. He is a graduate student in accounting, working as a gladiator to support himself. He fights using Gidigbo and Dambe, both West African fighting styles, and lightning, which I and Apollo in this writer’s world take to suggest godly parentage or patronage. I am both excited and scared that the appearance of Jaime suggests that Rick is researching for another series. I’m not sure that it’s his place to explore Yoruba myth and tradition, but I’d be interested to read such a series–and I already know that I’d love the style if Riordan wrote such a series. Moreover, I love the idea of a adult hero from Riordan, suffering the horrors of graduate school while also having to battle monsters and gods–probably with a good sense of humor and a passel of friends.

Apollo is really attracted to Jaime but backs off when Jaime lets slip that he has a serious girlfriend. We get to see Apollo’s bisexuality not as a long-ago myth as with his labeling last book Hyacinthus as one of his greatest loves (the other being Daphne)—not just through his attraction to Jaime but also through his broken relationship with Commodus, a relationship we visit in its prime in flashbacks that Apollo experiences. This book more than in the previous one Apollo’s past comes back to haunt him.

I’ve said a lot about Leo and Calypso in this review. For all that, their relationship was a bit of a letdown. Given that Leo quite literally died to rescue her and that Calypso has been waiting eons to leave her island, I expected and wanted a glorious ship. But their relationship was built on a few weeks when Leo was stuck on her island and spent most of that time devising a way off for himself and, a good bit of that time, the pair spent sniping at one another, neither wanting to be stuck with the other’s company. Calypso softened to Leo during that time and Leo to her, and he left, vowing as most heroes seem to do, to come back and rescue her. They had not seen each other again until Leo landed, having narrowly escaped death, to rescue her. They’re relationship now is tense. They are discovering that they don’t really know one another, and Calypso particularly is discovering that she doesn’t really know herself. I hope soon that Rick will leave them alone to discover life outside of monsters and quests and new foster homes. Maybe I expected too much of them. Still, I was glad to have them here. I was especially glad to have Leo here. He made a good balance for Apollo.

This novel still for me though does not hold up to the sort of love that I have for the rest of Riordan’s series, though this far more than The Hidden Oracle, climbed near them. In fact, I think if that first book had been as good as this, I would be completely on-board with this series, but The Hidden Oracle drags this down because this one cannot stand well without it.

Here again are more human villains, a more relatable foe for the reader than the gods and Titans and giants of previous series. Leo and Calypso are here. Grover will be here!  Apollo was one of the gods I was most excited to see whenever he showed up in Percy Jackson in the Olympians, though more because he made me laugh with his horrible, egotistic haikus than because he was a solid character.  There’s so much potential here.  I just struggle so much with Apollo himself and his narration.


Riordan, Rick. The Trials of Apollo, Book 2: The Dark Prophecy. New York: Hyperion-Disney, 2017.

This review is not endorsed by Rick Riordan, Hyperion Books, or Disney Book Group.  It is an independent, honest review by a reader.

Book Reviews: Shadow of the Hegemon: Political Thriller in a Sci-Fi Enderverse


Click to visit the publisher's page for links to order, summary, awards list, excerpt, reviews, and author's bio.

The sequel to Ender’s Game, Speaker for the Dead, follows Ender and the colonists that he heads decades in the future on a distant planet, encountering a new alien race. That’s all well and good (I assume), but following Ender’s Game Alive, I wanted to know what happened to all of the Battle School students, not merely to Ender, so I sought out something a little closer to Ender’s Game in time and space. I skipped over Ender’s Shadow, which happens simultaneously with Ender’s Game, and jumped to the second in that sequel series, The Shadow of the Hegemon. This book deals with the immediate aftermath of Ender’s Game (and Ender’s Shadow), specifically what happens to the jeesh once they arrive back on earth, though it focuses pretty solely on Bean and Petra, and on Peter Wiggin’s quest to attain the title of Hegemon.

I want to start by saying that I don’t read many political thrillers—or not books that would be primarily classified as political thrillers (I suppose Martin’s A Song of Ice and Fire could be classified as such). I’ve never read Vince Flynn, David Baldacci, Brad Thor, or any of those other household names in the genre. But I was sucked into this one, which disguises itself as a science-fiction book by virtue of association with the other books in its series. I won’t pretend to judge this book against others in its genre, but I do qualify it as more of a political thriller than a science-fiction book. Card describes this as being inspired by the board game Risk, a game of global domination through alliances and wars (I think; I’ve also never played Risk).

I say this is more political thriller than science-fiction because all of this book happens on Earth and its drama is in the geopolitics and the child geniuses who are pulling at the strings, toying with world leaders and directing the militaries of various countries.

Shortly after arriving back in their own countries, the entire jeesh is kidnapped—except for Bean, who is meant to be killed with his family in an explosion, which he escapes using a superior “Spidey” sense for danger. For a while, the book becomes an Earth-wide whodunit with every major country and political group as a suspect. I enjoyed this part of the book a lot. I enjoyed the mystery, and I enjoyed the insights into each country’s desires and assets. I enjoyed (and was horrified to find) that I could recognize the seeds of Card’s future-Earth geopolitics in my mediocre understanding of the political aspirations of today’s superpowers, that I found myself nodding along as the characters laid out the clues.

Petra having gotten a message to Bean, and Bean having gotten a message to Peter Wiggin, the three reveal that the architect of the jeesh’s capture is Achilles, a character from Bean’s past (I have not read Ender’s Shadow or I’m sure I’d know more about Achilles, but I picked up enough through Shadow of the Hegemon to know that he’s a dangerously smart, savvy, charismatic psychopath who has killed in the past and will kill in the future). Only Petra remains captive after that, Achilles interfering directly with her rescue and whisking her away to India, where she is forced to take part in the planning of a war for Indian expansion into Burma (Myanmar) and Thailand, though her intelligent plan for guerilla warfare is ignored for reasons that only become clear as the novel and Achilles’ complicated plan to sew chaos unfolds.

Bean meanwhile goes to Thailand and earns the trust of Suriyawong, another Battle School graduate and a member of Ender’s Dragon Army and now the nominal head of the Thai military’s planning division. With his knowledge of Achilles and Petra and military strategy in general, Bean helps to predict and to thwart what can be thwarted of Achilles’ plan, though Bean’s larger goal is always to save Petra.

Achilles is playing the nations against one another, but he is also pitting himself against Bean, working to destroy Bean.

This is Bean’s story (spoiler in white) and ultimately Bean’s victory to paraphrase the novel.

I loved to hate Achilles. I loved his dialogue, his speeches. And that’s of course how charismatic dictators rise to power, but—thank God—this kid is fictional. He’s at his best when he is convincing the Pakistani president to join a ceasefire with India and move Pakistani troops away from the border.

I loved the back and forth, the squabbles of Peter and Bean, two kids too bright for their own good.

I loved that Petra had so much more agency in this novel, so much more of a role, that the women (not only Petra, but Carlotta, Mrs. Wiggin, and Virlomi), who were largely absent in Ender’s Game even with the insertion of Major Jayadi in the audioplay that I listened to were here and were bigger parts of the plot.

I have some reservations about this audiobook, however. Some of the cast of the audioplay that I listened to for Ender’s Game reunited (I say reunites because I listened to this book second, but this book was actually produced first, so really they reunited for Ender’s Game Alive) for this audiobook, but not all of them, and this was a full audiobook, narration included. The voice actors took different parts and read different sections. But they could not decide how to pronounce Achilles. Though Peter had to hide that he knew that it should be pronounced A-SHEEL to avoid sounding more knowledgeable about current events than his parents. By the end of the text, even Bean’s voice actor had caved to the anglicized Greek pronunciation, ə-KIL-eez. That could be intentional. Perhaps Achilles remade himself into the Greek Achilles, adopting the more prominently used pronunciation as he became not the leader of a street gang but a puppet master on the global stage. I had thought that the voiceover of the word Hegemon was some weird conspiracy, something done to give the name importance and prominence, and it actually didn’t occur to me till reading a review on Goodreads that this was a poorly dubbed voiceover of a mispronounced word—which makes me wonder more about the conflicting pronunciations of Achilles. In the last few bits, when most of the primary characters were again sharing the scenes, the voice actors returned to more of an audioplay format, with everyone voicing the dialogue of their primary characters; I like that format better, and I liked to see its return, but it makes me question: why not do that sooner? Achilles and Petra share most of the book, yet lines of dialogue where they shared a scene were voiced by one or the other of the narrating voice actors.

Retrospectively, maybe this is one to read and not to listen to on audio. Maybe.

But this was a story I wanted and a story that I liked a lot with compelling characters.


Card, Orson Scott. Shadow of the Hegemon. Narr. David Birney, Scott Brick, & Gabrielle de Cuir. Prod. Stefan Rudnicki. Audio Renaissance-Tor-Holtzbrinck, Sound Library-BBC Audiobooks America, 2006. Audiobook, 11 CDs. Shadow of the Hegemon first published 2000.

This review is not endorsed by Orson Scott Card, Audio Renaissance, Tor Books, Holtzbrinck Publishers, LLC, Sound Library, BBC Audiobooks America, or anyone involved in the production of the book or audiobook.  It is an independent, honest review by a reader.

Book Reviews: September 2017 Picture Book Roundup


Click to visit the publisher's page for links to order, summary, and sample pages.

Why Am I Me? by Paige Britt and illustrated by Selina Alko and Sean Qualls. Scholastic, 2017. Intended audience: Ages 4-8.

I sort of already reviewed this book when I was reviewing bell hook’s Skin Again because I read within a month of each other these two books about diversity and seeing beyond outer appearance and skin color. Oops. Alko and Qualls’ use of primary characters and a grounding location (a city) in the illustrations help to make less abstract the ideas that Britt is portraying. It gave the book another focus—the characters and their questions—rather than the focus being solely on the reader and the reader’s perceptions. By posing questions that I think all of us—as adults, yes, but also as children—have wondered, the story has a universality that draws a reader to it—or it did so for me. Universality is certainly some of the lesson of Britt, Alko, and Quall’s book.


Click to visit the publisher's page for links to order, summary, sample pages, reviews, activity sheets, and author's bio.

It Takes a Village by Hillary Rodham Clinton and illustrated by Marla Frazee. Paula Wiseman-Simon & Schuster, 2017. Intended audience: Ages 4-8, Grades PreK-3.

Marla Frazee’s illustrations are definitely the true champion of this book by Hillary Clinton. The text of the book is simple—what is needed (a vision, teamwork, the proper tools, kindness, sharing, play, and rest) to create a community—but the illustrations make this the story of a community coming together to build a playground because of the vision and dream of a child or three.


Click to visit the series' page for links to order, summary, preview, and activity kit.

Pete the Cat and the New Guy by Kimberly and James Dean. HarperCollins, 2014.

A new kid moves into the neighborhood. Pete immediately notices that he and Gus the Platypus are not alike, but immediately accepts that being different is “cool,” which is wonderfully refreshing. Gus can’t do the things that Pete and his friends do. It makes Gus sad, but Pete keeps assuring him that there’s something everyone can do. Finally, they all bond over music.


Click to visit the author's page for links to order, sample pages, and interview.

Animal Homes ZXA: An Out of Order Alphabet Book by Barbara Gibbon. Mascot, 2017.

There’s so much to this book. This animal and alphabet primer groups the animals by their habitat, very basically defined in the text and illustrated, rather than alphabetizing them and highlights some more unusual animals rather than sticking only to the tried examples. By rearranging the letters, the book and the alphabet are less predictable, and those learning the alphabet can rely less on memorization of the sounds and have to put together more assuredly the shape of the letter and the sound it represents. Including unique animals (zebu, quokka) in the text helps to eliminate the same memorization technique. The illustrations include both lower and uppercase examples of the letters and beautiful animal portraits to associate with each letter. The endpapers are illustrated to show the animals and the letters that they represent reorganized alphabetically so as not to lose that element of instruction, which adds an element of familiarity and closure to the book.


Click to visit the book's page for links to order, summary, activities, and authors' and illustrator's bios.

Princesses Wear Pants by Savannah Guthrie and Allison Oppenheim and illustrated by Eva Byrne. Abrams, 2017.

Told in rhyme, this princess Penny is known for her gowns and tiaras, but she prefers pants when she exercises, when she gardens, when she flies her plane, when she judges the science fair, and when she relaxes. A conservative lady, Lady Busyboots, is sure to be at the ball though, and Penny doesn’t want to be subject to her wagging finger. She decides she doesn’t want to go if she can’t wear pants, so she hides her swim trunks beneath her gown. When Penny’s cat, Miss Fussy, falls into the moat, Prince Phillip can’t save her because his suit will get wet; he’s not properly dressed. But Penny pulls off her dress, beneath which she’s wearing her swimming trunks, and hops into the moat to save the cat, winning the admiration of her subjects for her bravery and also Lady Busyboots’ approval of pants as a practical garment. Some of the text is a little heavy-handed in its message of female empowerment through fashion choices, but on the whole I approve. I liked that Penny’s royal duties extended to flying in the air force, judging science fairs, and helping to feed the hungry—duties that really are part of today’s expectations for royalty but which are rarely acknowledged in children’s books. It helped make this princess story feel more modern. The illustrations are bright and playful with many pineapples worked into the details. I’m giving it only four stars though because there were places where consistency seemed to be an issue. In the beginning, Penny doesn’t mind dresses, but she minds them when she should wear one to the ball? And she wanted to wear pants to the ball not swimming trunks.


Click to visit the publisher's page for links to order and summary.

7 Ate 9 by Tara Lazar and illustrated by Ross MacDonald. Hyperion-Disney, 2017.  Intended audience: Ages 3-5.

This is one of those times when I have to argue with the publisher’s listed intended audience. My toddlers didn’t get it. The audience member who laughed with me was nearer 7 if not older than that. This book is filled with wordplay and math puns, and most of that seemed to sail right over the heads of my toddlers. 7 Ate 9 is a noir detective story, where Private I, a garish pink letter I in a striped tie and a fedora, has to solve the mystery of 9’s disappearance when 6 comes into his office screaming that 7 ate 9. No numbers were actually eaten in the making of this picture book.


Click to visit the book's page for links to order, summary, video of the author reading, news, and author's bio.

The Book with No Pictures by B. J. Novak. Dial-Penguin Random, 2014. Intended audience: Ages 5-8.

I was surprised how much I enjoyed this and how much my kids enjoyed this because I always enjoy and often judge a book by its pictures. Like Elephant and Piggie’s We Are in a Book! (one of my favorites), this book explains and then relies on the reader reading everything that the book says—no matter what. So where Gerald and Piggie laugh hysterically at the reader being forced to say “banana,” this book makes the reader say things like “My only friend in the whole wide world is a hippo named Boo Boo Butt” and “The kid I’m reading this book to is the best kid ever in the history of the entire world” and sing and read a whole page of ridiculous nonsense words. Asides—complaints about what’s coming, comments on the ridiculousness of what’s been said—are included in the text, and while the are fun to read aloud, in places—especially toward the beginning I feel—they are a bit too intrusive. And I want to read the book again, but I’ve just been made to say please don’t ever make me read this book again. Overall though, this was a lot of laughs.


Click to visit the publisher's page for links to order, summary, sample, reviews, and author's and illustrator's bios.

Fancy Nancy by Jane O’Connor and illustrated by Robin Preiss Glasser. HarperCollins, 2005. Intended audience: Ages 4-8.

Nancy likes fancy things and using fancy words, but her family doesn’t understand. She puts an ad on the fridge for fancy lessons, and the whole family obliges and comes. They dress up in a wealth of fancy accessories and decide to go for a fancy dinner. It’s all going very well till Nancy, carrying a tray of ice cream sundaes, trips and drops the tray, splattering the whole restaurant in ice cream and whipped topping. Nancy’s feeling upset.  They go home, get cleaned up, and have ice cream in their pajamas. She thanks her parents for being fancy, and they all exchange “I love you”s, which can be said no fancier or better way. Nancy’s parents are A+: showing up when they’re requested, showering her with love, appreciating and encouraging her interests. There’s some fancy vocabulary to give this book more of an educational feel. This is all around a good book.


Click to visit the publisher's page for links to order, summary, preview, awards list, reviews, trailer, and author's bio.

After the Fall (How Humpty Dumpty Got Back Up Again) by Dan Santat. Roaring Brook-Macmillan, 2017. Intended audience: Ages 4-8.

This whole of the book is narrated by Humpty in the past tense as though he is telling you the story while sitting in front of you.  Humpty loves sitting up high on the wall. He likes to be up near the birds. But he fell off that wall.  The kings’ men put him back together again—physically—but they can’t heal the emotional scars he carries from his accident. He’s scared of heights now, and he can’t enjoy the things that he used to. It affects everything, even his sleeping and eating habits. He settles at first for watching the birds from the ground, then creates a paper airplane, crafted to look like a bird, so that some part of him is with the birds.   But accidents always happen, and his plane lands atop the wall from which he once fell.  Instead of walking away this time, he climbs the wall to retrieve his plane.  Having conquered his fears, he cracks apart, and becomes a fully-fledged bird, finally able to fly with the birds that he loves—finally one of the birds that he loves. That first reading, there was something off-putting about the end for both me and for one of the parents who was there when I was reading it.  It seemed less off-putting a second time for me, maybe because I knew it was coming.  I’m not sure how much of the recovery from trauma my toddler audience understood.  The illustrations are amazing—as Santat’s always are—saturated with clever use of space and color with impressive attention to detail.  It’s the sense of off-ness I got the first time–and that was expressed by another at the reading–that prevents this from getting five stars.


Click to visit the publisher's page for links to order, summary, sample pages, awards list, activities, and author's bio.

Rhyming Dust Bunnies by Jan Thomas. Beach Lane-Simon & Schuster, 2009. Intended audience: Ages 4-8, Grades PreK-3.

Ed, Ned, Ted, and Bob rhyme all the time. Or Ed, Ned, and Ted do. Bob does not. Ed, Ned, and Ted take turns rhyming with one another, but Bob is too distracted by the end that’s coming towards them and doesn’t rhyme. Neither Ed, Ned, nor Ted realize that Bob is trying to warn them and is not playing their game, so they correct him, chastise him for his warnings not rhyming. This is a good lesson on paying attention to your friends, on listening, and on rhyming. The illustrations are simple, really just four fluffy monsters each a different color but surprisingly expressive and a few simple lines on a few pages for setting.


Click to visit the author's page for links to order, summary, and sample pages. 

A Pirate’s Life by Salina Yoon. Price Stern Sloan-Penguin Random, 2007.

This is a super-cute lift-the-flap book about pirates with a surprising number of facts and tidbits of history. Pete prepares you—the reader—for your first voyage, making sure you’ve packed all the necessities, including sunscreen, fresh underwear, cured meat and fresh fruit and vegetables. There’s a list provided and a challenge to find everything on the list on the page. The second double-page spread tours the ship and establishes some pirate rules. The third spread is rhyming instructions to find the treasure and a map. Then, the treasure found, it’s time to party with another scavenger hunt. The last page declares you unanimously the new captain. There are stickers and a captain’s hat for you in your new quarters on the last page spread.


These reviews are not endorsed by any of the authors or publishers or anyone else involved in the making of these books. They are independent, honest reviews by a reader.

Book Review: Let’s Talk About The Ship of the Dead


Click to visit the publisher's page for links to order, summary, excerpt, trailer, and activity kit..

This review contains some spoilers. The worst of the spoilers are in white and can be seen by highlighting those sections.

We need to talk about The Ship of the Dead. We need to. This. Book. Is. Amazing. For all of the social conversations that it facilitates, for its timeliness. For the miles I walked in others’ shoes—so many shoes in so few pages. For not seeming to preach when it’s facilitating these conversations nor seeming to hide its darkness behind humor, but balancing the two wonderfully—better, I’d even argue than many of Riordan’s novels; this was one of the more somber of Riordan’s novels that I’ve read. One of the funniest scenes that I remember was T.J. walking through modern York and thanking every Englishman for remaining neutral in America’s Civil War.

Speaking of T.J., we need to talk about T.J. Thomas Jefferson Jr. is a Union soldier who died in the Civil War. He’s the son of an escaped slave. T.J.’s mother gives young T.J. the same talk about appearing at all threatening that too many mothers must today give young African American children: “‘You don’t get to play,’ she snapped. ‘You play-shoot at a white man with a stick, he’s going to real-shoot you back with a gun’” (186). That line reverberates across the pages and across the decades between that scene and today; it shouldn’t. It should be a historical peculiarity at most. Riordan’s inclusion of that conversation highlights its source in the undeniable racism of slave-ownership in America and the Civil War. And it’s important that we all hear that speech. I am a white cis woman. My parents never had that dread, never sat me down to warn me about walking down the street. But I need to know that there are parents who do have that dread, and I need to hear what they say, and to understand how that knowledge, that fear curtails the childhoods of too many children. I need to hear it till it does become a historical peculiarity.

We need to talk too about Sam. We need to talk about an Arab American, hijab-wearing, Muslim protagonist whose faith is important to her, who fasts for Ramadan and believes that doing so will make her stronger despite her friends’ and her fiancé’s fears and their reminders that she does not need to fast for Ramadan if doing so will be harmful to her as they fear it will be. We need to talk about her strength in completing this perilous journey, confronting all of these foes while fasting. We need to talk about her being right, that fasting and observing the religious holiday does make her stronger and better equipped for the final battle of the series. We need to talk about the positive, well-researched representation of Islam and of Ramadan.

We need to talk about Alex—again. In this story, Alex’s Mexican (Tlatilco) heritage becomes more central to his/her story. In today’s America, under this presidency with this rhetoric, positive, respectful, well-researched representations of Mexican Americans are especially important. The Fierros are wealthy businessmen, founders of a successful company that creates high-class, luxury goods and American jobs, further turning about the stereotypical, racist image that the president and others reinforce. His/her Tlatilco heritage further informs his/her views of gender fluidity, duality masks and figurines with two connected heads but one body being among those artifacts from the Tlatilco that have been found. Positive, well-researched, respectful representations of members of the LGBTQIA+ community are also important.

Hearthstone continues to be important. The other protagonists’ reaction to and willing accommodation for Hearthstone continues to be important. Each of the main protagonists from the former books (Magnus, Sam, Blitz, and Alex) uses sign language with Hearth but also with each other. It has become another language in which the friends can communicate. Hearth’s reclaims his othala rune in this story, facing his father and the memory of his brother both.

Magnus, sweet Magnus, is the glue that holds this group together in some ways. He is the narrator and the protagonist and his propensity to protect his friends makes him the primary warrior in the final battle despite the obvious challenges that he faces. His weapon becomes friendship and kindness and love and affirmation, and that ultimately trumps the trash talk that has historically been victorious in this particular battle form: a flyting. Riordan again turns the narrative around, replacing hate and cruelty with love and showing that love trumps hate.

I also need to thank Riordan here.  I knew going into this novel (because it’s all but stated at the end of the second book) that Percy Jackson was going to make an appearance.  Percy swoops in like a deus ex machina in the first book of The Trials of Apollo, the first series within the world of living Greco-Roman mythology where Percy is not a main protagonist.  I feared that he might be overbearing here too.  He was not.  He was subtle.  He was just enough to remind us that the Greco-Roman and the Norse mythologies live and breathe side by side, enough to be fan service but not a primary character or even much more than a footnote, a proper cameo in the novel.

It should also be noted for those following my journey through this series that I did not listen to the audiobook of this novel, and I did not falter on the names.  I have now learnt enough Norse mythology to be comfortable with all the primary characters and make decent guesses at the names of some of the new faces.  So yeah, I guess these books are educational in that sense too.

Magnus Chase means a lot to me.  Magnus as a hero–for his kindness and his compassion and his empathy, a demigod blessed with healing and disarmament rather than skills to be used for fighting (though Jack does a lot of the fighting so that Magnus doesn’t have to)–means a lot to me.  His friends all mean a lot to me too.  I’m glad to have spent these three books with them all.  I hope–and think–that we haven’t seen the last of them, though this series has come to a fitting close.


Riordan, Rick. Magnus Chase and the Gods of Asgard, Book 3: The Ship of the Dead. New York: Hyperion-Disney, 2017.

This review is not endorsed by Rick Riordan, Hyperion Books, or Disney Book Group.  It is an independent, honest review by a reader.

Challenge: Happy Stories in 3 Words


A friend of mine challenged me to write a happy story in three words. This challenge snowballed.

  1. She said yes.
  2. It’s a girl!
  3. I graduated college!
  4. It is done.
  5. This is fun!
  6. Let’s go home.
  7. Come here, boy!
  8. Let’s do lunch.
  9. It is finished.

What happy stories can you write in three words? What’s the least cliché, happy story that you can write in three words? I’m curious: What stories do these three-word stories of mine evoke for you?

Highlight below to find out what I was imagining when I wrote these.

  1. A proposal is accepted, probably a marriage proposal or a request for a date.
  2. A baby is born.
  3. A relieved college student has graduated, just received the notification that she has passed all of her classes and will be allowed to graduate perhaps, or perhaps has walked and now has the ceremony and diploma to prove it.
  4. Someone has completed a long project.
  5. Something someone is doing is fun.
  6. Someone is finally going home.
  7. A pet is found.
  8. Someone’s either going to meet someone for lunch (a happy conclusion on its own) or is perhaps about to have an exciting business meeting.
  9. That’s the Christ story.

Book Review: Ender’s Game Alive Springboards My Dive into the Enderverse


Click to visit the publisher's page for links to order, summary, awards list, behind the scenes videos, and full cast list.

Time for one more reader’s confession: I’ve never before read an Orson Scott Card novel (though I did once read a book of literary criticism about Severus Snape to which he contributed). I was only vaguely aware of the plot of Ender’s Game. The novel and Ender’s Shadow have been sitting on my bookcase for years, but they never seemed to be the books that I wanted to read. As I work through the Valley libraries’ collections of audiobooks, I am also working my way through the books and authors that I probably ought to have already read.

When I found this version of Ender’s Game, Ender’s Game Alive, rewritten by Card as an audioplay, I couldn’t resist. During my brief stint as a London resident, I became fond of radio dramas. My host mother sometimes left the radio on, and I would enjoy snippets from the lives of fictional characters while I cooked or ate. Where that was written to be enjoyed in snippets, to catch a listener up quickly if she’d missed a few episodes, Card wrote Ender’s Game Alive to be enjoyed as a collected whole (more what I expect from an audiobook than a radio drama). Had I skipped a few segments of Ender’s Game, I think I would have been wholly lost.

I was however able to follow and enjoy this dramatization without having read Ender’s Game or having had any other introduction to Ender’s world.

My roommate will tell you that I quite a few nights came home complaining about this dramatization. I was annoyed at the ickiness that the physical fights made me feel, the squeeze of my stomach at the groaning, squelching, cracking, grunting, ringing sound effects. I was distraught as I realized what was happening before Ender did. I was disconcerted by the similarities between Peter’s intentions for Locke and Demosthenes and the nationalism and demagoguery of today. All of that probably means that I really enjoyed this drama and disliked being away from it when I had to turn off the car.

For those who are unaware as I was of the plot Ender’s Game: After Earth’s first two wars with an alien species called the Formics, genius children from every country are monitored to determine their usefulness to the International Fleet (IF). Ender Wiggin is one of these geniuses, the third child in his family, allowed by the government despite a law limiting families to two children because his two siblings both showed such promise before being ruled unfit for combat. Because one officer, Colonel Graff, decides that the Ender is the One, he is taken to Battle School at a younger age than is average and proves himself again and again a creative and unbeatable commander of the other children in their mock battles against rival commanders and armies despite the odds being continually stacked against him by Graff and the other adults in order to speed his training. He rises very swiftly up the ranks, ultimately joining Commander’s School, where he is eventually reunited with some of his friends from Battle School, and they are tested with a string of rigorous battles, each commanding fleets, and Ender commanding the commanders.

By contrasting Ender with Mazer Rackham, an independent thinker who operates best alone and with all of the less successful commanders in Battle School and with his two siblings who were never given the chance to try, Card says an amazing amount about the type of commander that he believes is best. Ender is an independent thinker, but operates best with a team of loyal friends, whose trust he has earned, and with whom he spends time and maintains relationships.

At some point within the novel, Graff admits that it is Ender’s capacity for love (for his sister and for humanity) that make Ender the One leader that humanity has needed. He values friendship and values cooperation more so than many of the other leaders of Battle School. Soldiers become friends and become loyal to him instead of merely obeying his orders out of fear or duty. As often as he can, he will avoid conflict, but when he does fight, he is calculating and vicious, making sure that battle need only happen once and that he will be victorious.

The ending of the book reminds readers that war is always a tragedy, that diplomacy should always be attempted, that the defeated of any battle are not nameless nor faceless nor without their own victories and histories, that winners of wars are not left untainted and unscarred by their victory.

This version of the tale is largely “narrated” by Colonel Graff and Major Jayadi, a character who seems to have been created for this dramatization (again, this is my introduction to Ender’s world), and whose role seems mainly to be as a child psychologist. The two bicker over Ender’s care and dissect his thoughts and actions from videos from his feed and then from surveillance videos at Battle School. It’s an excellent way to get around not having any actual narration, a way to show both thoughts and action while the reader is allowed only dialogue and sound effects—although such a go-around is largely only possible within a science-fiction such as this. With a huge cast and no dialogue tags, that each character has a specific voice actor helps to keep the cast straight. The child voice actors don’t sound as young as the characters that they claim to be, but this is much as films and television series almost always cast characters in adaptations as older, particularly when these children are asked to take on adult problems. The different accents here help not only to keep the voices distinct but also to underline the I in the IF. I appreciate that Card’s wonderfully diverse cast, that he didn’t let the chance at international cooperation slide past (despite knowing that after this novel, the countries of the world descend again into chaos). One of Ender’s commanders is one of only a few girls in the IF. One of his commanders is a Muslim from North Africa who references Allah and uses Arabic within the text. Another is Jewish and Israeli. Another grew up as an urchin on the streets of Rotterdam. One of the first children in Battle School to be kind to Ender is Japanese. The values and histories of each character’s home nation are allowed to inform the character.

I was struck in this book by Card’s decision to give the kids of the novel power through language. Ender denies his given name, Andrew, in favor of the name that his sister called him before she could say Andrew. The adults of the novel recognize that Ender is the name that he calls himself and so use this name. It’s the children’s Battle School slang that gets adopted by the adults as they spend more time with Ender. His team, for example, is called a jeesh, a term first used and defined by Alai, an enemy of Ender’s who becomes one of his closest friends.

I think because of how this story echoes today’s politics, I can’t let it go. I continue thinking about it, two weeks later, and am drawn to Card’s newest book, Children of the Fleet, despite not having read any intervening novels. I’ve begun another of his audiobooks already.


Card, Orson Scott. Ender’s Game Alive: The Full-Cast Audioplay. Exec. Prod. Steve Feldberg and Wil Snape. Prod. Stefan Rudnicki, Gabrielle de Cuir, and Mike Charzuk. Dir. Gabrielle de Cuir. Skyboat-Brilliance with Audible, 2013. Audioplay, 7 CDs.

This review is not endorsed by Orson Scott Card, Skyboat Media, Brilliance Audio, Inc, Audible, Inc, or anyone involved in the production of the book or audioplay.  It is an independent, honest review by a reader.