This first book ends on something of a cliffhanger! I was unprepared. I went out and bought the second in the series—new not used—when I could not get it from the library, something that is becoming for me quite rare for me unless I can get the book at half its list price. The first book’s cover has intrigued me for a long time with its buoyant protagonist in turn of the 20th century garb, surrounded by crows and being trailed by one bright canary.
Xu did something neat by having the cover art of the first book run neatly into the action of the book, the cover serving as—if not the first page then—the prologue to the novel. (In the second book the cover does not serve as an opening for the story, but the title page and edition notice do.)
I was not expecting when I opened this novel to find a steampunk-y science-fiction/fantasy about warring countries and conscious war machines.
I was not displeased.
Where are my Legend of Korra fans? I was getting some serious Republic City vibes from Nautilene.
Blue masquerades as a boy to remain a part of the found family of newsboys that she has found at The Bugle, a family managed by the paper’s owner (who is also the city’s mayor) and his wife, who uses a wheelchair. Blue shares her secret only with Mrs. Nancy and an older boy who has left the Nancys’ home and is now a reporter in the capitol city—and he knows her secret because he was the one who found an orphaned girl on the street and invited her to the Nancys’ found family.
This first is a story about finding family, about truth and propaganda, about embracing truth, about morality, about personal autonomy.
Both books discuss the effect of war on civilians.
The second book gets into more of the grit of the war. I love how much of the politics of war Xu includes in this book supposedly written for children; she gives her intended audience ample credit. This book expands on the way war changes the civilians’ mindsets on both sides as well as the cost of war and empire-building on colonies.
Blue chases after the friend that she made in the first book who turns out to be an automaton that controls a fleet of weaponized airships for the country of Goswing. She is abducted by a spy who has been working as Jack Jingle’s assistant. The spy, a girl about Blue’s age, reveals herself on the sea crossing to be a mixed-race child like Blue. Rejoining the Grimmaean air fleet, the pair are immediately shot down—by the Grimmaeans who distrust the spy, Snow, and her transgender brother, Red, who is Snow’s getaway pilot.
The three mixed-race children and Crow help to stop the war by making the adults in the room see reason—with the help of a natural disaster caused by the fighting that destroys a vital fuel source for the emerging world. But this is a book that gives me hope that a new generation can undo an old world’s prejudices, violence, and imperialism.
This second book deals with the prejudices that are ignited and are inflamed by governments to justify and sustain war and the prejudice.
We are introduced to another differently abled person in Goswish’s young, newly crowned queen who is blind but has learned to use a form of modified echolocation to help her navigate. She fears that her people will think her weak for being blind, but she proves an able and wise ruler.
In reading the second book particularly I noticed the fairy tale inspiration for the characters and their names. The Goswish take their inspiration from Mother Goose’s rhymes while the Grimmaeans take inspiration from Grimm’s. Blue herself echoes Little Boy Blue, and the queen is advised by a team of Jacks (Jack being a name that a person takes as part of the team): Jingle, Horner, Nimble, and Anory. There are Grimmaean twins named Snow-White and Rose-Red, and there’s brave little Leonhart Tailor and the kings Jacob and Wilhelm. It’s exciting to see someone doing something so different with fairy tales and clashing fairy tale characters when their worlds collide. This series is at once a fairy tale reimagining and a timely, original story of war and prejudice.
It is strongly hinted I think though never confirmed that Leo and Hector become a romantic pair.
This series feels complete to me. I don’t think that there will be a book 3.
Xu, Ru. NewsPrints, Book 1. New York: Graphix-Scholastic, 2017.
Xu, Ru. NewsPrints, Book 2: EndGames. New York: Graphix-Scholastic, 2019.
Intended audience: Ages 8-12, Grades 3-7.
This review is not endorsed by Ru Xu, Graphix, or Scholastic Inc. It is an independent, honest review by a reader.